Genius & Soul: The 50th Anniversary Collection

~ Veröffentlichung von Ray Charles (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▶CD
5▼CD
Nr.TitelKünstlerBewertungLänge
1Living for the City
cover recording of:
Living for the City
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Stein & Van Stock, Inc. und 大洋音楽 (Taiyō Music)
Ray Charles6:07
2Till There Was You
cover recording of:
Till There Was You (The Music Man)
Texter und Komponist(in):
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing und Rinimer Corp.
Teil von:
The Music Man
Ray Charles5:50
3Am I Blue
cover recording of:
Am I Blue?
Texter:
Grant Clarke
Komponist(in):
Harry Akst
publisher:
EMI Music Publishing (do not use as a release label!), Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles7:12
4How Long Has This Been Going On
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
Ray Charles5:25
5The Jealous Kind
cover recording of:
The Jealous Kind
Texter:
Bobby Charles
Komponist(in):
Robert Guidry
publisher:
Music Patch (BMI-affiliated)
Ray Charles34:41
6Is There Anyone Out There?
Ray Charles6:00
7Don’t You Love Me Anymore?
cover recording of:
Don’t You Love Me Anymore?
Verfasser(in):
Carole Bayer Sager und Bruce Roberts (American singer-songwriter)
publisher:
Jonathan Three Music Co., The EMP Company, The Times Square Music Publishing Company, Trio Music Company, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Ray Charles5:32
8One of These Days
cover recording of:
One of These Days
Texter und Komponist(in):
Barry Manilow
publisher:
Kamikazee Music (beendet), Kamakazi Music Corporation, Universal Music Careers und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ray Charles3:35
9Seven Spanish Angels
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Akustikgitarre:
Dale Sellers (Nashville session guitarist) (in 1984)
Bass:
Robert Wray (in 1984)
Keyboard:
Hargus "Pig" Robbins (in 1984)
klassiche Gitarre [gut string guitar]:
Pete Bordonali (in 1984) und Billy Sanford (guitar) (in 1984)
Mundharmonika:
Terry McMillan (in 1984)
Saiteninstrumente:
The “A” Strings (in 1984)
Schlagzeug:
Kenneth Malone (session drummer/percussion) (in 1984)
Steel-Gitarre:
Pete Drake (steel guitar player) (in 1984)
Trompete:
Bill McElhiney (in 1984) und Jose McElhiney (in 1984)
Hintergrundgesang:
Louis Nunley (in 1984), Lisa Silver (in 1984), Diane Tidwell (in 1984) und Hurshel Wiginton (in 1984)
Sologesang:
Ray Charles (soul musician, singer and songwriter) (in 1984) und Willie Nelson (in 1984)
conductor:
Bill McElhiney (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
aufgenommen bei:
Eleven Eleven Studio in Nashville, Tennessee, Vereinigte Staaten (in 1984) und Pedernales Recording Studio in Spicewood, Texas, Vereinigte Staaten (in 1984)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 24)
recording of:
Seven Spanish Angels (in 1984)
Verfasser(in):
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist) und Eddie Setser (In Groups: James Brown And The Dapps, Jellyroll, The Dapps)
publisher:
WB Music Group
Ray Charles with Willie Nelson3.253:54
10We Didn’t See a Thing
Akustikgitarre:
Pete Bordonali und Billy Sanford (guitar)
Bass:
Henry Strzelecki
E-Gitarre:
Reggie Young (guitarist and songwriter)
Gitarre:
Chet Atkins
Keyboard:
Bobby Ogdin und Hargus “Pig” Robbins
Mundharmonika:
Terry McMillan
Perkussion:
Ron Reynolds
Resonatorgitarre [dobro]:
Pete Drake (steel guitar player)
Schlagzeug:
Kenneth Malone (session drummer/percussion)
Steel-Gitarre:
Buddy Emmons
Interpret(in):
George Jones (US country music vocalist)
recording of:
We Didn’t See a Thing
Texter und Komponist(in):
Gary Lee Gentry
Ray Charles with George Jones, featuring Chet Atkins2:14
11Two Old Cats Like Us
Akustikgitarre:
Dale Sellers (Nashville session guitarist)
Bass:
Henry Strzelecki
E-Gitarre:
Pete Bordonali und Billy Sanford (guitar)
Keyboard:
Bobby Wood (American pianist, keyboard player and songwriter)
Mundharmonika:
Terry McMillan
Saxophon:
Denis Solee
Schlagzeug:
Jerry Carrigan (US drummer)
Steel-Gitarre:
Pete Drake (steel guitar player)
Hintergrundgesang:
Louis Nunley, Lisa Silver, Diane Tidwell und Hurshel Wiginton
Interpret(in):
Ray Charles (soul musician, singer and songwriter) und Hank Williams, Jr.
