This Is Clarence Carter

~ Release by Clarence Carter (see all versions of this release, 3 available)

Annotation

℗ & © «2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing.»

Countries excluded (Spotify + Deezer)

(As of 2022-10-08).

  • Western Europe: 🇫🇷 France (fr)
Annotation last modified on 2022-10-08 21:52 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Do What You Gotta Do
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Clarence Carter (in 1968)
organ:
Barry Beckett (in 1968)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (in 1968), Andrew Love (in 1968) and Aaron Varnell (in 1968)
trumpet:
Gene Miller (American trumpeter) (in 1968) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Do What You Gotta Do (in 1968)
lyricist and composer:
Hazel O’Connor and Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
2:34
2Looking for a Fox
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-11-10)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-11-10)
guitar:
Clarence Carter (on 1967-11-10)
organ:
Barry Beckett (on 1967-11-10)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-11-10), Andrew Love (on 1967-11-10) and Aaron Varnell (on 1967-11-10)
trumpet:
Gene Miller (American trumpeter) (on 1967-11-10) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-11-10)
vocals:
Clarence Carter (on 1967-11-10)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-11-10)
recording of:
Looking for a Fox
writer:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Wilbur Terrell
2:17
3Slippin’ Around
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
cover recording of:
Slippin’ Around
writer:
Linden Oldham and Dan Penn (songwriter, soul singer)
52:39
4I’m Qualified
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
cover recording of:
I’m Qualified (on 1968-04-08)
writer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Quin Ivy
2:27
5I Can’t See Myself
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-11-10)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-11-10)
guitar:
Clarence Carter (on 1967-11-10)
organ:
Barry Beckett (on 1967-11-10)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-11-10), Andrew Love (on 1967-11-10) and Aaron Varnell (on 1967-11-10)
trumpet:
Gene Miller (American trumpeter) (on 1967-11-10) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-11-10)
vocals:
Clarence Carter (on 1967-11-10)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-11-10)
recording of:
I Can’t See Myself
writer:
Clarence Carter
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:28
6Wind It Up
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-11-10)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-11-10)
guitar:
Clarence Carter (on 1967-11-10)
organ:
Barry Beckett (on 1967-11-10)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-11-10), Andrew Love (on 1967-11-10) and Aaron Varnell (on 1967-11-10)
trumpet:
Gene Miller (American trumpeter) (on 1967-11-10) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-11-10)
vocals:
Clarence Carter (on 1967-11-10)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-11-10)
recording of:
Wind It Up
lyricist and composer:
Clarence Carter
2:41
7Part Time Love
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Clarence Carter (in 1968)
organ:
Barry Beckett (in 1968)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (in 1968), Andrew Love (in 1968) and Aaron Varnell (in 1968)
trumpet:
Gene Miller (American trumpeter) (in 1968) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Part Time Love (in 1968)
lyricist and composer:
Clay Hammond
publisher:
Cherio Corp., Jondora Music, Parker Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
2:42
8Thread the Needle
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
recording of:
Thread the Needle
writer:
Clarence Carter
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:38
9Slip Away
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
recording of:
Slip Away (on 1968-04-08)
writer:
William Armstrong, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.52:34
10Funky Fever
recorded in:
New York, New York, United States (on 1968-04-03)
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-03)
guitar:
Clarence Carter (on 1968-04-03)
organ:
Barry Beckett (on 1968-04-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-03), Andrew Love (on 1968-04-03) and Aaron Varnell (on 1968-04-03)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-03) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-03)
vocals:
Clarence Carter (on 1968-04-03)
recording of:
Funky Fever
writer:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Joe Wilson (Southern soul singer - songwriter)
publisher:
Beaik Publishing Company and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:48
11She Ain’t Gonna Do Right
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
cover recording of:
She Ain’t Gonna Do Right (on 1968-04-08)
writer and composer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:29
12Set Me Free
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Clarence Carter (in 1968)
organ:
Barry Beckett (in 1968)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (in 1968), Andrew Love (in 1968) and Aaron Varnell (in 1968)
trumpet:
Gene Miller (American trumpeter) (in 1968) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Set Me Free (in 1968)
writer and composer:
Claude “Curly” Putman, Jr.
3:09