The Best of Soft Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Partial re release of "Classic Soft Rock" with one different CD set.

Anmerkung zuletzt geändert am 2020-04-04 01:18 UTC.

Titelliste

1▶CD: More Than a Feeling (disc 1)
2▶CD: More Than a Feeling (disc 2)
3▶CD: Ride Like the Wind (disc 1)
4▶CD: Ride Like the Wind (disc 2)
5▶CD: Summer Breeze (disc 1)
6▶CD: Summer Breeze (disc 2)
7▶CD: California Dreamin’
8▶CD: The Air That I Breathe
9▶CD: Into the Night (disc 1)
10▼CD: Into the Night (disc 2)
Nr.TitelKünstlerBewertungLänge
1Daniel
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Davey Johnstone
Bassgitarre:
Dee Murray
Hybrid-Piano und mellotron und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug und Maracas / Rumba-Rasseln:
Nigel Olsson
Synthesizer:
Ken Scott (UK record producer & engineer)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Daniel
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Songs of PolyGram International, Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal–Songs of PolyGram International, Inc.
Elton John3.53:54
2I Need You
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Akustikgitarre:
Dewey Bunnell
Bassgitarre und Klavier und Sologesang:
Gerry Beckley
Schlagzeug:
Dave Atwood
zwölfsaitige Gitarre:
Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
I Need You
Texter und Komponist(in):
Gerry Beckley
America3.553:05
3(Your Love Has Lifted Me) Higher and Higher
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1977)
cover recording of:
(Your Love Keeps Lifting Me) Higher and Higher
Verfasser(in):
Gary Jackson (songwriter), Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Rita Coolidge54:01
4Escape (The Piña Colada Song)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1979) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 89)
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:54
5I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:38
6On and On
Sound-Engineering:
Henry Lewy
assistierende(r) Techniker(in):
Leslie Jones (recording engineer) und Helen Silvani
Produzent(in):
Stephen Bishop (American singer-songwriter) und Henry Lewy
Akustikgitarre, Hintergrundgesang und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
Mac Cridlin (bass)
E-Gitarre:
Andrew Gold
Hybrid-Piano:
Barlow Jarvis (American pianist, keyboardist and songwriter)
Marimba, Perkussion und Vibraphon:
Victor Feldman (jazz musician)
Schlagzeug:
Larry Brown (US producer, engineer, drummer and percussionist)
Steel-Gitarre:
Michael Staton
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1976), Geffen Records (in 1976) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
On and On
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Downtown Music Publishing International Inc., Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Stephen Bishop3:01
7Tempted
Produzent(in):
Roger Bechirian und Elvis Costello
Bass:
John Bentley (UK bassist, member of Squeeze)
Gitarre:
Chris Difford und Glenn Tilbrook
Keyboard und Sologesang:
Paul Carrack
Schlagzeug:
Gilson Lavis
Hintergrundgesang:
Elvis Costello und Glenn Tilbrook
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 82)
recording of:
Tempted
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Illegal Songs Inc.
Squeeze4.154:01
8The Things We Do for Love
assistierende(r) Techniker(in) und assistierende(r) Mix:
Tony Spath
Techniker(in), Mix und Editing:
Eric Stewart
Produzent(in):
10cc, Graham Gouldman, Mastermix Music Limited und Eric Stewart
Akustikgitarre, Bassgitarre, E-Gitarre, Händeklatschen und Tamburin:
Graham Gouldman (in 1976)
Gitarre, Orgel und Klavier und Hintergrundgesang und Sologesang:
Eric Stewart (in 1976)
Schlagzeug, gong, Händeklatschen und Tamburin:
Paul Burgess (UK rock drummer) (in 1976)
Hintergrundgesang:
Graham (in 1976)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
aufgenommen bei:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1976)
Musikvideos:
The Things We Do for Love von 10cc und The Things We Do for Love von 10cc
recording of:
The Things We Do for Love (in 1976)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. und Man-Ken Music Ltd. (in 1977)
10cc4.553:33
9The Best of Times
assistierende(r) Techniker(in):
Will Rascati
Techniker(in):
Rob Kingsland und Gary Loizzo
Produzent(in):
Styx (rock band from Chicago)
Bassgitarre und Basspedal:
Chuck Panozzo
Gitarre:
Tommy Shaw (of Styx) und James Young (member of Styx, guitarist, singer and songwriter)
Horn:
Dan Barber, John Haynor (horn), Mark Ohlsen (Trumpet), Mike Halpin (Trombone) und Bill Simpson (horn)
Keyboard und Sologesang:
Dennis DeYoung
Schlagzeug und Perkussion:
John Panozzo
vocals:
Tommy Shaw (of Styx) und James Young (member of Styx, guitarist, singer and songwriter)
Horn arranger:
Ed Tossing
arranger:
Styx (rock band from Chicago)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981)
aufgenommen bei und mixed at:
Pumpkin Studios in Oak Lawn, Illinois, Vereinigte Staaten
recording of:
The Best of Times
Texter und Komponist(in):
Dennis DeYoung
publisher:
Stygian Songs (publishing company for the rock band Styx) (in 1980)
Styx3.854:21
10Cry
Produzent(in):
Godley & Creme und Trevor Horn
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1985) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1985)
recorded by:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
recording of:
Cry
Verfasser(in):
Lol Creme und Kevin Godley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd. (in 1985)
Godley & Creme43:57
11Your Wildest Dreams
recording engineer und Produzent(in):
Tony Visconti
aufgenommen bei:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Your Wildest Dreams
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
The Moody Blues4.54:52
12Higher Love
recording of:
Higher Love
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America und Willin' David Music
Steve Winwood5:50
13More Than Words
assistierende(r) Techniker(in):
Craig Doubet (recording engineer)
Techniker(in):
Bob St. John
Produzent(in) und Mix:
Michael Wagener
Bassgitarre:
Pat Badger
Gitarre, Keyboard, Perkussion und Klavier und Hintergrundgesang:
Nuno Bettencourt
Schlagzeug und Perkussion:
Paul Geary
Hintergrundgesang und Sologesang:
Gary Cherone
phonographisches Urheberrecht (℗) von:
A&M Records (in 1990)
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme3.755:37
14I’d Do Anything for Love (but I Won't Do That)
recording of:
I’d Do Anything for Love (but I Won’t Do That)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf5:14
15Do You Feel Like We Do
recording of:
Do You Feel Like We Do
Verfasser(in):
Peter Frampton, Mick Gallagher (UK hammond organ player), John Siomos und Rick Wills
publisher:
Nuages Artists Music Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Peter Frampton57:20

Nennungen

Veröffentlichung

hergestellt in:Mexiko
gedruckt in:Vereinigte Staaten
hergestellt von:Rhino Special Products
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
Universal Music Special Markets
urheberrechtlich geschützt (©) von:Direct Holdings Americas Inc. (in 2013)
phonographisches Urheberrecht (℗) von:Rhino Special Products (in 2006)
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2006)
EMI Music Special Markets (in 2013)
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2019)
produced for und hergestellt für:Time-Life
Discogs:https://www.discogs.com/release/15597672 [Info]
bestellen:https://timelife.com/products/the-best-of-soft-rock [Info]