Portrait of Carmen (mono)

~ Veröffentlichung von Carmen McRae (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1I'm Always Drunk in San Francisco
Bass:
Ray Brown (jazz bassist) (am 1967-11-27)
Bassposaune:
George Roberts (american bass trombone) (am 1967-11-27)
Bratsche / Viola [2 violas], Cello [2 celli] und Geige / Violine [8 violins]:
unidentified ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-11-27)
Gitarre:
Tommy Tedesco (guitar) (am 1967-11-27)
Harfe:
Ann Mason (American harpist) (am 1967-11-27)
Klavier:
Norman Simmons (am 1967-11-27)
Perkussion:
Dale Anderson (percussionist) (am 1967-11-27)
Posaune:
Joe Howard (american trombone player) (am 1967-11-27) und Dick Nash (am 1967-11-27)
Saxophon:
Gene Cipriano (am 1967-11-27), Dominick Fera (am 1967-11-27), Justin Gordon (am 1967-11-27), John Lowe (woodwind) (am 1967-11-27) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1967-11-27)
Schlagzeug:
Victor Feldman (jazz musician) (am 1967-11-27) und Jack Sperling (drummer) (am 1967-11-27)
Trompete:
John Audino (am 1967-11-27), James Salko (am 1967-11-27) und Jimmy Zito (am 1967-11-27)
Waldhorn:
Dick Perissi (am 1967-11-27) und Henry Sigismonti (am 1967-11-27)
vocals:
Carmen McRae (am 1967-11-27)
conductor:
Gene DiNovi (am 1967-11-27)
arranger:
Gene DiNovi
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-27)
recording of:
I’m Always Drunk in San Francisco (am 1967-11-27)
Texter und Komponist(in):
Tommy Wolf (US pianist/composer)
3:01
A2Elusive Butterfly
Bass:
Ray Brown (jazz bassist) (am 1967-11-28)
Bassposaune:
George Roberts (american bass trombone) (am 1967-11-28)
Cello [2 celli] und Geige / Violine [6 violins]:
unidentified ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-11-28)
flute:
Gene Cipriano (am 1967-11-28) und Harry Klee (am 1967-11-28)
Gitarre:
Dennis Budimir (am 1967-11-28) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1967-11-28)
Klavier:
Norman Simmons (am 1967-11-28)
Perkussion:
Victor Feldman (jazz musician) (am 1967-11-28) und Louis Singer (percussionist) (am 1967-11-28)
Posaune:
Lew McCreary (am 1967-11-28)
Schlagzeug:
Earl Palmer (am 1967-11-28)
Waldhorn:
David Duke (horn) (am 1967-11-28), William Hinshaw (American horn player) (am 1967-11-28) und Henry Sigismonti (am 1967-11-28)
vocals:
Carmen McRae (am 1967-11-28)
conductor:
Shorty Rogers (trumpet) (am 1967-11-28)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-28)
recording of:
Elusive Butterfly (am 1967-11-28)
Texter und Komponist(in):
Bob Lind
publisher:
Metric Music Ltd.
2:59
A3Day by Day
Bass:
Ray Brown (jazz bassist) (am 1967-11-29)
Bassposaune:
Ernie Tack (am 1967-11-29)
Gitarre:
John Collins (US jazz guitarist) (am 1967-11-29)
Klavier:
Norman Simmons (am 1967-11-29)
Posaune:
Lou Blackburn (am 1967-11-29), Billy Byers (am 1967-11-29) und Frank Rosolino (am 1967-11-29)
Saxophon:
Buddy Collette (am 1967-11-29), William Green (woodwind) (am 1967-11-29), Anthony Ortega (jazz saxophonist) (am 1967-11-29) und Frank Strozier (am 1967-11-29)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1967-11-29)
Trompete:
Bob Bryant (am 1967-11-29), Conte Candoli (am 1967-11-29), Freddie Hill (trumpet) (am 1967-11-29) und Al Porcino (am 1967-11-29)
vocals:
Carmen McRae (am 1967-11-29)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1967-11-29)
arranger:
Oliver Nelson (saxophone, arranger, composer)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-29)
recording of:
Day by Day (am 1967-11-29)
Texter:
Sammy Cahn
Komponist(in):
Axel Stordahl und Paul Weston
publisher:
Barton Music Corp. und Hanover Music Corp.
