Gran Concerto Barocco

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Te Deum - Preludio
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock
orchestra:
Les Musiciens du Louvre (from 1997-03 to present, in 1997-03)
conductor:
Marc Minkowski (bassoonist and conductor) (from 1997-03 to present, in 1997-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1997-03 to present)
recording of:
Te Deum, H. 146: Prélude (in 1997-03)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:21
2Serse in fa magg. - Largo
engineer and balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04) and Edward Brewer (harpsichordist) (in 1990)
oboe:
Randall Wolfgang (oboist) (in 1989-04, in 1990)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (from 1989-04 to present, in 1989-04)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1989-04)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel2:57
3Il clavicembalo ben temperato - Libro I - Preludio e Fuga in do magg. BWV 846 - Preludio
harpsichord:
Helmut Walcha (German organist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:34
4Le quattro stagioni op. 8 - Concerto n. 4 in fa min. RV 297 "L'inverno" - Largo
recorded in:
Cremona, Cremona (Province of Cremona), Lombardia, Italy (in 1987-09)
engineer:
Roger de Schot
producer:
Erik Smith (British producer, pianist and harpsichordist)
editor:
Fiona Gale and Albert Kos (engineer/editor)
violin:
Salvatore Accardo (violinist and conductor) (in 1987-09)
orchestra:
I solisti delle settimane musicali internazionali di Napoli (in 1987-09)
balance engineer:
Hans Lauterslager
phonographic copyright (℗) by:
Philips Digital Classics (this may likely be a series than an actual label) (in 1988)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1987-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:27
5Sonata n.5 in do - Andante
recorded in:
Roma (Rome), Roma, Lazio, Italy (in 1965)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1965)
recording of:
Sonata V in C major: I. Andante (in 1965)
composer:
Baldassare Galuppi (Italian composer)
part of:
Sonata V in C major
Baldassare Galuppi7:51
6Concerto per due violini archi e basso continuo in re min. BWV 1043 - Largo ma non tanto
producer:
Hans Weber (producer/engineer)
harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1961-02)
violin:
David Oistrakh (violinist) (in 1961-02) and Igor Oistrakh (violinist) (in 1961-02)
orchestra:
Royal Philharmonic Orchestra (in 1961-02)
conductor:
Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (in 1961-02)
balance engineer:
Harald Baudis (sound engineer) (in 1961-02)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1961-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1961-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:33
7Capriccio sopra la Battaglia
harpsichord:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Capriccio sopra la Battaglia, F 2.31
composer:
Girolamo Frescobaldi (composer) (in 1637)
part of:
Frescobaldi Thematic Catalogue Online (number: F 2.31)
part of:
Il primo libro de toccate (1637) (Il primo libro de toccate d’intavolatura di cimbalo et organo, partite di diverse arie et corrente, balletti, ciaccone, passachagli (Rome: Borboni, 1637))
Girolamo Frescobaldi3:03
8Musica da tavola - Quartetto in sol magg. - Vivace
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne)
conductor:
Reinhard Goebel (violinist and conductor)
Georg Philipp Telemann2:29
9Variazioni Goldberg BWV 988 - Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:49
10Concerto per flauto "La tempesta di mare" - Allegro
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
flute:
Patrick Gallois (flutist) (in 1992-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1992-12)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1992-12)
recording of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": I. Allegro (in 1992-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare"
Antonio Vivaldi2:45
11Stabat Mater per soprano, contralto, archi e basso continuo - Duetto. Grave - "Stabat Mater dolorosa"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1983-12)
alto vocals:
Lucia Valentini Terrani (mezzo soprano) (in 1983-12)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1983-12)
orchestra:
London Symphony Orchestra (in 1983-12)
conductor:
Claudio Abbado (conductor) (in 1983-12)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1983-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1983-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:39
12Stabat Mater per soprano, contralto, archi e basso continuo - Duetto. Allegro - "Fac, ut ardeat cor meum"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1983-12)
alto vocals:
Lucia Valentini Terrani (mezzo soprano) (in 1983-12)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1983-12)
orchestra:
London Symphony Orchestra (in 1983-12)
conductor:
Claudio Abbado (conductor) (in 1983-12)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1983-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum (in 1983-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:43
13Concerto in fa magg. - Réjouissanc
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne)
conductor:
Reinhard Goebel (violinist and conductor)
recording of:
Concerto in F major, S.209: III. Réjouissance
composer:
Johann David Heinichen
part of:
Concerto in F major, S.209
Johann David Heinichen1:24
14Vespro della Beata Vergine - Deus in auditorium, Domine ad adiuvandum
choir vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
orchestra:
Hamburger Bläserkreis für Alte Musik
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:12
15Concerto per oboe d'amore archi e basso continuo in la magg. BWV 1055 - Allegro ma non tanto
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
oboe d'amore:
Manfred Clement (oboist) (in 1980-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1980-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-06)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: III. Allegro ma non tanto (in 1980-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe d'Amore Concerto in A major, BWV 1055R
Johann Sebastian Bach4:52
16Fandango in re min.
harpsichord:
Rafael Puyana (harpsichordist)
recording of:
Fandango in D minor, R. 146
composer:
Padre Antonio Soler (composer)
Padre Antonio Soler13:00
17Concerto op. 10 n. 2 "La notte" per flauto, archi e clavicembalo in sol mi. RV 439 - Il sonno: Largo. Allegro
producer:
Michel Glotz
flute:
Andreas Blau (flutist) (from 1983-09-28 until 1983-09-30)
harpsichord:
Frank Maus (harpsichordist and pianist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: V. Largo “Il sonno” (from 1983-09-28 until 1983-09-30)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: VI. Allegro (from 1983-09-28 until 1983-09-30)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi3:40
18Salomone - Atto III - "L'arrivo della Regina di Saba" in si bem. magg. HWV 67
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03, in 1985)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1984-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:06
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ASIN:DE: B001JZ9BP0 [info]