The Complete Verve Tal Farlow Sessions

~ Release by Tal Farlow (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1These Foolish Things
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
These Foolish Things (Remind Me of You) (on 1955-01-17)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
2:54
2I Remember You
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
I Remember You (on 1955-01-17)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
4:16
3How Deep Is the Ocean
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-01-17)
producer:
Norman Granz
bass and double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
How Deep Is the Ocean? (on 1955-01-17)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:01
4Fascinating Rhythm
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Fascinatin’ Rhythm (on 1955-01-17)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
3:51
5Manhattan
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Manhattan (on 1955-01-17)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:18
6Autumn Leaves
solo guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1955-01-17)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
1:43
7It's You or No One
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
It’s You or No One (on 1955-01-17)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
3:28
8Tenderly
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Tenderly (on 1955-01-17)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
4:37
9There Will Never Be Another You
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
recording of:
There Will Never Be Another You (on 1955-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
instrumental recording of:
There Will Never Be Another You (on 1955-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
3:49
10Just One of Those Things
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Just One of Those Things (on 1955-01-17)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:04
11Out of Nowhere
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-04)
double bass:
Monty Budwig (on 1955-05-04)
drums (drum set):
Lawrence Marable (on 1955-05-04)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-04)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-04)
trombone:
Bob Enevoldsen (on 1955-05-04)
instrumental recording of:
Out of Nowhere (on 1955-05-04)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:29
12Walkin'
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-03)
double bass:
Monty Budwig (on 1955-05-03)
drums (drum set):
Lawrence Marable (on 1955-05-03)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-03)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-03)
trombone:
Bob Enevoldsen (on 1955-05-03)
recording of:
Walkin’ (usually credited to Richard Carpenter) (on 1955-05-03)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
5:29
13Moonlight Becomes You
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-04)
double bass:
Monty Budwig (on 1955-05-04)
drums (drum set):
Lawrence Marable (on 1955-05-04)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-04)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-04)
trombone:
Bob Enevoldsen (on 1955-05-04)
recording of:
Moonlight Becomes You (on 1955-05-04)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1942)
composer:
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4:26
14On the Alamo
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-03)
double bass:
Monty Budwig (on 1955-05-03)
drums (drum set):
Lawrence Marable (on 1955-05-03)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-03)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-03)
trombone:
Bob Enevoldsen (on 1955-05-03)
recording of:
On the Alamo (on 1955-05-03)
lyricist:
Gilbert Keyes and Joe Lyons (US songwriter & arranger)
composer:
Isham Jones
publisher:
Forster Music Publisher, Inc. (from 1922-08-02 to present) and Tell Taylor, Inc. (from 1922-03-17 until 1922-08-02)
4:10
15Will You Still Be Mine
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-03)
double bass:
Monty Budwig (on 1955-05-03)
drums (drum set):
Lawrence Marable (on 1955-05-03)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-03)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-03)
trombone:
Bob Enevoldsen (on 1955-05-03)
recording of:
Will You Still Be Mine? (on 1955-05-03)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
4:03
16Lorinesque
producer:
Norman Granz
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-04)
double bass:
Monte Budwig (on 1955-05-04)
drums (drum set):
Lawrence Marable (on 1955-05-04)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-04)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-04)
trombone and valve trombone:
Bob Enevoldsen (on 1955-05-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-05-04)
4:17
17Bye Bye Baby
producer:
Norman Granz
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-04)
double bass:
Monte Budwig (on 1955-05-04)
drums (drum set):
Lawrence Marable (on 1955-05-04)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-04)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-04)
trombone and valve trombone:
Bob Enevoldsen (on 1955-05-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-05-04)
instrumental recording of:
Bye Bye Baby (Gentlemen Prefer Blondes) (on 1955-05-04)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jule Styne
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
4:10
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD