Stabat Mater

~ Veröffentlichung von Pergolesi; Paul Laumont, Benoît Petit, Collegium Baroque, Rémy Fombon (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Sinfonia in B minor, RV 169 "Al Santo Sepolcro": I. Adagio molto
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Sinfonia for Strings in B minor, RV 169 “Al Santo Sepolcro”: I. Adagio molto (in 1999-04)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1730)
Teil von:
Sinfonia for Strings in B minor, RV 169 “Al Santo Sepolcro”
Antonio Vivaldi2:17
2Sinfonia in B minor, RV 169 "Al Santo Sepolcro": II. Allegro ma poco
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Sinfonia for Strings in B minor, RV 169 “Al Santo Sepolcro”: II. Allegro ma poco (in 1999-04)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Sinfonia for Strings in B minor, RV 169 “Al Santo Sepolcro”
Antonio Vivaldi1:37
3Salve Regina: I. Salve Regina
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Salve Regina (motet for two solo voices, two violins and continuo): Salve Regina (in 1999-04)
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Salve Regina (for soprano, strings and continuo)
Alessandro Scarlatti4:17
4Salve Regina: II. Ad te clamamus
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Salve Regina (motet for two solo voices, two violins and continuo): Ad te clamamus (in 1999-04)
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Salve Regina (for soprano, strings and continuo)
Alessandro Scarlatti2:36
5Salve Regina: III. Ad te suspiramus
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Salve Regina (motet for two solo voices, two violins and continuo): Ad te suspiramus (in 1999-04)
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Salve Regina (for soprano, strings and continuo)
Alessandro Scarlatti1:44
6Salve Regina: IV. Eja ergo
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Salve Regina (motet for two solo voices, two violins and continuo): Eia ergo, advocata nostra (in 1999-04)
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Salve Regina (for soprano, strings and continuo)
Alessandro Scarlatti1:51
7Salve Regina: V. Et Jesum
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Salve Regina (motet for two solo voices, two violins and continuo): Et Jesum benedictum (in 1999-04)
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Salve Regina (for soprano, strings and continuo)
Alessandro Scarlatti1:52
8Salve Regina: VI. O clemens
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Salve Regina (motet for two solo voices, two violins and continuo): O clemens (in 1999-04)
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Salve Regina (for soprano, strings and continuo)
Alessandro Scarlatti2:43
9Sonata a 4 in E-flat Mmjor, RV 130 "Al Santo Sepolcro": I. Largo molto
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Sonata in E-flat major, RV 130 “Al Santo Sepolcro”: I. Largo molto (in 1999-04)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Sonata in E-flat major, RV 130 "Al Santo Sepolcro"
Antonio Vivaldi2:20
10Sonata a 4 in E-flat major, RV 130 "Al Santo Sepolcro": II. Allegro ma pocco
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Sonata in E-flat major, RV 130 “Al Santo Sepolcro”: II. Allegro, ma poco (in 1999-04)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Sonata in E-flat major, RV 130 "Al Santo Sepolcro"
Antonio Vivaldi1:59
11Stabat Mater, P. 77: I. Stabat Mater dolorosa
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:52
12Stabat Mater, P. 77: II. Cujus animam gementem
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:07
13Stabat Mater, P. 77: III. O quam tristi et afflicta
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:10
14Stabat Mater, P. 77: IV. Quae moerebat et dolebat
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:17
15Stabat Mater, P. 77: V. Quis est homo
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: V. Duo: Quis est homo, qui non fleret (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:20
16Stabat Mater, P. 77: VI. Vidit suum dulcem natum
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:11
17Stabat Mater, P. 77: VII. Eja Mater, fons amoris
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:11
18Stabat Mater, P. 77: VIII. Fac ut ardeat cor meum
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:09
19Stabat Mater, P. 77: IX. Sancta Mater, istud agas
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi5:10
20Stabat Mater, P. 77: X. Fac ut portem Christi mortem
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:54
21Stabat Mater, P. 77: XI. Inflammatus et accensus
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:03
22Stabat Mater, P. 77: XII. Quando corpus morietur
Instrumente:
Le Collegium Baroque (French period instrument group) (in 1999-04)
Countertenorgesang:
Benoît Petit (in 1999-04)
Soprangesang:
Paul Laumont (in 1999-04)
conductor:
Rémy Fombon (in 1999-04)
aufgenommen bei:
Église Saint-Pierre et Saint-Paul in Pommiers, Loire, Auvergne-Rhône-Alpes, Frankreich (in 1999-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur - Amen (in 1999-04)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:26