Only In America: Atlantic Soul Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

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1The Ghetto, Parts 1 & 2
registrazione di:
The Ghetto (Donny Hathaway)
autore:
Donny Hathaway e Leroy Hutson
editore:
Don‐Pow e Peer International (BMI; Peer Int'l or Peer-International)
sub-editore:
Peermusic (UK) Ltd.
Donny Hathaway6:53
2(There's Gonna Be A) Showdown
archi :
Don Renaldo and His String Section (il 1968-11-01)
basso [electric bass] :
Ronnie Baker (bass) (il 1968-11-01)
batteria :
Earl Young (il 1968-11-01)
chitarra :
Roland Chambers (il 1968-11-01) e Norman Harris (American Philly Soul guitarist, producer, and songwriter) (il 1968-11-01)
corno :
Sam Reed and His Horn Section (il 1968-11-01)
organo :
Thom Bell (keyboards, songwriter, producer) (il 1968-11-01)
percussione :
Vince Montana (il 1968-11-01)
pianoforte :
Leon Huff (Philly soul producer, of Gamble & Huff) (il 1968-11-01)
vibrafono :
Bobby Martin (US soul/R&B producer/arranger) (il 1968-11-01)
voce:
Archie Bell (vocals, of Archie Bell & the Drells) (il 1968-11-01)
arrangiatore:
Thom Bell (keyboards, songwriter, producer) e Bobby Martin (US soul/R&B producer/arranger)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (il 1968-11-01)
registrazione di:
(There’s Gonna Be a) Showdown
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
EMI Blackwood Music Inc., Mijac Double Diamond Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Archie Bell & the Drells2:54
3What a Man
registrazione cover di:
What a Man
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Laura Lee2:56
4Baby Don't You Do It
Alvin Robinson2:25
5Suspicious Minds
esecutore:
The Dixie Flyers (Criteria Studio house band) e Dee Dee Warwick
registrazione cover di:
Suspicious Minds
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Dee Dee Warwick3:18
6She’s a Burglar
Howard Tate2:40
7Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer, b. 1969) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:50
8Thin Line Between Love and Hate
The Persuaders3:23
9Until You Come Back to Me (That’s What I’m Gonna Do)
tecnico:
Lew Hahn
produttore:
Aretha Franklin, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Chuck Rainey (American bassist) (il 1973-09-07)
batteria :
Bernard “Pretty” Purdie (il 1973-09-07)
chitarra :
Hugh McCracken (il 1973-09-07)
flauto solista :
Joe Farrell (il 1973-09-07)
organo :
Richard Tee (il 1973-09-07)
pianoforte e voce principale:
Aretha Franklin (il 1973-09-07)
pianoforte elettrico :
Donny Hathaway (il 1973-09-07)
sintetizzatore :
Ken Bichel (keyboardist) (il 1973-09-07)
voce di accompagnamento:
Margaret Branch (il 1973-09-07), Ann S. Clark (il 1973-09-07) e Pat Smith (soul vocalist) (il 1973-09-07)
arrangiatore:
Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1973-09-07)
registrazione di:
Until You Come Back to Me (That’s What I’m Gonna Do) (il 1973-09-07)
autore:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul e Stevie Wonder
editore:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau e Stone Agate Music
Aretha Franklin4.353:26
10Love, Love, Love
Donny Hathaway3:23
11Ridin’ High
registrazione di:
Ridin' High
autore:
Margie Joseph (Rhythm and blues, soul and gospel singer) e Arif Mardin
Margie Joseph3:26
12I’ll Be Around
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
registrazione di:
I’ll Be Around (nel 1973)
compositore:
Thom Bell (keyboards, songwriter, producer) e Phil Hurtt
editore:
Mighty Three Music Ld. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:11
13Love Won’t Let Me Wait
registrata a:
Philadelphia, Pennsylvania, Stati Uniti (nel 1974)
produttore:
Bobby Eli
archi e ottoni [horns] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1974)
batteria [drums] :
Earl Young (nel 1974)
chitarra :
Bobby Eli (nel 1974)
chitarra basso [bass] :
Ronnie Baker (nel 1974)
tastiera :
Ron Kersey (nel 1974)
vibrafono [vibes] :
Vince Montana (nel 1974)
voce:
Major Harris (nel 1974)
arrangiatore archi e arrangiatore ottoni [horns] :
Don Renaldo
arrangiatore:
Bobby Eli
registrazione di:
Love Won’t Let Me Wait (nel 1974)
autore:
Vinnie Barrett e Bobby Eli
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Winot Music
Major Harris5:31
14Kiss My Love Goodbye
registrazione di:
Kiss My Love Goodbye
autore:
Tony Bell (American 1970s musician, songwriter & engineer) e Phil Hurtt
Bettye Swann3:22
15I Can Understand It
The Valentinos3:58
16Time
Jackie Moore3:28
17Could It Be I’m Falling in Love
registrazione di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4:11
18Sideshow
tecnico:
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) e Joe Tarsia (engineer)
produttore:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
voce:
Blue Magic (US R&B/soul vocal quintet) (nel 1973)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1973)
direttore d'orchestra:
Don Renaldo (nel 1973: ottoni [horns], archi)
arrangiatore archi e arrangiatore ottoni [horns] :
Don Renaldo
arrangiatore:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrazione di:
Sideshow (nel 1973)
autore:
Bobby Eli e Gwendolyn Hines Woolfolk
editore:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zella Music
Blue Magic54:10
19Save Your Love for Me
Vivian Reed3:17
20Supernatural Thing, Part 1
Ben E. King4:11
21It’s All Right Now
Eddie Harris3:56

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