De Pre Historie 1959

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Lonely Boy
recording of:
Lonely Boy
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Epa Publishing
Paul Anka2:26
2Sweet Nothin's
recording of:
Sweet Nothin’s
lyricist and composer:
Ronnie Self (rockabilly singer and songwriter)
publisher:
Champion Music Co. and Leeds Music Ltd.
Brenda Lee2:25
3Marina
recording of:
Marina (original italian lyrics) (in 1959)
lyricist and composer:
Rocco Granata (Italian-born singer, songwriter, accordionist) (in 1959)
Rocco Granata2:45
4The Three Bells
cover recording of:
The Three Bells (in 1959)
lyricist and composer:
Gilles (Swiss composer/vocalist/actor Jean Villard Gilles) (in 1939)
translator:
Bert Reisfeld (in 1948)
publisher:
Southern Music ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
translated version of:
Les Trois Cloches
The Browns2:52
5Don't You Know
Della Reese2:34
6Donna
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
recording of:
Donna
lyricist and composer:
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) and Carlin Music Corporation
Ritchie Valens4.82:28
7Come Softly to Me
arranger:
Bonnie Guitar
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1959)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 14)
recording of:
Come Softly to Me
writer:
Gretchen Christopher, Barbara Ellis and Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. and Unart Music Corp. (in 1958, in 1959)
The Fleetwoods32:25
8I Wanna Be Loved by You
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
lyricist:
Bert Kalmar
composer:
Harry Ruby and Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:55
9One Night
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-23)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957, in 1959) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-02-23) and Metropolitan Sports Center in Bloomington, Minnesota, United States (on 1976-10-17)
cover recording of:
One Night (from 1957-01-15 until 1957-02-23)
writer:
Dave Bartholomew, Pearl King and Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) and Travis Music, Inc.
version of:
One Night (of Sin)
live cover recording of:
One Night (on 1976-10-17)
writer:
Dave Bartholomew, Pearl King and Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) and Travis Music, Inc.
version of:
One Night (of Sin)
recording of:
One Night
writer:
Dave Bartholomew, Pearl King and Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) and Travis Music, Inc.
version of:
One Night (of Sin)
Elvis Presley2.72:32
10Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Platters2:41
11What a Difference a Day Makes
recorded in:
New York, New York, United States (on 1959-02-19)
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (on 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington2.82:31
12Petite Fleur
performer:
Monty Sunshine
cover recording of:
Petite Fleur (original instrumental) (in 1959)
composer:
Sidney Bechet
Chris Barber’s Jazz Band2:45
13Venus
vocals:
Frankie Avalon (American actor, singer)
conductor and chorus master:
Peter de Angelis
phonographic copyright (℗) by:
Chancellor Records Inc. (in 1959)
recording of:
Venus
lyricist and composer:
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:23
14Lipstick on Your Collar
recording of:
Lipstick on Your Collar
lyricist:
Edna Lewis
composer:
George Goehring
publisher:
Anne-Rachel Music Corp.
Connie Francis2:18
15Roulette
Russ Conway2:10
16Chantilly Lace
The Big Bopper2:25
17Dream Lover
Bobby Darin42:33
18Brown Eyed Handsome Man
recording engineer:
Norman Petty (from 1956-12 until 1957-01)
producer:
Norman Petty
bass:
Larry Welborn (from 1956-12 until 1957-01)
drums (drum set):
Jerry Allison (from 1956-12 until 1957-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1956-12 until 1957-01)
cover recording of:
Brown Eyed Handsome Man (from 1956-12 until 1957-01)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly3.352:05
19C'mon Everybody
drums (drum set):
Earl Palmer (on 1958-10-10)
electric bass guitar:
Connie “Guybo” Smith (bass player) (on 1958-10-10)
guitar:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-10-10)
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (on 1958-10-10)
tambourine:
Jerry Capehart (on 1958-10-10)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-10-10)
recorded at:
Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-10-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 403)
recording of:
C’mon Everybody (on 1958-10-09)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:58
20What'd I Say, Part 1 & 2
recording of:
What’d I Say
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles5:05

Credits

Release

compiler:Guy De Pré (Belgian radio DJ)
Discogs:https://www.discogs.com/release/693734 [info]

Release group

part of:De Pre Historie (series of releases based on the Belgian radio show “De Pre Historie”) (number: 1959.1) (order: 19)