Pimpinone / Der Tag des Gerichts

~ Release by Georg Philipp Telemann; Baroque Orchestra Florilegium Musicum, Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Einleitung
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: I. Einleitung
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: II. Chor der Gläubigen: 'Der Herr kommt'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann3:55
2Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Chor "Der Herr kommt mit vieltausend Heiligen" (Chorus)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: II. Chor der Gläubigen: 'Der Herr kommt'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann1:34
3Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Ruft immerhin, des Pöbels Wut zu zähmen" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: III. Recitativo: 'Ruft immerhin des Pöbels Wut zu zähmen'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann0:51
4Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Arie "Fürchtet nur, fürchtet des Donnerers Schelten" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: IV. Aria: 'Fürchtet nur'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann7:49
5Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Wer ist, der kühn sein Joch zerreißt?" (Bass, Soprano, Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: V. Recitativo: 'Wer ist, der kühn sein Joch zerreißt?'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann1:43
6Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Arie "Jetzt weiß ich's überkluge Köpfe" (Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: VI. Aria: 'Jetzt weiß ich's'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann4:48
7Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Genug der Schande bloßgestellt" (Alto)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: VII. Recitativo: 'Genug der Schande bloßgestellt!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann1:08
8Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Arie "Des Sturmes Donnerstimmen schallen" (Alto)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: VIII. Aria: 'Des Sturmes Donnerstimmen schallen, seht!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann6:34
9Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Ganz recht, das Endliche vergeht" (Soprano)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: IX. Recitativo: 'Ganz recht, das Endliche vergeht'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann1:29
10Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Chor "Dann jauchzet der Gerechten Stimme" (Chorus)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: X. Chor der Gläubigen: 'Dann jauchzet der Gerechten Samme'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann2:33
11Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Chor "Es rauscht" (Chorus)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: I. Chor: 'Es rauscht'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
Georg Philipp Telemann5:16
12Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Accompognato Rezitativ "Das sind sie, der Verwüstung Zeichen!" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: II. Accomp: 'Da sind sie, der Verwüstung Zeichen!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
Georg Philipp Telemann2:31
13Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Arie "Da kreuzen verzehrende Blitze" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: III. Aria: 'Da kreuzen verzehrende Blitze'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
Georg Philipp Telemann4:45
14Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Rezitativ "Gewaltig Element!" (Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: IV. Recitativo: 'Gewaltig Element!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
Georg Philipp Telemann1:01
15Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Arioso "Ich aber schwinge mich empor" (Boy-Soprano)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Four soloists from th Wiener Sängerknaben (The Vienna Boys Choir) and Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: V. Arioso: 'Ich aber schwinge mich empor'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
Georg Philipp Telemann2:06
16Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Accompognato Rezitativ "Ich sehe, Gott, den Engel deiner Rache!" (Alto)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: I. Accomp: 'Ich sehe, Gott!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:46
17Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Arioso "So spricht der Herr, der mich gesandt" (Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: II. Arioso: 'So spricht der Herr, der mich gesandt'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:42
18Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Rezitativ "Nun dränget sich der Kreis der ganzen Erde" (Alto)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: III: Recitativo: 'Nun dränget sich der Kreis der ganzen'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:34
19Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Arie "Seid mir gesegnet, ihr Gerechten" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: IV. Jesus zu den Gläbigen: 'Seid mir gesegnet'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann2:31
20Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Choral "Du, Ehren König, Jesu Christ" (Chorus)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: V. Chor der Gläubigen: 'Du Ehren König Jesu Christ'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:22
21Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Rezitativ "Da sitzet Er - o wie nenn' ich ihn?" (Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: VI. Recitativo: 'Da sitzet Er'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:06
22Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Chor "Ach Hilfe! Weh uns! Hilfe! Rat!" (Chorus)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: VII. Chor der Laster: 'Ach Hülfe!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:36
23Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Rezitativ "Wir flehn umsonst. - Der Tod entweicht!" (Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
vocals:
Gertraud Landwehr-Herrmann (in 1966) and Monteverdi‐Chor Hamburg (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: VIII. Recitativo: 'Wir flehn umsonst'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann0:30
24Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Arie "Hinweg von meinem Angesichte!" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: IX. Aria: 'Hinweg von meinem Angesichte!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann2:44
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ASIN:US: B000FJ494O [info]