The Great American Songbook

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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#TitoloArtistaValutazioneDurata
1April in Paris
ance :
Marshall Royal (il 1956-06-25)
batteria :
Sonny Payne (il 1956-06-25)
chitarra :
Freddie Green (il 1956-06-25)
contrabbasso :
Eddie Jones (US jazz double bassist) (il 1956-06-25)
legni :
Frank Wess (il 1956-06-25)
pianoforte :
Ralph Burns (il 1956-06-25)
sassofono contralto :
Bill Graham (US jazz saxophonist) (il 1956-06-25)
sassofono tenore :
Frank Foster (saxophonist) (il 1956-06-25)
tromba :
Wendell Culley (jazz trumpeter) (il 1956-06-25), Reunald Jones (il 1956-06-25), Thad Jones (American jazz trumpeter) (il 1956-06-25) e Joe Newman (US jazz trumpeter) (il 1956-06-25)
trombone :
Henry Coker (jazz trombonist) (il 1956-06-25), Bill Hughes (jazz trombonist) (il 1956-06-25) e Benny Powell (jazz trombonist) (il 1956-06-25)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-06-25)
registrata presso:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1956-06-25)
registrazione di:
April in Paris (il 1956-06-25)
paroliere:
Yip Harburg (nel 1932)
compositore:
Vernon Duke (nel 1932)
editore:
Chappell Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald?:??
2That Old Black Magic
Billy Daniels?:??
3I’ve Grown Accustomed to Her Face
produttore:
Teddy Reig
batteria :
Sonny Payne (nel 1959-01)
chitarra :
Freddie Green (nel 1959-01)
contrabbasso :
Eddie Jones (US jazz double bassist) (nel 1959-01)
pianoforte :
Count Basie (pianist) (nel 1959-01) e Ralph Sharon (nel 1959-01)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (nel 1959-01)
sassofono contralto :
Marshall Royal (nel 1959-01) e Frank Wess (nel 1959-01)
sassofono tenore :
Frank Foster (saxophonist) (nel 1959-01) e Billy Mitchell (US jazz saxophonist) (nel 1959-01)
tromba :
Wendell Culley (jazz trumpeter) (nel 1959-01), Thad Jones (American jazz trumpeter) (nel 1959-01), Joe Newman (US jazz trumpeter) (nel 1959-01) e Snooky Young (nel 1959-01)
trombone :
Henry Coker (jazz trombonist) (nel 1959-01), Al Grey (trombone) (nel 1959-01) e Benny Powell (jazz trombonist) (nel 1959-01)
voce:
Tony Bennett (US jazz/standards vocalist) (nel 1959-01)
arrangiatore:
Ralph Sharon
registrazione cover di:
I’ve Grown Accustomed to Her Face (My Fair Lady) (nel 1959-01)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe (nel 1956)
editore:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
My Fair Lady (full musical)
Tony Bennett, with Count Basie4?:??
4Body and Soul
registrazione di:
Body and Soul
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Sinatra?:??
5Too Marvelous for Words
registrazione di:
Too Marvelous for Words
paroliere:
Johnny Mercer (nel 1937)
compositore:
Richard A. Whiting (composer) (nel 1937)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) e Harms, Inc. (il 1937-01-25)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson?:??
6Lush Life
registrazione cover di:
Lush Life
paroliere e compositore:
Billy Strayhorn (dal 1933 al 1938)
editore:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e Tempo Music, Inc. (Duke Ellington’s music publishing company) (dal 1949 a oggi)
parte di:
The Real Book (compilation of jazz standards, volume I)
Sarah Vaughan?:??
7September in the Rain
produttore:
Bobby Troup
direttore d'orchestra:
Pete King (composer/arranger)
arrangiatore:
Pete King (composer/arranger)
registrazione di:
September in the Rain (nel 1956)
paroliere:
Al Dubin (nel 1937)
compositore:
Harry Warren (US composer and lyricist) (nel 1937)
editore:
Henrees Music co. (nel 1937) e Peermusic (UK) Limited (nel 1937)
Julie London4?:??
