| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Just Between You and Me | April Wine | | 3:56 |
| 2 | Eyes Without a Face | Billy Idol | 3 | 4:11 |
| 3 | The Stroke | Billy Squier | | 3:39 |
| 4 | (I Just) Died in Your Arms Tonight | Cutting Crew | 4 | 4:40 |
| 5 | Smoke on the Water- Techniker(in):
- Martin Birch
- Produzent(in):
- Deep Purple
- Mix:
- Roger Glover und Ian Paice
- E-Bass:
- Roger Glover (am 1972-08-15)
- E-Gitarre:
- Ritchie Blackmore (am 1972-08-15)
- Hammond-Orgel:
- Jon Lord (am 1972-08-15)
- Schlagzeug:
- Ian Paice (am 1972-08-15)
- Sologesang:
- Ian Gillan (am 1972-08-15)
- phonographisches Urheberrecht (℗) von:
- EMI Records Ltd.
- aufgenommen bei:
- Festival Hall in Nakanoshima, Osaka , Osaka , Japan (am 1972-08-15)
- live recording of:
- Smoke on the Water (am 1972-08-15)
- Verfasser(in):
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
- publisher:
- B. Feldman & Co. Ltd. , EMI Music Publishing , Glenwood Music Corp., HEC Music und Henrees Music co.
- sub-publisher:
- EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (vom 2021-07-01 bis heute)
| Deep Purple | 2 | 6:47 |
| 6 | Milk and Alcohol | Dr. Feelgood | | 2:38 |
| 7 | My Town | Glass Tiger | | 4:51 |
| 8 | Twilight Zone | Golden Earring | | 4:31 |
| 9 | Land of a Thousand Dances | The J. Geils Band | | 3:27 |
| 10 | Missing You- Produzent(in):
- Gary Gersh, David Thoener und John Waite
- phonographisches Urheberrecht (℗) von:
- EMI Records USA (in 1984) und EMI USA (in 1984)
- Bearbeitung von:
- Missing You von John Waite
- recording of:
- Missing You
- Texter:
- John Waite
- Komponist(in):
- Mark Leonard, Chas Sandford und John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
| John Waite | 3.65 | 3:32 |
| 11 | Incommunicado- Assistent recording engineer:
- Richard Sullivan
- recording engineer:
- Nick Davis
- Produzent(in):
- Chris Kimsey
- assistierende(r) Mix:
- Avril Macintosh
- Mix:
- David Jacob
- E-Bass:
- Pete Trewavas
- Gitarre:
- Steve Rothery
- Keyboard:
- Mark Kelly
- Perkussion und Schlagzeug:
- Ian Mosley
- Hintergrundgesang:
- Chris Kimsey
- Sologesang:
- Fish
- phonographisches Urheberrecht (℗) von:
- Charisma Music Publishing Ltd
- aufgenommen bei:
- Westside Studios in London , England, Vereinigtes Königreich
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, Vereinigtes Königreich
- recording of:
- Incommunicado
- publisher:
- Marillion
- Texter:
- Derek William Dick
- Komponist(in):
- Derek William Dick, Mark Kelly , Ian Mosley, Steve Rothery und Pete Trewavas
- publisher:
- The Charisma Music Publishing Co Ltd
| Marillion | | 5:15 |
| 12 | You Make Me Crazy | Sammy Hagar | | 2:46 |
| 13 | The Eagle Has Landed | Saxon | | 6:56 |
| 14 | Everytime I Think of You | The Babys | | 4:03 |
| 15 | My Sharona- Bass:
- Prescott Niles (in 1979-04)
- Gitarre [lead guitar]:
- Berton Averre (in 1979-04)
- Gitarre [rhythm guitar] und Sologesang:
- Doug Fieger (in 1979-04)
- Schlagzeug:
- Bruce Gary (in 1979-04)
- phonographisches Urheberrecht (℗) von:
- Capitol Records, Inc. (in 1979, in 2002), Capitol Records, LLC (in 1979), Union Square Music Ltd. (in 2018) und Universal Music Operations Ltd. (in 2018)
- recording of:
- My Sharona (in 1979-04)
- Verfasser(in):
- Berton Averre und Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia und Wise Brothers Music LLC
| The Knack | 4.2 | 4:01 |
| 16 | Maybe Tomorrow, Maybe Tonight | Earth and Fire | | 3:12 |