Ultimate Girls Night In

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Get the Party Started
tecnico di registrazione:
Linda Perry (rock singer‐songwriter & producer) (nel 2001)
tecnico di registrazione aggiunto:
Bernd Burgdorf (nel 2001)
programmazione:
Bernd Burgdorf (nel 2001)
programmazione degli strumenti:
Linda Perry (rock singer‐songwriter & producer) (, nel 2001)
produttore:
Linda Perry (rock singer‐songwriter & producer)
assistente tecnico di missaggio:
Dave Guerrero
tecnico di missaggio:
Dave "Hard Drive" Pensado (mixer) e Dave Guerrero
voce di accompagnamento:
P!nk (American singer/songwriter) (nel 2001)
esecutore:
Linda Perry (rock singer‐songwriter & producer)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2001)
registrata presso:
LP Studios (California, USA) in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 2001)
mixata presso:
The Enterprise (aka Enterprise Studios) in Burbank, California, Stati Uniti
video musicali:
Get the Party Started di P!nk (American singer/songwriter)
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 24)
registrazione di:
Get the Party Started (nel 2001)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Stuck in the Throat
P!nk4.43:13
2Lola’s Theme
produttore:
The Shapeshifters (UK electronic group, aka Shape:UK, and Shapeshifters)
basso :
Simon Marlin
tastiera :
Simon Marlin e Max Reich
voce di accompagnamento:
Nate James e Karen Poole
voce principale:
Cookie (featured vocalist with Shapeshifters)
diritti fonografici (℗) detenuti da:
Nocturnal Groove Ltd. (nel 2004)
registrazione di:
Lola’s Theme
paroliere:
Karen Poole
autore:
Gianni Bini, Sylvia Macura, Simon Marlin, Patrick Moten (producer, arranger, writer, pianist, keyboardist and synthesizer player), Fulvio Perniola, Karen Poole e Max Reich
editore:
AFP-Sony ATV, BMG Platinum Songs (Rosetta), Brightsail, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Éditer à Paris, EMI Music Publishing (do not use as a release label!), EMI Virgin Songs, Inc., Kassner Associated Publishers, Nocturnal Groove, Pay Back Publishing Company, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, Spaced Hands Music, Supreme Songs Ltd, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
What About My Love
cita i testi di:
Love Me Tonight
The Shapeshifters3.53:26
3Young Guns (Go for It)
produttore:
Steve Brown (engineer/music producer) e George Michael
voce:
George Michael
voce di accompagnamento:
Dee C. Lee
video musicali:
Young Guns (Go for It!) di Wham! (British pop-duo)
registrazione di:
Young Guns (Go for It!)
paroliere e compositore:
George Michael
editore:
Morrison Leahy Music Ltd.
Wham!5:12
4Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:25
5Uptown Girl
tecnico di mastering:
Dick Beetham
assistente tecnico:
Daniel Pursey (UK engineer)
tecnico:
Chris Laws (engineer, keyboardist & songwriter) e Daniel Pursey (UK engineer)
produttore e tecnico di missaggio:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
basso :
Steve Pearce (UK bassist)
batteria :
Chris Laws (engineer, keyboardist & songwriter)
famiglia delle chitarre :
Friðrik Karlsson
pianoforte :
Steve Mac (British pop producer/songwriter Steve McCutcheon)
sassofono :
Phil Todd (UK flautist/saxophonist)
strumenti:
Frizzy Karlsson
tromba :
Guy Barker
voce di accompagnamento aggiuntiva:
Andy Caine
esecutore:
Brian, Kian, Mark (Mark Feehily), Nicky e Shane
arrangiatore:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
diritti fonografici (℗) detenuti da:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (nel 2001)
video musicale per:
Uptown Girl di Westlife
registrazione cover di:
Uptown Girl (nel 2001)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
EMI Songs Ltd., CBS Songs Ltd. (nel 1983) e Joelsongs (nel 1983)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Westlife2.353:04
6Cosmic Girl
tecnico e tecnico di missaggio:
Al Stone (UK engineer)
co-produttore:
Jay Kay (English singer, Jamiroquai) e Al Stone (UK engineer)
direttore d'orchestra:
Simon Hale
arrangiatore archi :
Simon Hale e Jay Kay (English singer, Jamiroquai)
arrangiatore:
Jay Kay (English singer, Jamiroquai)
registrazione di:
Cosmic Girl
autore:
Jay Kay (English singer, Jamiroquai) e Derrick McKenzie
editore:
EMI Blackwood Music Inc. e EMI Music Publishing Ltd. (PRS‐affiliated)
Jamiroquai43:48
7On My Knees
esecutore:
Ghostface Killah
registrazione di:
On My Knees
autore:
Tania Boniface, Kim Hoglund (aka Kakemonsteret & Kookie), Tish Martin, Carolyn Owlett, Fitzgerald Scott, Suze Furlonger (collaborated with Mousse T. on "All Nite Long") e Ed Townsed
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), I Q Music Ltd. e Scotland Music
The 411 feat. Ghostface Killah3:07
8Waterfalls
registrazione di:
Waterfalls
autore:
Marqueze Ethridge, Lisa “Left Eye” Lopes e Organized Noize (Atlanta hip-hop production group)
editore:
BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
