Kneipen Hits, die Zweite

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1You Sexy Thing
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1975) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
You Sexy Thing
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.53:44
2Heart of Glass
produttore:
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 1981, nel 2002) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
remix di:
Heart of Glass di Blondie (US rock band)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie44:32
3Sexy Eyes
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979)
registrazione di:
Sexy Eyes
autore:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) e Chris Waters (Country music singer and songwriter)
editore:
EMI April Music Inc., EMI Blackwood Music Inc. e EMI Songs Ltd.
registrazione cover di:
Sexy Eyes
autore:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) e Chris Waters (Country music singer and songwriter)
editore:
EMI April Music Inc., EMI Blackwood Music Inc. e EMI Songs Ltd.
Dr. Hook3.52:57
4Let’s Work Together
registrazione cover di:
Let’s Work Together
paroliere:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. e United Artists Musik GmbH
Canned Heat2:49
5Freeze-Frame
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981)
registrazione di:
Freeze-Frame
autore:
Seth Justman e Peter Wolf (US rock vocalist, member of J. Geils Band)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Kobalt Songs Music Publishing (USA, ASCAP affiliated)
The J. Geils Band53:57
6Baby It’s You
Promises3:51
7Radar Love
tecnico di registrazione:
Pieter Nieboer
produttore:
Golden Earring
produttore esecutivo:
Fred Haayen
tecnico di missaggio:
Damon Lyon-Shaw
basso elettrico e tastiera :
Rinus Gerritsen (bass player)
batteria e percussione :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra acustica e chitarra elettrica :
George Kooymans
chitarra slide :
Eelco Gelling
voce:
Barry Hay e George Kooymans
arrangiatore:
Golden Earring
diritti fonografici (℗) detenuti da:
Dutch Record Company (nel 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1973), Red Bullet Productions B.V. (nel 1973), Track Records Ltd. (nel 1973) e Geffen Records (nel 1974)
è stato produttore per:
Red Bullet Productions
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
IBC Studios in London (Greater London), England, Regno Unito
registrazione di:
Radar Love
paroliere:
Barry Hay
compositore:
George Kooymans
editore:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) e Sony/ATV Music Publishing
Golden Earring4.36:23
8American Pie
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:11
9Suedehaed
produttore:
Stephen Street (famous producer, songwriter)
registrazione di:
Suedehead
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Stephen Street (famous producer, songwriter)
Morrissey4.13:53
10This Is Not a Love Song
registrazione di:
This Is Not a Love Song
autore:
Martin Atkins (UK drummer), Keith Levene e John Lydon (Johnny Rotten of the Sex Pistols)
editore:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing e Warner/Chappell Music Ltd. (1996–2019)
versione di:
Love Song
Public Image Ltd.4:12
11Road to Nowhere
edit di:
Road to Nowhere di Talking Heads
registrazione di:
Road to Nowhere
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. e Warner Bros. Music Corp.
Talking Heads44:03
12Love Is a Battlefield
assistente tecnico:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
produttore e tecnico di missaggio:
Pete Coleman e Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistente tecnico di missaggio:
Murray Dvorkin e Bino Espinoza
armonica (a bocca) e chitarra :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
batteria :
Myron Grombacher
chitarra basso :
Roger Capps e Donnie Nossov
percussione :
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) e Myron Grombacher
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce principale:
Pat Benatar
mixata presso:
Soundcastle (Interactive Studios) in Santa Monica, California, Stati Uniti e The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 30)
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar3.655:22
13Reap the Wild Wind
registrazione di:
Reap the Wild Wind
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3:45
14Smoke on the Water (live)
tecnico:
Martin Birch
produttore:
Deep Purple
tecnico di missaggio:
Roger Glover e Ian Paice
basso elettrico :
Roger Glover (il 1972-08-15)
batteria :
Ian Paice (il 1972-08-15)
chitarra elettrica :
Ritchie Blackmore (il 1972-08-15)
organo Hammond :
Jon Lord (il 1972-08-15)
voce principale:
Ian Gillan (il 1972-08-15)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Festival Hall (1st incarnation, 1958–2008) in Nakanoshima, Osaka (Osaka City), Osaka (Osaka Prefecture), Giappone (il 1972-08-15)
registrazione dal vivo di:
Smoke on the Water (il 1972-08-15)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple26:46
15Ride Like the Wind
Saxon4:21

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parte di:Kneipenhits (ordine: 2)