Greatest Hits

~ Veröffentlichung von Peggy Lee (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Greatest Hits
2▼CD: Two Great Albums
Nr.TitelBewertungLänge
1The Man I Love
cover recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
3:46
2Please Be Kind
cover recording of:
Please Be Kind
Texter:
Sammy Cahn (in 1938)
Komponist(in):
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
4:13
3Happiness Is a Thing Called Joe
cover recording of:
Happiness Is a Thing Called Joe (am 1957-04-04)
Texter:
Yip Harburg (in 1940)
Komponist(in):
Harold Arlen (in 1940)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
4:05
4(Just One Way to Say) I Love You
cover recording of:
(Just One Way to Say) I Love You (am 1957-04-08)
Verfasser(in) und Komponist(in):
Irving Berlin
2:52
5That’s All
cover recording of:
That’s All
Texter:
Alan Brandt
Komponist(in):
Alan Brandt und Bob Haymes
publisher:
Mixed Bag Music Inc. und Travis Music
2:54
6Something Wonderful
cover recording of:
Something Wonderful (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
übersetzte Version von:
דבר מה נפלא כל כך
Teil von:
The King and I (Rodgers & Hammerstein musical)
3:14
7He’s My Guy
cover recording of:
He’s My Guy
Texter:
Don Raye
Komponist(in):
Gene de Paul
4:12
8Then I’ll Be Tired of You
cover recording of:
Then I’ll Be Tired of You
Texter:
Yip Harburg
Komponist(in):
Arthur Schwartz
2:28
9My Heart Stood Still
cover recording of:
My Heart Stood Still
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
2:46
10If I Should Lose You
cover recording of:
If I Should Lose You
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:23
11There Is No Greater Love
cover recording of:
There Is No Greater Love
Texter:
Marty Symes (lyricist)
Komponist(in):
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) und World Music, Inc.
3:38
12The Folks Who Live on the Hill
cover recording of:
The Folks Who Live on the Hill
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
High, Wide and Handsome (1937 film)
3:40
13Black Coffee
Klavier:
Jimmy Rowles (am 1953-05-04)
Kontrabass:
Max Wayne (am 1953-05-04)
Schlagzeug:
Ed Shaughnessy (am 1953-05-04)
Trompete:
Pete Candoli (am 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-04)
cover recording of:
Black Coffee (1948 song) (am 1953-05-04)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
3:11
14I’ve Got You Under My Skin
Klavier:
Jimmy Rowles (am 1953-04-30)
Kontrabass:
Max Wayne (am 1953-04-30)
Schlagzeug:
Ed Shaughnessy (am 1953-04-30)
Trompete:
Pete Candoli (am 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (am 1953-04-30)
recording of:
I’ve Got You Under My Skin (am 1953-04-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2:32
15Easy Living
Klavier:
Jimmy Rowles (am 1953-05-01)
Kontrabass:
Max Wayne (am 1953-05-01)
Schlagzeug:
Ed Shaughnessy (am 1953-05-01)
Trompete:
Pete Candoli (am 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-01)
cover recording of:
Easy Living (am 1953-05-01)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Verfasser(in):
Ralph Rainger (in 1937) und Leo Robin (US composer, lyricist & songwriter) (in 1937)
Komponist(in):
Ralph Rainger und Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
2:46
16My Heart Belongs to Daddy
Klavier:
Jimmy Rowles (am 1953-05-01)
Kontrabass:
Max Wayne (am 1953-05-01)
Schlagzeug:
Ed Shaughnessy (am 1953-05-01)
Trompete:
Pete Candoli (am 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-01)
cover recording of:
My Heart Belongs to Daddy (am 1953-05-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
2:10
17It Ain’t Necessarily So
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:26
18Gee Baby, Ain’t I Good to You
Gitarre:
Bill Pitman (in 1956-04)
Harfe:
Stella Castellucci (in 1956-04)
Klavier:
Lou Levy (in 1956-04)
Kontrabass:
Buddy Clark (US jazz bassist) (in 1956-04)
Schlagzeug, Perkussion und Vibraphon:
Larry Bunker (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
Gee, Baby Ain’t I Good to You (in 1956-04)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:25
19A Woman Alone With the Blues
Klavier:
Jimmy Rowles (am 1953-05-01)
Kontrabass:
Max Wayne (am 1953-05-01)
Schlagzeug:
Ed Shaughnessy (am 1953-05-01)
Trompete:
Pete Candoli (am 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-01)
cover recording of:
A Woman Alone With the Blues (am 1953-05-01)
Texter und Komponist(in):
Willard Robison
3:18
20I Didn’t Know What Time It Was
Klavier:
Jimmy Rowles (am 1953-04-30)
Kontrabass:
Max Wayne (am 1953-04-30)
Schlagzeug:
Ed Shaughnessy (am 1953-04-30)
Trompete:
Pete Candoli (am 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (am 1953-04-30)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (am 1953-04-30)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
2:21
21When the World Was Young
Klavier:
Jimmy Rowles (am 1953-05-04)
Kontrabass:
Max Wayne (am 1953-05-04)
Schlagzeug:
Ed Shaughnessy (am 1953-05-04)
Trompete:
Pete Candoli (am 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-04)
recording of:
When the World Was Young (am 1953-05-04)
Texter:
Johnny Mercer
Komponist(in):
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) und Peter Maurice Music Co. Ltd.
Version von:
Le Chevalier de Paris
3:21
22Love Me or Leave Me
cover recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
2:10
23You’re My Thrill
Gitarre:
Bill Pitman (in 1956-04)
Harfe:
Stella Castellucci (in 1956-04)
Klavier:
Lou Levy (in 1956-04)
Kontrabass:
Buddy Clark (US jazz bassist) (in 1956-04)
Schlagzeug, Perkussion und Vibraphon:
Larry Bunker (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
You’re My Thrill (in 1956-04)
Texter:
Sidney Clare
Komponist(in):
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:26
24There’s a Small Hotel
Gitarre:
Bill Pitman (in 1956-04)
Harfe:
Stella Castellucci (in 1956-04)
Klavier:
Lou Levy (in 1956-04)
Kontrabass:
Buddy Clark (US jazz bassist) (in 1956-04)
Schlagzeug, Perkussion und Vibraphon:
Larry Bunker (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
There’s a Small Hotel (from “On Your Toes”) (in 1956-04)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
2:52

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/1946675 [Info] (beendet)