TLC4:18
9Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:37
10Girls Just Want to Have Fun
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper2:54
119 to 5
produttore:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
batteria :
Richard Schlosser (drummer) (nel 1980)
chitarra :
Jeff Baxter (nel 1980) e Martin K. Walsh (nel 1980)
chitarra basso :
Abraham Laboriel (nel 1980)
percussione :
Leonard Castro (nel 1980)
pianoforte :
Larry Knechtel (nel 1980)
sassofono :
Tom Saviano (nel 1980)
sassofono baritono :
Kim S. Hutchcroft (nel 1980)
tromba :
Jerry Hey (nel 1980)
trombone :
William Reichenbach (jazz trombonist) (nel 1980)
voce:
Dolly Parton (nel 1980)
voce di accompagnamento:
Anita Ball (nel 1980), Denise Maynelli (nel 1980) e Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (nel 1980)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1980) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 191)
registrazione di:
9 to 5 (nel 1980)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music e Velvet Apple Music
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Dolly Parton3.552:45
12I’m So Excited
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
programmazione degli strumenti:
Michael Boddicker
tecnico:
Gabe Veltri
produttore:
Richard Perry (producer)
produttore associato:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
ance :
Gary Herbig (nel 1983) e Jim Horn (saxophonist, hornist, flutist and oboist) (nel 1983)
basso :
Nathan Watts (nel 1983)
batteria :
John “JR” Robinson (session drummer) (nel 1983)
chitarra :
George Doering (nel 1983) e Lee Ritenour (nel 1983)
organo :
William D. “Smitty” Smith (organist/keyboardist) (nel 1983)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1983)
pianoforte :
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (nel 1983)
sintetizzatore :
Greg Phillinganes (nel 1983)
tromba :
Chuck Findley (trumpet, trombone, horn player) (nel 1983) e Gary Grant (brass) (nel 1983)
trombone :
Dick Hyde (nel 1983)
voce principale:
Anita Pointer (nel 1983)
arrangiatore corno :
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
remix di:
I’m So Excited (single remix) di The Pointer Sisters
registrazione di:
I’m So Excited (nel 1983)
autore:
Anita Pointer, June Pointer, Ruth Pointer e Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
editore:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. e SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-editore:
Fujipacific Music Inc. SBK Division (fino al 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Pointer Sisters54:40
13Copacabana
assistente tecnico:
Derek Dunan
tecnico:
Michael DeLugg
produttore:
Ron Dante e Barry Manilow
batteria :
Ronnie Zito (dal 1977-07 al 1977-11)
chitarra :
Mitch Holder (guitarist) (dal 1977-07 al 1977-11)
chitarra basso :
Will Lee (US jazz/rock bassist) (dal 1977-07 al 1977-11)
percussione :
Allan Estes (dal 1977-07 al 1977-11)
tastiera :
Bill Mays (dal 1977-07 al 1977-11)
voce di accompagnamento:
Ginger Blake (dal 1977-07 al 1977-11), Laura Creamer (dal 1977-07 al 1977-11) e Linda Dillard (dal 1977-07 al 1977-11)
voce principale:
Barry Manilow (dal 1977-07 al 1977-11)
orchestratore:
Artie Butler
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978)
registrata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1977-07 al 1977-11)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 74) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 193)
registrazione di:
Copacabana (original 1978 disco/pop song) (dal 1977-07 al 1977-11)
paroliere:
Jack Feldman e Bruce Sussman
compositore:
Barry Manilow
editore:
Appoggiatura Music, Inc., Camp Songs Music e Universal Music Careers
sub-editore:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Copacabana (1985 TV film soundtrack)
parte di:
Foul Play (1978 film soundtrack)
Barry Manilow55:45
14Love Shack
assistente tecnico:
Martin Kunitz
tecnico:
Dave Cook (US engineer and producer)
produttore:
Don Was
tecnico di missaggio:
Tom Durack
batteria ospite :
Charley Drayton
chitarra :
Keith Strickland
chitarra basso ospite :
Sara Lee (UK bassist, singer & songwriter)
corno ospite :
Uptown Horns (US horn section, formed in 1980)
tastiera :
Kate Pierson
voce:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) e Cindy Wilson
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1989)
registrata presso:
Dreamland Studios in Hurley, New York, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
prodotta in aggiunta presso:
Bearsville Studios in Bearsville, New York, Stati Uniti
video musicali:
Love Shack di The B‐52’s
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 243)
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52s4.25:21
15Yes Sir I Can Boogie
registrazione di:
Yes Sir, I Can Boogie (original English version)
paroliere:
Frank Dostal
compositore:
Rolf Soja
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music e Peermusic (UK) Ltd.
