Pure Jazz

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1It Never Entered My Mind (Higher & Higher)
producer:
Alfred Lion
bass and double bass:
Percy Heath (on 1954-03-06)
drums (drum set):
Art Blakey (on 1954-03-06)
piano:
Horace Silver (on 1954-03-06)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-03-06)
phonographic copyright (℗) by:
Blue Note
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-03-06)
instrumental cover recording of:
It Never Entered My Mind (on 1954-03-06)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Miles Davis4:04
2Darn That Dream
producer:
Francis Wolff (photographer and record producer)
double bass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1964-06-02)
drums (drum set):
Art Taylor (on 1964-06-02)
piano:
Kenny Drew (on 1964-06-02)
tenor saxophone:
Dexter Gordon (on 1964-06-02)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1964-06-02)
instrumental recording of:
Darn That Dream (on 1964-06-02)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
Dexter Gordon7:33
3I've Got It Bad (And That Ain't Good)
Donald Byrd5:54
4Fly Me To The Moon (In Other Words)
cover recording of:
Fly Me to the Moon (on 1961-12-21)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nat King Cole & George Shearing3:32
5Along Came Betty (Rudy Van Gelder Edition) [1999 Remastered Version]
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-10-30)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Along Came Betty (on 1958-10-30)
composer:
Benny Golson (American jazz saxophonist and composer)
publisher:
Time Step Music (publisher for Benny Golson)
Art Blakey6:13
6Dancing In The Dark
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental recording of:
Dancing in the Dark (on 1958-03-09)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
Cannonball Adderley44:07
7In A Sentimental Mood
Duke Ellington2:32
8After Supper
recording of:
After Supper
composer and arranger:
Neal Hefti
publisher:
International Korwin Corp.
Count Basie & His Orchestra3:26
9(I Loves You) Porgy [Live At the Newport Jazz Festival]
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone34:05
10Reflections
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-04-14)
drums (drum set):
Art Blakey (on 1957-04-14)
piano:
Thelonious Monk (on 1957-04-14)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-04-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-14)
recording of:
Reflections (on 1957-04-14)
composer:
Thelonious Monk
Sonny Rollins7:03
11Willow Weep For Me
recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Stanley Turrentine & The Three Sounds8:39
12Lover Man (Oh Where Can You Be)
cover recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Dinah Washington3:02
13Lazy Afternoon (1995 Remastered Version)
recording of:
Lazy Afternoon (The Golden Apple, 1954)
orchestrator and composer:
Jerome Moross (American composer and conductor)
lyricist:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
Pete La Roca5:33
14'Round Midnight
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:11
15Blue And Sentimental
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1961-12-16)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1961-12-16)
guitar:
Grant Green (jazz guitarist) (on 1961-12-16)
tenor saxophone:
Ike Quebec (on 1961-12-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-12-16)
recording of:
Blue and Sentimental (on 1961-12-16)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
Ike Quebec7:28
16You'd Be So Nice To Come Home To (1990 Remastered Version)
Bud Powell Trio2:38
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