My Baby Just Cares for Me: 20 Swinging Favourites

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:37
2I’ve Got You Under My Skin
registrazione cover di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Peggy Lee2:30
3When You’re Smiling
Frank Sinatra1:59
4Day In, Day Out
registrazione di:
Day In, Day Out
paroliere:
Johnny Mercer (nel 1939)
compositore:
Rube Bloom (American songwriter, pianist and vocalist) (nel 1939)
editore:
Bregman, Vocco & Conn, Inc.
Billie Holiday6:47
5Cheek to Cheek
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Cheek to Cheek (from “Top Hat”) (il 1956-08-16)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4.155:52
6Love Me or Leave Me
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
Love Me or Leave Me (nel 1957-12)
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
Nina Simone4.753:21
7My Blue Heaven
registrazione di:
My Blue Heaven
paroliere:
George A. Whiting (popular songwriter) (nel 1924)
compositore:
Walter Donaldson (nel 1924)
editore:
Leo Feist, Inc.
ha composto presso:
New York Friars Club in New York, New York, Stati Uniti (nel 1924)
Frank Sinatra2:02
8Black Coffee
batteria :
Ed Shaughnessy (il 1953-05-04)
contrabbasso :
Max Wayne (il 1953-05-04)
pianoforte :
Jimmy Rowles (il 1953-05-04)
tromba :
Pete Candoli (il 1953-05-04)
voce:
Peggy Lee (jazz vocalist) (il 1953-05-04)
registrazione cover di:
Black Coffee (1948 song) (il 1953-05-04)
paroliere:
Paul Francis Webster (nel 1948)
compositore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (nel 1948)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. e Webster Music Co.
Peggy Lee3:08
9Let’s Call the Whole Thing Off
registrata a:
Los Angeles, California, Stati Uniti (il 1957-07-23)
batteria :
Louie Bellson (nel 1957, il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (nel 1957, il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1957, il 1957-07-23)
tromba :
Louis Armstrong (nel 1957, il 1957-07-23)
voce:
Louis Armstrong (nel 1957, il 1957-07-23) e Ella Fitzgerald (American jazz singer) (nel 1957, il 1957-07-23)
esecutore:
Ella Fitzgerald (American jazz singer)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (il 1957-07-23)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong3.654:14
10Just One of Those Things
registrazione di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Billie Holiday5:29
11September in the Rain
produttore:
Dave Cavanaugh
arpa :
Kathryn Julye
batteria :
Irv Cottler
chitarra :
Al Viola
contrabbasso :
Joe Comfort
legni e sassofono :
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson e Wilbur Schwartz
percussione :
Frank Flynn
pianoforte :
Bill Miller (pianist)
tromba :
Cappy Lewis, Vito N. Mangano, George Seaberg e Shorty Sherock
trombone :
George Arus, Pullman “Tommy” Pederson e Tommy Shepard (trombonist)
trombone basso :
George Roberts (american bass trombone)
viola :
Alvin Dinkin e Stanley Harris (US big band viola player)
violino :
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist) e Paul Shure
violoncello :
Ossip Giskin (cellist), Armand Kaproff e Eleanor Slatkin (US cellist, b. Aller)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1960-08-31)
orchestra:
The Nelson Riddle Orchestra (il 1960-08-31)
direttore d'orchestra:
Nelson Riddle (il 1960-08-31)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Tower in Hollywood, Los Angeles, California, Stati Uniti (il 1960-08-31)
registrazione cover di:
September in the Rain (il 1960-08-31)
paroliere:
Al Dubin (nel 1937)
compositore:
Harry Warren (US composer and lyricist) (nel 1937)
editore:
Henrees Music co. (nel 1937) e Peermusic (UK) Limited (nel 1937)
Frank Sinatra22:59
12It’s All Right With Me
arpa :
Stella Castellucci (il 1956-06-05)
batteria :
Nick Fatool (il 1956-06-05)
legni :
Bud Shank (il 1956-06-05)
pianoforte :
Lou Levy (il 1956-06-05)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-06-05)
voce:
Peggy Lee (jazz vocalist) (il 1956-06-05)
arrangiatore:
Sy Oliver
registrazione cover di:
It’s All Right with Me (Can‐Can musical) (il 1956-06-05)
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell & Co., Inc. (USA)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
registrazione di:
It’s All Right with Me (Can‐Can musical) (il 1956-06-05)
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell & Co., Inc. (USA)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
Peggy Lee2:23
13Mood Indigo
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
basso :
Jimmy Bond (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Phillips (publisher; do NOT use as release label) (nel 1966)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
Mood Indigo (1930 jazz composition and song) (nel 1957-12)
paroliere:
Irving Mills (nel 1930)
compositore:
Barney Bigard (nel 1930) e Duke Ellington (US composer, pianist & jazz bandleader) (nel 1930)
editore:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (nel 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1930) e Lawrence Wright Music Co., Ltd. (nel 1930)
sub-editore:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The Real Book (compilation of jazz standards, volume I)
Nina Simone34:01
14Love Is Here to Stay
registrazione di:
Love Is Here to Stay
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
Billie Holiday3:40
15A Fine Romance
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-13)
batteria :
Louie Bellson (il 1957-08-13)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-08-13)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-08-13)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-08-13)
tromba :
Louis Armstrong (il 1957-08-13)
voce principale:
Louis Armstrong (il 1957-08-13) e Ella Fitzgerald (American jazz singer) (il 1957-08-13)
registrazione di:
A Fine Romance (from “Swing Time”) (il 1957-08-13)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
registrazione cover di:
A Fine Romance (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
Ella Fitzgerald & Louis Armstrong43:53
16On the Sunny Side of the Street
registrazione cover di:
On the Sunny Side of the Street
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. e Vydia Music Publishing
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
Peggy Lee3:13
17Should I
registrazione di:
Should I
paroliere:
Arthur Freed
compositore:
Nacio Herb Brown (US songwriter)
editore:
Robbins Music Corp.
Frank Sinatra1:31
18(I Loves You) Porgy
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
I Loves You, Porgy (use this for non-operatic performances) (nel 1957-12)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone34:09
19A Foggy Day in London Town
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
A Foggy Day (in London Town) (il 1956-08-16)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
Ella Fitzgerald & Louis Armstrong44:34
20But Not for Me
registrata a:
Los Angeles, California, Stati Uniti (il 1957-01-07)
tecnico:
Val Valentin (il 1957-01-07)
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1957-01-07)
chitarra :
Barney Kessel (il 1957-01-07)
contrabbasso [bass] :
Red Mitchell (jazz double-bassist, composer and lyricist) (il 1957-01-07)
pianoforte :
Jimmy Rowles (il 1957-01-07)
sassofono tenore :
Ben Webster (il 1957-01-07)
tromba :
Harry “Sweets” Edison (il 1957-01-07)
voce:
Billie Holiday (il 1957-01-07)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-01-07)
registrazione di:
But Not for Me (il 1957-01-07)
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28), New World Music Co. (nel 1930) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Billie Holiday43:47