2:25
A4When You Get Around to Me
Bass:
Ray Brown (jazz bassist) (am 1967-11-28)
Bassposaune:
George Roberts (american bass trombone) (am 1967-11-28)
Cello [2 celli] und Geige / Violine [6 violins]:
unidentified ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-11-28)
flute:
Gene Cipriano (am 1967-11-28) und Harry Klee (am 1967-11-28)
Gitarre:
Dennis Budimir (am 1967-11-28) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1967-11-28)
Klavier:
Norman Simmons (am 1967-11-28)
Perkussion:
Victor Feldman (jazz musician) (am 1967-11-28) und Louis Singer (percussionist) (am 1967-11-28)
Posaune:
Lew McCreary (am 1967-11-28)
Schlagzeug:
Earl Palmer (am 1967-11-28)
Waldhorn:
David Duke (horn) (am 1967-11-28), William Hinshaw (American horn player) (am 1967-11-28) und Henry Sigismonti (am 1967-11-28)
vocals:
Carmen McRae (am 1967-11-28)
conductor:
Shorty Rogers (trumpet) (am 1967-11-28)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-28)
recording of:
When You Get Around to Me (am 1967-11-28)
Verfasser(in):
Richard Ahlert
2:54
A5Walking Happy
Bass:
Ray Brown (jazz bassist) (am 1967-11-29)
Bassposaune:
Ernie Tack (am 1967-11-29)
Gitarre:
John Collins (US jazz guitarist) (am 1967-11-29)
Klavier:
Norman Simmons (am 1967-11-29)
Posaune:
Lou Blackburn (am 1967-11-29), Billy Byers (am 1967-11-29) und Frank Rosolino (am 1967-11-29)
Saxophon:
Buddy Collette (am 1967-11-29), William Green (woodwind) (am 1967-11-29), Anthony Ortega (jazz saxophonist) (am 1967-11-29) und Frank Strozier (am 1967-11-29)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1967-11-29)
Trompete:
Bob Bryant (am 1967-11-29), Conte Candoli (am 1967-11-29), Freddie Hill (trumpet) (am 1967-11-29) und Al Porcino (am 1967-11-29)
vocals:
Carmen McRae (am 1967-11-29)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1967-11-29)
arranger:
Oliver Nelson (saxophone, arranger, composer)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-29)
recording of:
Walking Happy (am 1967-11-29)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
2:33
A6My Very Own Person
Bass:
Ray Brown (jazz bassist) (am 1967-11-27)
Bassposaune:
George Roberts (american bass trombone) (am 1967-11-27)
Bratsche / Viola [2 violas], Cello [2 celli] und Geige / Violine [8 violins]:
unidentified ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-11-27)
Gitarre:
Tommy Tedesco (guitar) (am 1967-11-27)
Harfe:
Ann Mason (American harpist) (am 1967-11-27)
Klavier:
Norman Simmons (am 1967-11-27)
Perkussion:
Dale Anderson (percussionist) (am 1967-11-27)
Posaune:
Joe Howard (american trombone player) (am 1967-11-27) und Dick Nash (am 1967-11-27)
Saxophon:
Gene Cipriano (am 1967-11-27), Dominick Fera (am 1967-11-27), Justin Gordon (am 1967-11-27), John Lowe (woodwind) (am 1967-11-27) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1967-11-27)
Schlagzeug:
Victor Feldman (jazz musician) (am 1967-11-27) und Jack Sperling (drummer) (am 1967-11-27)
Trompete:
John Audino (am 1967-11-27), James Salko (am 1967-11-27) und Jimmy Zito (am 1967-11-27)
Waldhorn:
Dick Perissi (am 1967-11-27) und Henry Sigismonti (am 1967-11-27)
vocals:
Carmen McRae (am 1967-11-27)
conductor:
Benny Carter (am 1967-11-27)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-27)
recording of:
My Very Own Person (am 1967-11-27)
Texter:
Spence Maxwell
Komponist(in):
Gene di Novi
2:55
B1Ask Any Woman
Bass:
Ray Brown (jazz bassist) (am 1967-11-28)
Bassposaune:
George Roberts (american bass trombone) (am 1967-11-28)
Cello [2 celli] und Geige / Violine [6 violins]:
unidentified ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-11-28)
flute:
Gene Cipriano (am 1967-11-28) und Harry Klee (am 1967-11-28)
Gitarre:
Dennis Budimir (am 1967-11-28) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1967-11-28)
Klavier:
Norman Simmons (am 1967-11-28)
Perkussion:
Victor Feldman (jazz musician) (am 1967-11-28) und Louis Singer (percussionist) (am 1967-11-28)
Posaune:
Lew McCreary (am 1967-11-28)
Schlagzeug:
Earl Palmer (am 1967-11-28)
Waldhorn:
David Duke (horn) (am 1967-11-28), William Hinshaw (American horn player) (am 1967-11-28) und Henry Sigismonti (am 1967-11-28)
vocals:
Carmen McRae (am 1967-11-28)
conductor:
Shorty Rogers (trumpet) (am 1967-11-28)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-28)
recording of:
Ask Any Woman (am 1967-11-28)
Verfasser(in):
Gerard Robert Langley (songwriter with Jimmy Stewart) und James Johnston Stewart
2:58
B2Boy, Do I Have a Surprise for You
Bass:
Ray Brown (jazz bassist) (am 1967-11-27)
Bassposaune:
George Roberts (american bass trombone) (am 1967-11-27)
