Don Quixote

~ Release by Richard Hartley (see all versions of this release, 2 available)

Tracklist

1▼CD
#	Title	Rating	Length
1	Main Title recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Main Title orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		3:20
2	When Knights Roam / Rosinante recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: When Knights Roam / Rosinante orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		3:26
3	The Story Begins recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: The Story Begins orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:44
4	Giants / Tilting at Windmills recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Giants / Tilting at Windmills orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		3:33
5	Approaching the Castle recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Approaching the Castle orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		0:29
6	Washing the Armour recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Washing the Armour orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:56
7	The Ceremony recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: The Ceremony orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:31
8	Sancho Gets Tossed recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Sancho Gets Tossed orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		0:54
9	Attacking the Monks recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Attacking the Monks orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		2:07
10	Princess Rides Off recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Princess Rides Off orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		0:34
11	Two Great Armies / Battle of the Sheep recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Two Great Armies / Battle of the Sheep orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		3:30
12	Wages recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Wages orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:27
13	Attacked by Prisoners recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Attacked by Prisoners orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		0:55
14	Golden Helmit recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Golden Helmit orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:44
15	Banquet with Dulcinea recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Banquet with Dulcinea orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		0:37
16	A Wonderful Lover recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: A Wonderful Lover orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:40
17	Dapple Comes Home recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Dapple Comes Home orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		0:34
18	A Magnificent Performance recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: A Magnificent Performance orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:49
19	The Little Children recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: The Little Children orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		0:40
20	Arrival at Inn recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Arrival at Inn orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:01
21	Malfatto in the Wine Cellar recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Malfatto in the Wine Cellar orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:36
22	Bonfire of the Library recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Bonfire of the Library orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		2:34
23	The Lion is Free recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: The Lion is Free orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:03
24	The Letter recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: The Letter orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:16
25	Carrasco's Cure recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Carrasco's Cure orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:59
26	Arrival in Toboso recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Arrival in Toboso orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:24
27	In Search of Beauty recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: In Search of Beauty orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:33
28	Knight of the Mirrors recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Knight of the Mirrors orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:03
29	Joust with Knight of Mirrors recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Joust with Knight of Mirrors orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		2:26
30	Down the Well recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Down the Well orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		6:37
31	Shell Shock recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Shell Shock orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:14
32	Dinner with the Boratorios recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Dinner with the Boratorios orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:18
33	Journey Beyond the Stars recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Journey Beyond the Stars orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		5:25
34	Arrival at Esperanzo recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Arrival at Esperanzo orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:16
35	The Duchess Arrives at the Joust recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: The Duchess Arrives at the Joust orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		0:32
36	The Knights of the Moon recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: The Knights of the Moon orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:15
37	The Final Joust recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: The Final Joust orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		2:01
38	The Will recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: The Will orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:34
39	Death of Don Quixote recording engineer and mixer: Mike Ross‐Trevor (engineer) producer: Richard Hartley editor: Andy Glen orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Richard Hartley phonographic copyright (℗) by: Turner Broadcasting System, Inc. recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom mixed at: Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom recording of: Death of Don Quixote orchestrator: John Bell (arranger, conductor, orchestrator) and Richard Hartley composer: Richard Hartley		1:44

Don Quixote

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