Elvis on Tour

~ Release by Elvis Presley (see all versions of this release, 2 available)

Annotation

FLAC: 24-Bit/96 kHz

Annotation last modified on 2024-12-03 17:00 UTC.

Tracklist

1▶Digital Media: April 9, 1972 – Hampton Roads
2▶Digital Media: April 10, 1972 – Richmond
3▶Digital Media: April 14, 1972 – Greensboro
4▶Digital Media: April 18, 1972 – San Antonio
5▼Digital Media: March 30 & 31, 1972. Rehearsals at RCA’s Studio
#TitleRatingLength
1Burning Love (incomplete)
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
Burning Love (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Sony/ATV Songs LLC
2:14
2Burning Love
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
Burning Love (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Sony/ATV Songs LLC
13:34
3Burning Love
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
Burning Love (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Sony/ATV Songs LLC
13:36
4For the Good Times (incomplete)
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
partial cover recording of:
For the Good Times (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
1:12
5For the Good Times (incomplete)
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
For the Good Times (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
3:00
6For the Good Times
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
For the Good Times (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
14:39
7For the Good Times
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
For the Good Times (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
14:03
8For the Good Times
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
For the Good Times (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
14:34
9El Paso (fragment)
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
partial cover recording of:
El Paso (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Marty Robbins
publisher:
Chappell & Co., Inc. (USA), Hill & Range Songs, Inc. (publisher), Mariposa Music Inc. (publisher), Unichappell Music, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
0:52
10For the Good Times (incomplete)
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
partial cover recording of:
For the Good Times (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
3:04
11For the Good Times
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
For the Good Times (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
13:29
12Johnny B. Goode
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
Johnny B. Goode (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
4:56
13Always on My Mind (incomplete)
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
partial cover recording of:
Always on My Mind (from 1972-03-30 until 1972-03-31)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
1:46
14Always on My Mind (incomplete)
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
partial cover recording of:
Always on My Mind (from 1972-03-30 until 1972-03-31)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
2:15
15Always on My Mind
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
Always on My Mind (from 1972-03-30 until 1972-03-31)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
14:25
16Separate Ways
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
recording of:
Separate Ways (from 1972-03-30 until 1972-03-31)
writer:
Richard Mainegra and Red West
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:26
17Separate Ways
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
recording of:
Separate Ways (from 1972-03-30 until 1972-03-31)
writer:
Richard Mainegra and Red West
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4:34
18Proud Mary
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
Proud Mary (from 1972-03-30 until 1972-03-31)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
2:52
19Never Been to Spain
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
Never Been to Spain (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Hoyt Axton
publisher:
Rondor Music and Rondor Music (London) Ltd.
13:57
20You Gave Me a Mountain (incomplete)
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
partial cover recording of:
You Gave Me a Mountain (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Marty Robbins
publisher:
Mariposa Music Inc. (publisher) and Mojave Music Inc.
1:21
21Until It’s Time for Me to Go
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
Until It’s Time for You to Go (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Buffy Sainte‐Marie
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), Howe Sound Music Publishing LLC and Rondor Music (London) Ltd.
3:59
22Polk Salad Annie
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
Polk Salad Annie (from 1972-03-30 until 1972-03-31)
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Blackwood Music Inc.
12:51
23Love Me
mixer:
Matt Ross‐Spang
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1972-03-30 until 1972-03-31)
mixed at:
Sam Phillips Recording Studios in Memphis, Tennessee, United States
cover recording of:
Love Me (from 1972-03-30 until 1972-03-31)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
12:37
6▶Digital Media: March 31, 1972. Rehearsals at RCA’s Studio