Legion: Original Motion Picture Soundtrack

~ Release by John Frizzell (see all versions of this release, 2 available)

Tracklist

1CD
#TitleRatingLength
1When I Was a Little Girl
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
When I Was a Little Girl
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:33
2Michael Descends
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Michael Descends
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
2:45
3It’s Started
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
It’s Started
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
2:36
4Old and Pissed Off
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Old and Pissed Off
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
2:39
5This Is Not a Test
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
This Is Not a Test
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:40
6Clouds Don’t Buzz
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Clouds Don’t Buzz
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:18
7The Aftermath
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
The Aftermath
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
0:57
8Now What?
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Now What?
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:44
9They’re Here
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
They’re Here
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:54
10The Ice Cream Man
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
The Ice Cream Man
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:59
11Attack of the Possessed
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Attack of the Possessed
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
0:42
12We Got ’em Running
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
We Got ’em Running
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:02
13God’s Plan
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
God’s Plan
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
3:48
14Percy’s Story
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Percy's Story
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:28
15Dark World
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Dark World
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:51
16Bob Blames Himself
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Bob Blames Himself
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:08
17I Didn’t Even Want This Baby
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
I Didn’t Even Want This Baby
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
2:12
18Open the Door
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Open the Door
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
2:42
19Are We Safe Now?
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Are We Safe Now?
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
2:57
20A Rebellious Son
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
A Rebellious Son
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
2:14
21The Battle
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
The Battle
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
2:21
22Die Like One of Them
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
Die Like One of Them
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
1:43
23That Is Why You Failed Him
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
That Is Why You Failed Him
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
3:05
24You Are the True Protector
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
You Are the True Protector
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
2:12
25You Are the True Protector (alternate version)
recording engineer:
Peter Fuchs (engineer/mixer)
assistant engineer:
Martin Roller
co-producer:
Haim Mazar (production music composer)
producer:
John Frizzell (American score composer) and M.V. Gerhard (executive-producer for La-La Land Records)
mixer:
Frederik Wiedmann
editor:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Screen Gems
recording of:
You Are the True Protector (alternate version)
orchestrator:
John Frizzell (American score composer), Haim Mazar (production music composer) and Thomas Parisch (Composer and oboist, co-founded PearUp)
composer:
John Frizzell (American score composer)
2:12