8Jeepers Creepers
registrazione di:
Jeepers Creepers
paroliere:
Johnny Mercer (nel 1938)
autore:
Richard A. Whiting (composer)
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1938 nominee)
Louis Armstrong?:??
9I’m Gonna Wash That Man Right Outamy Hair
voce:
Mary Martin (US film and musical actor/singer)
direttore d'orchestra:
Salvatore Dell’Isola (nel 1949-04)
orchestratore:
Robert Russell Bennett (American composer and arranger)
registrazione cover di:
I’m Gonna Wash That Man Right Outa My Hair (South Pacific) (nel 1949)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Mary Martin?:??
10My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.9?:??
11The Birth of the Blues
registrazione di:
Birth of the Blues
paroliere:
Lew Brown e Buddy DeSylva
compositore:
Ray Henderson
Sammy Davis Jr.?:??
12Let’s Fall in Love
Tony Middleton?:??
13Sentimental Journey
registrazione di:
Sentimental Journey
paroliere:
Bud Green (nel 1944)
compositore:
Les Brown (American big band & jazz musician) (nel 1944) e Ben Homer (nel 1944)
editore:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. e Morley Music Corp.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day?:??
14Have You Met Miss Jones?
tecnico:
Val Valentin
produttore:
Norman Granz
arpa :
Corky Hale (il 1956-08-30)
basso :
Joe Mondragon (il 1956-08-30)
batteria :
Alvin Stoller (il 1956-08-30)
chitarra :
Barney Kessel (il 1956-08-30)
corno francese :
Vince DeRosa (il 1956-08-30)
corno inglese [English horn] e oboe :
Bob Cooper (US jazz saxophonist) (il 1956-08-30)
flauto :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-08-30)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-08-30)
viola e violino :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1956-08-30)
violoncello :
Robert La Marchina (US cellist and conductor) (il 1956-08-30) e Edgar Lustgarten (il 1956-08-30)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-08-30)
direttore d'orchestra:
Buddy Bregman (il 1956-08-30)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-30)
registrazione di:
Have You Met Miss Jones? (I’d Rather Be Right) (il 1956-08-30)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
I’d Rather Be Right
registrazione cover di:
Have You Met Miss Jones? (I’d Rather Be Right)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
I’d Rather Be Right
Ella Fitzgerald?:??
15Oh, Lady Be Good
Fred Astaire?:??
16Some Enchanted Evening
registrazione di:
Some Enchanted Evening (South Pacific)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company e Williamson Music, Inc.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Jo Stafford?:??
17Begin the Beguine
Mario Lanza?:??
18(I Love You) For Sentimental Reasons
chitarra :
Oscar Moore (il 1946-08-22)
contrabbasso :
Johnny Miller (part of the Nat King Cole Trio) (il 1946-08-22)
pianoforte :
Nat King Cole (il 1946-08-22)
voce:
Nat King Cole (il 1946-08-22)
esecutore:
The Nat King Cole Trio (il 1946-08-22)
registrata presso:
WMCA Studios in New York, New York, Stati Uniti (il 1946-08-22)
registrazione cover di:
(I Love You) for Sentimental Reasons (il 1946-08-22)
paroliere:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
compositore:
William “Pat” Best
editore:
MCA Duchess Music Corporation e Peter Maurice Music Co. Ltd.
Nat King Cole4?:??
19Night and Day
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Shirley Bassey?:??
20Three Coins in the Fountain
registrazione cover di:
Three Coins in the Fountain
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 27th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1954 winner)
The Four Aces?:??
21That’s Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.35?:??
22Young at Heart
registrazione di:
Young at Heart (Frank Sinatra song)
paroliere:
Carolyn Leigh
compositore:
Johnny Richards
editore:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day, with Frank Sinatra?:??
23Happy Talk
Juanita Hall?:??
24Guilty
registrazione cover di:
Guilty (il 1946-09-19)
paroliere:
Gus Kahn
compositore:
Harry Akst e Richard A. Whiting (composer)
Mel Tormé?:??
25Lover
registrazione cover di:
Lover
paroliere:
Lorenz Hart (nel 1932)
compositore:
Richard Rodgers (composer) (nel 1932)
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Peggy Lee?:??
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parte di:The Great American Songbook (numero: 1) (ordine: 1)