Luboshutz and Nemenoff: The Art of Duo-Piano Playing

~ Release by Pierre Luboshutz, Genia Nemenoff (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Variations on a Theme of Haydn, op. 56b
piano:
Pierre Luboshutz (Russian concert pianist) (on 1941-03-04) and Genia Nemenoff (classical concert pianist) (on 1941-03-04)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1941-03-04: piano)
recording of:
Variations on a Theme by Joseph Haydn, op. 56b (for two pianos) (on 1941-03-04)
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 56b)
is based on:
Divertimento in B-flat major, Hob. II:46: 2. Chorale St. Antoni
Johannes Brahms15:45
2Liebeslieder Waltzes, op. 52a: I. Rede, Mädchen
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 1. Rede, Mädchen, allzu liebes (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:08
3Liebeslieder Waltzes, op. 52a: II. Am Gesteine rauscht die Flut
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 2. Am Gesteine rauscht die Flut (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:41
4Liebeslieder Waltzes, op. 52a: III. O die Frauen
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 3. O die Frauen (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:01
5Liebeslieder Waltzes, op. 52a: IV. Wie des Abends schöne Röte
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 4. Wie des Abends schöne Röte (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:39
6Liebeslieder Waltzes, op. 52a: V. Die grüne Hopfenranke
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 5. Die grüne Hopfenranke (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:27
7Liebeslieder Waltzes, op. 52a: VI. Ein kleiner, hübscher Vogel
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 6. Ein kleiner, hübscher Vogel (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms2:19
8Liebeslieder Waltzes, op. 52a: VII. Wohl schön bewandt war es
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 7. Wohl schön bewandt war es (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:15
9Liebeslieder Waltzes, op. 52a: VIII. Wenn so lind dein Auge mir
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 8. Wenn so lind dein Auge mir (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:11
10Liebeslieder Waltzes, op. 52a: IX. Am Donaustrande
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 9. Am Donaustrande (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:49
11Liebeslieder Waltzes, op. 52a: X. O wie sanft die Quelle
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 10. O, wie sanft die Quelle (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:55
12Liebeslieder Waltzes, op. 52a: XI. Nein, es ist nicht auszukommen
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 11. Nein, es ist nicht auszukommen (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:50
13Liebeslieder Waltzes, op. 52a: XII. Schlosser auf, und mache Schlösser
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 12. Schlosser auf, und mache Schlösser (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:42
14Liebeslieder Waltzes, op. 52a: XIII. Vögelein durchrauscht die Luft
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 13. Vöglein durchrauscht die Luft (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:37
15Liebeslieder Waltzes, op. 52a: XIV. Sieh, wie ist die Welle klar
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 14. Sieh', wie ist die Welle klar (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:57
16Liebeslieder Waltzes, op. 52a: XV. Nachtigall, sie singt so schön
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 15. Nachtigall, sie singt so schön (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:24
17Liebeslieder Waltzes, op. 52a: XVI. Ein dunkeler Schacht ist Liebe
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 16. Ein dunkeler Schacht ist Liebe (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:06
18Liebeslieder Waltzes, op. 52a: XVII. Nicht wandle, mein Licht
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 17. Nicht wandle, mein Licht (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:51
19Liebeslieder Waltzes, op. 52a: XVIII. Es bebet das Gesträuche
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 18. Es bebet das Gesträuche (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:14
20Perpetual Motion on Brahms' Vergebliches Ständchen
piano:
Pierre Luboshutz (Russian concert pianist) (in 1952) and Genia Nemenoff (classical concert pianist) (in 1952)
recording of:
Perpetual Motion on a Theme of Brahms (in 1952)
composer:
Mischa Portnoff (American composer and pianist) (in 1937)
is based on:
5 Romanzen und Lieder, op. 84: Nr. 4. Vergebliches Ständchen
Mischa Portnoff3:17
21Sicilienne from Sonata for Flute and Klavier in E-flat, BWV 1031
piano:
Pierre Luboshutz (Russian concert pianist) (on 1939-09-12) and Genia Nemenoff (classical concert pianist) (on 1939-09-12)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1939-09-12: piano)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (for two pianos, Luboshutz) (on 1939-09-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Pierre Luboshutz (Russian concert pianist)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
Johann Sebastian Bach / Pierre Luboshutz3:25
22Organ Concerto after Vivaldi in A minor, BWV 593: I. Allegro maestoso
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-05-31) and Genia Nemenoff (classical concert pianist) (on 1949-05-31)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-05-31: piano)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: I. (Allegro) (for piano, Philipp) (on 1949-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Isidor Philipp (French pianist and composer)
arrangement of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: I. (Allegro)
part of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593 (for piano, Philipp)
Johann Sebastian Bach / Isidor Philipp4:16
23Organ Concerto after Vivaldi in A minor, BWV 593: II. Adagio
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-05-31) and Genia Nemenoff (classical concert pianist) (on 1949-05-31)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-05-31: piano)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: II. Adagio (for piano, Philipp) (on 1949-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Isidor Philipp (French pianist and composer)
arrangement of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: II. Adagio senza pedale à due Clav.
part of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593 (for piano, Philipp)
Johann Sebastian Bach / Isidor Philipp4:42
24Organ Concerto after Vivaldi in A minor, BWV 593: III. Allegro
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-05-31) and Genia Nemenoff (classical concert pianist) (on 1949-05-31)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-05-31: piano)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: III. Allegro (for piano, Philipp) (on 1949-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Isidor Philipp (French pianist and composer)
arrangement of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: III. Allegro
part of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593 (for piano, Philipp)
Johann Sebastian Bach / Isidor Philipp3:39
25Nun komm, der Heiden Heiland, BWV 61
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-06-01) and Genia Nemenoff (classical concert pianist) (on 1949-06-01)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-06-01: piano)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (for two pianos, Luboshutz) (on 1949-06-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Pierre Luboshutz (Russian concert pianist)
arrangement of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland”
Johann Sebastian Bach / Pierre Luboshutz4:45
26Concerto in C for Two Klaviers, BWV 1061: I. Allegro
piano:
Pierre Luboshutz (Russian concert pianist) (on 1947-07-15) and Genia Nemenoff (classical concert pianist) (on 1947-07-15)
orchestra:
Boston Symphony Orchestra (on 1947-07-15)
conductor:
Serge Koussevitzky (Serge Koussevitsky) (on 1947-07-15)
recorded at:
Tanglewood in Lenox, Massachusetts, United States (on 1947-07-15: piano)
live recording of:
Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro (on 1947-06-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
Johann Sebastian Bach7:24
27Concerto in C for Two Klaviers, BWV 1061: II. Largo
piano:
Pierre Luboshutz (Russian concert pianist) (on 1947-07-15) and Genia Nemenoff (classical concert pianist) (on 1947-07-15)
orchestra:
Boston Symphony Orchestra (on 1947-07-15)
conductor:
Serge Koussevitzky (Serge Koussevitsky) (on 1947-07-15)
recorded at:
Tanglewood in Lenox, Massachusetts, United States (on 1947-07-15: piano)
live recording of:
Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio (on 1947-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
Johann Sebastian Bach5:32
28Concerto in C for Two Klaviers, BWV 1061: III. Presto
piano:
Pierre Luboshutz (Russian concert pianist) (on 1947-07-15) and Genia Nemenoff (classical concert pianist) (on 1947-07-15)
orchestra:
Boston Symphony Orchestra (on 1947-07-15)
conductor:
Serge Koussevitzky (Serge Koussevitsky) (on 1947-07-15)
recorded at:
Tanglewood in Lenox, Massachusetts, United States (on 1947-07-15: piano)
live recording of:
Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace (on 1947-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
Johann Sebastian Bach6:40
4▶CD

Credits

Release

associate producer:Scott Kessler (classical producer)
producer:Ward Marston (classical restoration, mastering)
booklet editor:Gregor Benko (classical producer/archivist)
discography entry:https://www.marstonrecords.com/collections/frontpage/products/luboshutz-nemenoff [info]