Cantatas

~ Release by Bach; Chorus Musicus Köln, Das Neue Orchester, Christoph Spering (see all versions of this release, 1 available)

Annotation

℗ «2022 Deutschlandradio/Sony Music Entertainment Germany GmbH»

Annotation last modified on 2024-05-11 06:19 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Was Gott tut, das ist wohlgetan, BWV 100: I. Es bleibt gerecht sein Wille (Chorus)
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": I. Choral "Was Gott tut, das ist wohlgetan"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:31
2Was Gott tut, das ist wohlgetan, BWV 100: II. Er wird mich nicht betrügen (Duet)
alto vocals:
Marion Eckstein
tenor vocals:
Daniel Behle (tenor)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": II. Duetto (Alt, Tenor) "Was Gott tut, das ist wohlgetan"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach2:16
3Was Gott tut, das ist wohlgetan, BWV 100: III. Er wird mich wohl bedenken (Aria)
soprano vocals:
Hannah Morrison (soprano)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Was Gott tut, das ist wohlgetan"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:53
4Was Gott tut, das ist wohlgetan, BWV 100: IV. Er ist mein Licht, mein Leben (Aria)
bass vocals:
Tobias Berndt (baritone)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": IV. Aria (Bass) "Was Gott tut, das ist wohlgetan"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:32
5Was Gott tut, das ist wohlgetan, BWV 100: V. Muß ich den Kelch gleich schmecken (Aria)
alto vocals:
Marion Eckstein
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": V. Aria (Alt) "Was Gott tut, das ist wohlgetan"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:40
6Was Gott tut, das ist wohlgetan, BWV 100: VI. Darbei will ich verbleiben (Choral)
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": VI. Choral "Was Gott tut, das ist wohlgetan"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:53
7Schmücke Dich, o liebe Seele, BWV 180: I. Schmücke Dich, o liebe Seele (Chorus)
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": I. Choral "Schmücke dich, o liebe Seele"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach5:09
8Schmücke Dich, o liebe Seele, BWV 180: II. Ermunter dich: Dein Heiland klopft (Aria)
tenor vocals:
Daniel Behle (tenor)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": II. Aria (Tenor) "Ermuntre dich: dein Heiland klopft"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach5:33
9Schmücke Dich, o liebe Seele, BWV 180: III. Wie teuer sind des heilgen Mahles Gaben (Recitative)
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir)
soprano vocals:
Hannah Morrison (soprano)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": III. Recitativo e Choral (Sopran) "Wie teuer sind des heilgen Mahles Gaben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach3:10
10Schmücke Dich, o liebe Seele, BWV 180: IV. Mein Herz fühlt in sich Furcht und Freude (Recitative)
alto vocals:
Marion Eckstein
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": IV. Recitativo (Alt) "Mein Herz fühlt in sich Furcht und Freude"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:27
11Schmücke Dich, o liebe Seele, BWV 180: V. Lebens Sonne, Licht der Sinnen (Aria)
soprano vocals:
Hannah Morrison (soprano)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": V. Aria (Sopran) "Lebens Sonne, Licht der Sinnen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach3:39
12Schmücke Dich, o liebe Seele, BWV 180: VI. Herr, lass an mir dein treues Lieben (Recitative)
bass vocals:
Tobias Berndt (baritone)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VI. Recitativo (Bass) "Herr, laß an mir dein treues Lieben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:03
13Schmücke Dich, o liebe Seele, BWV 180: VII. Jesu, wahres Brot des Lebens (Choral)
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral "Jesu, wahres Brot des Lebens"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 304)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:33
14Das neugebor'ne Kindelein, BWV 122: I. Das neugebor'ne Kindelein (Chorus)
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:48
15Das neugebor'ne Kindelein, BWV 122: II. O Menschen, die ihr täglich sündigt (Aria)
bass vocals:
Tobias Berndt (baritone)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach4:54
16Das neugebor'ne Kindelein, BWV 122: III. Die Engel, welche sich zuvor (Recitative)
soprano vocals:
Hannah Morrison (soprano)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:15
17Das neugebor'ne Kindelein, BWV 122: IV. Ist Gott versöhnt und unser Freund (Aria)
alto vocals:
Marion Eckstein
soprano vocals:
Hannah Morrison (soprano)
tenor vocals:
Georg Poplutz (tenor)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:17
18Das neugebor'ne Kindelein, BWV 122: V. Dies ist ein Tag, den der Herr selbst gemacht (Recitative)
bass vocals:
Tobias Berndt (baritone)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:09
19Das neugebor'ne Kindelein, BWV 122: VI. Es bringt das rechte Jubeljahr (Choral)
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr"
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach0:45