More 70’s: 144 More Greatest Hits of the 70’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Honky Tonk Woman
cover recording of:
Honky Tonk Women
written in:
Mato Grosso, Brazil (in 1968-12)
writer:
Mick Jagger (in 1968-12) and Keith Richards (Rolling Stones guitarist) (in 1968-12)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
Ike & Tina Turner43:10
2Inside Looking Out
Grand Funk Railroad9:33
3Long Dark Road
recording of:
Long Dark Road
writer:
Tony Hicks and Kenny Lynch (English singer, songwriter, entertainer & actor)
The Hollies14:14
4Nice to Be With You
recording of:
Nice to Be With You
lyricist and composer:
Jim Gold
Gallery52:38
5Love Grows
producer:
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographic copyright (℗) by:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) and Demon Music Group (in 1970)
music videos:
Love Grows (Where My Rosemary Goes) by Edison Lighthouse
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 40) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
writer:
Tony Macaulay and Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. and Universal Music Publishing MGB Australia
Edison Lighthouse3.82:44
6Sunday Girl
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Sunday Girl (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
Blondie3.83:12
7Right Back Where We Started From
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
writer:
J. Vincent Edwards and Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Songs LLC
Maxine Nightingale4.153:14
8Spank
recording of:
Spank
lyricist and composer:
Ronald Louis Smith
Jimmy "Bo" Horne6:59
9Lean on Me
recording of:
Lean On Me
writer:
Joe Cobb (Joe “Youngblood” Cobb; songwriter, producer, composer, writer) and Van McCoy
Melba Moore4:54
10People Make the World Go Round
The Stylistics3:31
11I Can’t Leave You Alone
phonographic copyright (℗) by:
T.K. Records Ltd. (Miami‐based disco label) (in 1974)
recording of:
I Can’t Leave You Alone
writer:
Harry Wayne Casey and Richard Finch
publisher:
Peer Music
George McCrae3:08
12Amor
cover recording of:
Amor (More and More Amor)
lyricist:
Ricardo López Méndez (Mexican poet, lyricist and radio host)
composer:
Gabriel Ruiz (Mexican composer)
part of:
Broadway Rhythm (film)
Rod McKuen2:56
13Hey Mal Yo
Johnny Rodriguez3:09
14Hello Summertime
recording of:
Hello Summertime (1970s song)
writer:
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis and Roger Greenaway
Bobby Goldsboro2:25
15Storm in a Teacup
producer:
Gordon Mills (60s/70s UK producer and songwriter)
recording of:
Storm in a Teacup
writer:
Lynsey Rubin and Ron Roker
publisher:
ATV Kirshner (publisher) (in 1972)
Lynsey de Paul3:16
16Sandy
producer:
John Farrar
mixer:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
lyricist:
Scott Simon
composer:
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) and Unichappell Music (in 1978)
part of:
Grease (1978 film)
John Travolta3.752:33
17Don’t Cry for Me Argentina
assistant engineer:
Stefan Heller
engineer:
Peter R. Vince (engineer, producer)
producer:
The Shadows (British pop/rock band that once backed Cliff Richard)
bass guitar:
Alan Jones (member of the Shadows, 60s Merseybeat group)
drums (drum set) and percussion:
Brian Bennett (Shadows drummer)
guitar:
Hank Marvin (lead guitarist of The Shadows, songwriter) and Bruce Welch (English guitarist, singer, songwriter and producer)
synthesizer:
Dave Lawson (UK keyboardist & composer)
arranger:
The Shadows (British pop/rock band that once backed Cliff Richard)
recorded at:
EMI, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom and The Music Centre in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
cover recording of:
Don’t Cry for Me Argentina (Evita)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
The Shadows33:31
18Diamonds Are Forever
producer:
John Barry (English score composer)
mixer:
John Richards (engineer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1971)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Diamonds Are Forever (main title theme)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:40
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