Bratsche / Viola [2 violas], Cello [2 celli] und Geige / Violine [8 violins]:
unidentified ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-11-27)
Gitarre:
Tommy Tedesco (guitar) (am 1967-11-27)
Harfe:
Ann Mason (American harpist) (am 1967-11-27)
Klavier:
Norman Simmons (am 1967-11-27)
Perkussion:
Dale Anderson (percussionist) (am 1967-11-27)
Posaune:
Joe Howard (american trombone player) (am 1967-11-27) und Dick Nash (am 1967-11-27)
Saxophon:
Gene Cipriano (am 1967-11-27), Dominick Fera (am 1967-11-27), Justin Gordon (am 1967-11-27), John Lowe (woodwind) (am 1967-11-27) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1967-11-27)
Schlagzeug:
Victor Feldman (jazz musician) (am 1967-11-27) und Jack Sperling (drummer) (am 1967-11-27)
Trompete:
John Audino (am 1967-11-27), James Salko (am 1967-11-27) und Jimmy Zito (am 1967-11-27)
Waldhorn:
Dick Perissi (am 1967-11-27) und Henry Sigismonti (am 1967-11-27)
vocals:
Carmen McRae (am 1967-11-27)
conductor:
Benny Carter (am 1967-11-27)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-27)
3:21
B3Loads of Love
Bass:
Ray Brown (jazz bassist) (am 1967-11-29)
Bassposaune:
Ernie Tack (am 1967-11-29)
Gitarre:
John Collins (US jazz guitarist) (am 1967-11-29)
Klavier:
Norman Simmons (am 1967-11-29)
Posaune:
Lou Blackburn (am 1967-11-29), Billy Byers (am 1967-11-29) und Frank Rosolino (am 1967-11-29)
Saxophon:
Buddy Collette (am 1967-11-29), William Green (woodwind) (am 1967-11-29), Anthony Ortega (jazz saxophonist) (am 1967-11-29) und Frank Strozier (am 1967-11-29)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1967-11-29)
Trompete:
Bob Bryant (am 1967-11-29), Conte Candoli (am 1967-11-29), Freddie Hill (trumpet) (am 1967-11-29) und Al Porcino (am 1967-11-29)
vocals:
Carmen McRae (am 1967-11-29)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1967-11-29)
arranger:
Oliver Nelson (saxophone, arranger, composer)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-29)
recording of:
Loads of Love (am 1967-11-29)
Texter und Komponist(in):
Richard Rodgers (composer)
3:54
B4I Haven't Got Anything Better to Do
Bass:
Ray Brown (jazz bassist) (am 1967-11-27)
Bassposaune:
George Roberts (american bass trombone) (am 1967-11-27)
Bratsche / Viola [2 violas], Cello [2 celli] und Geige / Violine [8 violins]:
unidentified ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-11-27)
Gitarre:
Tommy Tedesco (guitar) (am 1967-11-27)
Harfe:
Ann Mason (American harpist) (am 1967-11-27)
Klavier:
Norman Simmons (am 1967-11-27)
Perkussion:
Dale Anderson (percussionist) (am 1967-11-27)
Posaune:
Joe Howard (american trombone player) (am 1967-11-27) und Dick Nash (am 1967-11-27)
Saxophon:
Gene Cipriano (am 1967-11-27), Dominick Fera (am 1967-11-27), Justin Gordon (am 1967-11-27), John Lowe (woodwind) (am 1967-11-27) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1967-11-27)
Schlagzeug:
Victor Feldman (jazz musician) (am 1967-11-27) und Jack Sperling (drummer) (am 1967-11-27)
Trompete:
John Audino (am 1967-11-27), James Salko (am 1967-11-27) und Jimmy Zito (am 1967-11-27)
Waldhorn:
Dick Perissi (am 1967-11-27) und Henry Sigismonti (am 1967-11-27)
vocals:
Carmen McRae (am 1967-11-27)
conductor:
Gene DiNovi (am 1967-11-27)
arranger:
Gene DiNovi
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-27)
recording of:
I Haven’t Got Anything Better to Do (am 1967-11-27)
Verfasser(in):
Lee Pockriss und Paul Vance (US songwriter and producer)
4:29
B5Wonder Why
Bass:
Ray Brown (jazz bassist) (am 1967-11-29)
Bassposaune:
Ernie Tack (am 1967-11-29)
Gitarre:
John Collins (US jazz guitarist) (am 1967-11-29)
Klavier:
Norman Simmons (am 1967-11-29)
Posaune:
Lou Blackburn (am 1967-11-29), Billy Byers (am 1967-11-29) und Frank Rosolino (am 1967-11-29)
Saxophon:
Buddy Collette (am 1967-11-29), William Green (woodwind) (am 1967-11-29), Anthony Ortega (jazz saxophonist) (am 1967-11-29) und Frank Strozier (am 1967-11-29)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1967-11-29)
Trompete:
Bob Bryant (am 1967-11-29), Conte Candoli (am 1967-11-29), Freddie Hill (trumpet) (am 1967-11-29) und Al Porcino (am 1967-11-29)
vocals:
Carmen McRae (am 1967-11-29)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1967-11-29)
arranger:
Oliver Nelson (saxophone, arranger, composer)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-11-29)
recording of:
Wonder Why (Rich, Young and Pretty) (am 1967-11-29)
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
publisher:
Primary Wave Songs und Robbins Music Corp.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
2:12

Nennungen