Verdi: Grand Opera (The Classic Composers - Late Romantic 14)

~ Release by Giuseppe Verdi (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Il trovatore: “Or co' dadi”
choir vocals:
Sofia National Opera Chorus
orchestra:
Sofia National Opera Orchestra
conductor:
Boris Hinchev (conductor)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
5:00
2Don Carlo: “Dio che nell' alma infondere amor”
baritone vocals [Rodrigo]:
Sándor Sólyom‐Nagy (baritone)
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
tenor vocals [Carlo]:
Miklós Albert (Hungarian tenor)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra)
conductor:
András Kórodi (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
4:18
3Macbeth: “La luce langue”
choir vocals:
Magyar Rádió és Televízió énekkara (Hungarian Radio and Television Chorus)
soprano vocals [Lady]:
Sylvia Sass (Hungarian soprano)
orchestra:
Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra)
conductor:
Lamberto Gardelli (conductor)
recording of:
Macbeth: Atto II. N°7b Aria “La luce langue, il faro spegnesi” (Lady)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto II
3:47
4La traviata: “Di Provenza, il mar, il suol”
baritone vocals [Germont]:
Renato Bruson (baritone)
choir vocals:
Fujiwara Opera Chorus
orchestra:
Tokyo Philharmonic Orchestra
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
4:05
5Aida: “Qui Radamès verrà”
soprano vocals [Aida]:
Anna Tomowa‐Sintow (soprano)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Rouslan Raichev (conductor)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
6:59
6I Lombardi: “Gerusalem! Gerusalem!”
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra)
conductor:
Lamberto Gardelli (conductor)
recording of:
I Lombardi: Atto III. N°11 Processione "Gerusalem! ... la grande, la promessa città" (coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto III (La conversione)
5:12
7Un ballo in maschera: “Alla vita che t'arride”
baritone vocals [Renato]:
Roberto Servile (baritone)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4b Cantabile “Alla vita che t'arride” (Renato)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
2:46
8Otello: Orchestral Introduction to Act IV Scene 1
orchestra:
Sofia Symphony Orchestra
conductor:
Vassil Stefanov (Bulgarian conductor)
partial recording of:
Otello: Atto IV
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello
2:55
9Simon Boccanegra: “A te l'estremo addio” - “Il lacerato spirito”
bass vocals [Fiesco]:
Gregor József (Hungarian operatic bass)
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra)
conductor:
Giuseppe Patanè (conductor)
recording of:
Simon Boccanegra: Prologo. “A te l'estremo addio” (Fiesco, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Prologo
recording of:
Simon Boccanegra: Prologo. “Il lacerato spirito” (Fiesco)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Prologo
5:51
10Rigoletto: Prelude
orchestra:
Sofia Symphony Orchestra
conductor:
Vassil Stefanov (Bulgarian conductor)
recording of:
Rigoletto: N°1 Preludio
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
part of:
Rigoletto
part of:
Rigoletto (german lyrics)
part of:
Rigoletto (english lyrics)
2:09
11Rigoletto: “Gualtier Maldé … Caro nome”
soprano vocals [Gilda]:
Daniela Lojarro (soprano)
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
7:18
12Rigoletto: “Ella mi fu rapita!”
tenor vocals [Duca]:
Dénes Gulyás (tenor)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra)
conductor:
János Ferencsik (conductor)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
5:02
13Rigoletto: “Tutte le feste al tempio”
baritone vocals [Rigoletto]:
Roberto Servile (baritone)
soprano vocals [Gilda]:
Elizabeth Carter (soprano)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor)
recording of:
Rigoletto: Atto II. Recitativo “Parla … Siam soli …” / “Tutte le feste al tempio” (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
9:01
14Rigoletto: “Un di, se ben rammentomi“
baritone vocals [Rigoletto]:
Marco Chingari (baritone)
mezzo-soprano vocals [Maddalena]:
Gisella Pasino (mezzo-soprano)
soprano vocals [Gilda]:
Daniela Lojarro (soprano)
tenor vocals [Duca]:
Giuseppe Sabbatini (tenor)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
6:05

Credits

Release

part of:The Classic Composers (International Masters Publishers, UK/Europe edition, Cat# GBP…) (number: Late Romantic 14) (order: 38)
Discogs:https://www.discogs.com/release/25827481 [info]

Release group

part of:The Classic Composers (order: 69)