recording of:
Two Old Cats Like Us
Texter und Komponist(in):
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
Ray Charles with Hank Williams, Jr.32:39
12Shake Your Tailfeather
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper und Matt Murphy (US blues guitarist)
Keyboard:
Murphy Dunne
Saxophon:
Tom “Bones” Malone (US trombonist) und Lou Marini
Schlagzeug:
Willie "Too Big" Hall
Trompete:
Al Rubin
Hintergrundgesang:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) und Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
Sologesang:
Ray Charles (soul musician, singer and songwriter)
Interpret(in):
Blues Brothers (blues/soul revivalist band with Dan Aykroyd)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
cover recording of:
Shake a Tail Feather
Verfasser(in):
Andre Williams (US RnB vocalist/musician/producer/songwriter), Otha Hayes und Verlie Rice
publisher:
Edward Kassner Music Co. Ltd., Spirit One Music und Vapac Music Publishing Inc.
Ray Charles with The Blues Brothers3.952:50
13I’ll Be Good to You
Synthesizer-Programmierung:
Michael Boddicker (in 1989), Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (in 1989), Steve Porcaro (in 1989) und Ian Underwood (in 1989)
Produzent(in):
Quincy Jones
Bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1989)
Gitarre:
George Johnson (member of Brothers Johnson, guitar) (in 1989)
Keyboard:
David Paich (in 1989), Greg Phillinganes (in 1989) und Ian Prince (US arranger/producer/composer) (in 1989)
Schlagzeug:
Harvey Mason (jazz drummer) (in 1989) und Bruce Swedien (in 1989)
Hintergrundgesang:
Siedah Garrett (in 1989), James Ingram (R&B singer) (in 1989), James Gilstrap (in 1989), George Johnson (member of Brothers Johnson, guitar) (in 1989), Louis Johnson (bass, member of Brothers Johnson) (in 1989), Phil Perry (US R&B/jazz singer, songwriter & musician) (in 1989) und Syretta Wright (US singer‐songwriter active 1970s–80s) (in 1989)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1989) und Chaka Khan (in 1989)
arranger:
Quincy Jones
cover recording of:
I’ll Be Good to You (in 1989)
Verfasser(in):
George Johnson (member of Brothers Johnson, guitar) und Louis Johnson (bass, member of Brothers Johnson)
Quincy Jones feat. Ray Charles & Chaka Khan14:57
14That’s Where It’s At
Solo-alto saxophone:
David “Fathead” Newman (American jazz saxophonist)
Sologesang:
Ray Charles (soul musician, singer and songwriter)
cover recording of:
That’s Where It’s At
Verfasser(in):
James Woodie Alexander und Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Lou Rawls with Ray Charles3:15
15A Song for You
cover recording of:
A Song for You
Texter und Komponist(in):
Leon Russell
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ray Charles24:17
16Still Crazy After All These Years
cover recording of:
Still Crazy After All These Years
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Sony/ATV Songs LLC, DeShufflin Limited (in 1975) und Paul Simon Music (in 1975)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ray Charles6:24
17[silence]
Ray Charles1.726 ms

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1478038 [Info]