Baccara3:32
16Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow (nel 1986-10)
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (il 1987-01-01)
batteria [drums] :
A Linn (Linn 9000) (nel 1986-10)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1986-10), Shirley Lewis (nel 1986-10), Mae McKenna (vocalist) (nel 1986-10) e Suzanne Rhatigan (nel 1986-10)
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (dal 1987 a oggi), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1987), Pete Waterman Ltd. (copyrights holder) (nel 1987) e PWL (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (nel 1987)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.43:32
17Groovejet (If This Ain’t Love)
tecnico:
Gabriel Covacich
co-produttore:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") e Boris Dlugosch
voce di accompagnamento:
Sharon Scott (UK acid jazz singer)
voce principale ospite:
Sophie Ellis‐Bextor
diritti fonografici (℗) detenuti da:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (dal 2000 a oggi) e Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (nel 2000)
è stato co-produttore per:
F&G Management UK
campionamenti:
Love Is You di Carol Williams (US disco musician) e Love Is You (original mix) di Carol Williams (US disco musician)
registrazione di:
Groovejet (If This Ain’t Love)
paroliere:
Sophie Ellis‐Bextor
compositore:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") e Rob Davis (songwriter/producer was in Mud)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music e Universal Music (plain logo: “Universal Music”)
si basa su:
Love Is You
versione di:
Groovejet
Spiller33:48
18Complicated
tecnico di registrazione e produttore:
The Matrix (songwriters/producers collective)
produttore esecutivo:
Antonio M. Reid
assistente tecnico di missaggio:
Femio Hernandez
tecnico di missaggio:
Tom Lord‐Alge
chitarra :
Corky James
voce:
Avril Lavigne
voce aggiuntiva:
The Matrix (songwriters/producers collective)
arrangiatore:
The Matrix (songwriters/producers collective)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 2002) e Arista Records, LLC (holding company - file NO releases here!) (nel 2002, nel 2022)
registrata presso:
Decoy Studios in Studio City, Los Angeles, California, Stati Uniti
mixata presso:
South Beach Studios in Miami Beach, Florida, Stati Uniti
video musicali:
Complicated (Video) di Avril Lavigne
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 11) e BILLIONS CLUB
registrazione di:
Complicated
autore:
Avril Lavigne e The Matrix (songwriters/producers collective)
editore:
Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Tix Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Avril Lavigne4.154:05
19I Want It That Way
produttore:
Kristian Lundin (nel 1999) e Max Martin (Swedish record producer) (nel 1999)
tecnico di missaggio:
Kristian Lundin e Max Martin (Swedish record producer)
basso elettrico [bass] :
Tomas Lindberg (Swedish bass player)
chitarra :
Esbjörn Öhrwall
voce:
Alexander James “A.J.” McLean (US singer, songwriter, actor, dancer & model), Brian “B-Rok” Littrell (from the Backstreet Boys), Nick Carter (US pop singer & Backstreet Boy), Howard “Howie D.” Dorough (from the Backstreet Boys) e Kevin Richardson (from the Backstreet Boys)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1998, nel 2025) e Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1999)
è stato produttore per:
Cheiron Productions (nel 1999)
registrata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1999)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 4), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 240)
registrazione di:
I Want It That Way
paroliere, autore e compositore:
Andreas Carlsson (pop songwriter) e Max Martin (Swedish record producer)
editore:
Grantsville Publishing Ltd., Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.753:33
20Back for Good
programmazione:
Gary Barlow e Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistente tecnico:
Steve McNichol
produttore:
Gary Barlow e Chris Porter (engineer and producer)
chitarra :
Phil Palmer (guitarist)
voce:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e Robbie Williams
voce principale:
Gary Barlow
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1995) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1995)
registrazione di:
Back for Good
paroliere e compositore:
Gary Barlow
editore:
EMI Virgin Music Australia Pty Ltd e EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:00

Accreditamenti