Discobaar A Moeder: Volle gas

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Klassiekers
Nr.TitelKünstlerBewertungLänge
1Rivers of Babylon
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett, Frank Farian und Liz Mitchell
phonographisches Urheberrecht (℗) von:
Hansa (in 1978)
cover recording of:
Rivers of Babylon (Boney M. version)
Texter:
Brent Dowe und Trevor McNaughton
Komponist(in):
Brent Dowe, Frank Farian, Trevor McNaughton und George Reyam
publisher:
Blue Mountain Music und FAR Music (publisher for Frank Farian)
basiert auf:
Rivers of Babylon
Boney M.44:21
2Saragossa
Jimmy Frey3:32
3Alexandrie Alexandra
vocals:
Claude François
recording of:
Alexandrie, Alexandra (in 1977)
Texter:
Étienne Roda-Gil
Komponist(in):
Jean-Pierre Bourtayre und Claude François
arranger:
Raymond Donnez
Claude François4:24
4Funky Kingston
Toots & The Maytals54:54
5M’n air-hostess
recording of:
M’n airhostess
Texter:
Nelly Byl (Belgian lyricist)
Komponist(in):
Will Tura (Belgian singer)
Will Tura2:35
6Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:57
7I’m a Believer
recorded in:
New York, New York, Vereinigte Staaten (von 1966-10-15 bis 1966-10-23)
Produzent(in):
Jeff Barry
Akustikgitarre:
Neil Diamond (von 1966-10-15 bis 1966-10-23)
Bass:
Dick Romoff (von 1966-10-15 bis 1966-10-23)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (von 1966-10-15 bis 1966-10-23) und Sal Ditroia (von 1966-10-15 bis 1966-10-23)
Klavier und Tamburin:
Jeff Barry (von 1966-10-15 bis 1966-10-23)
Orgel:
Artie Butler (von 1966-10-15 bis 1966-10-23)
Schlagzeug:
Buddy Salzman (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang:
Davy Jones (The Monkees member) (von 1966-10-15 bis 1966-10-23) und Peter Tork (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang und Sologesang:
Micky Dolenz (von 1966-10-15 bis 1966-10-23)
arranger:
Jeff Barry
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1966) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 341)
cover recording of:
I’m a Believer (von 1966-10-15 bis 1966-10-23)
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
recording of:
I’m a Believer
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
The Monkees4.652:46
8Venus
Produzent(in):
Shocking Blue
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Shocking Blue4.153:01
9It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Peter Sullivan (UK producer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 393)
recording of:
It’s Not Unusual
Verfasser(in):
Gordon Mills (60s/70s UK producer and songwriter) und Les Reed
publisher:
Leeds Music (beendet), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) und Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
10Bésame mucho
vocals:
Dalida (Egyptian-Italian singer and actress)
conductor:
Tony Rallo
arranger:
Tony Rallo
recording of:
Besame mucho (French lyrics by Francis Blanche)
Texter und Komponist(in):
Consuelo Velázquez
Übersetzer:
Francis Blanche
übersetzte Version von:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez)
recording of:
Besame mucho (Embrasse moi) (French version, 1976, Dalida)
Texter und Komponist(in):
Consuelo Velázquez (in 1940)
Übersetzer:
Serge Lebrail und Pascal Sevran
übersetzte Version von:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez)
Dalida2:51
11A far l’amore comincia tu
recording of:
A far l’amore comincia tu (Liebelei)
Texter:
Giandomenico Boncompagni (Italian TV and radio presenter, songwriter, writer, director, music producer & singer) und Daniele Pace (Italian lyricist & songwriter)
Komponist(in):
Franco Bracardi (pianist, songwriter, actor) und Giandomenico Boncompagni (Italian TV and radio presenter, songwriter, writer, director, music producer & singer)
publisher:
A.B.R. Edizioni Musicali S.r.l.
Raffaella Carrà42:44
12Demasiado corazón
recording of:
Demasiado Corazón
Texter und Komponist(in):
Willy DeVille
Mink DeVille3:35
13My Boy Lollipop
cover recording of:
My Boy Lollipop
Verfasser(in):
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") und Robert Spencer (English lutenist, guitarist & musicologist)
Millie Small2:04
14Papa’s Got a Brand New Bag
recording of:
Papa’s Got a Brand New Bag
Texter und Komponist(in):
James Brown (The Godfather of Soul)
Teil von:
MJ: The Musical
James Brown2:05
15Intermezzo: Rode lampen en havenvampen
Guido Belcanto2:01
16Blitzkrieg Bop
assistierende(r) Techniker(in):
Don Hünerberg
Techniker(in):
Rob Freeman (engineer)
Partner-Produzent(in):
Thomas Erdelyi (Tommy Ramone)
Produzent(in):
Craig Leon (musician, arranger, composer and producer)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Tommy Ramone
Sologesang:
Joey Ramone
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 64), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 92) und Indie 88: Top 500 Indie Rock Songs (Nummer: 93)
recording of:
Blitzkrieg Bop (in 1976-01)
Verfasser(in):
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman und John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) und Taco Tunes Inc.
Ramones4.552:13
17I Can’t Live in a Living Room
recording of:
I Can’t Live in a Living Room
Texter:
Johan Isselée (Belgian drummer) und Peter Slabbynck (Belgian musician)
Komponist(in):
Johan Isselée (Belgian drummer) und Geert Maertens (Belgian guitarist)
publisher:
Berdido Music
Red Zebra2:52
18Gas Gas
Goran Bregović3:02
19Incredible
Zusammensteller:
M‐Beat (early jungle producer)
Interpret(in):
General Levy
Bearbeitung von:
Incredible von M‐Beat (early jungle producer) feat. General Levy
recording of:
Incredible
Texter:
General Levy
Komponist(in):
M‐Beat (early jungle producer)
M‐Beat feat. General Levy3.54:12
20Bonzai Channel One
recording of:
Bonzai Channel One
Komponist(in):
Karim Boux und Jan Vervloet (Belgian DJ / producer)
Thunderball4:42
21Copacabana
instrumental recording of:
Copacabana (original 1978 disco/pop song)
Texter:
Jack Feldman und Bruce Sussman
Komponist(in):
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music und Universal Music Careers
sub-publisher:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Copacabana (1985 TV film soundtrack)
Teil von:
Foul Play (1978 film soundtrack)
James Last and His Orchestra3:46
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