Palestrina: Masses & Motets

~ Release by Giovanni Pierluigi da Palestrina, Pro Cantione Antiqua & Mark Brown (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Missa Brevis: Introitus: Puer natus est nobis
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa Brevis
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina2:32
2Missa Brevis: Kyrie
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa Brevis: I. Kyrie
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Brevis
Giovanni Pierluigi da Palestrina2:35
3Missa Brevis: Gloria
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa Brevis: II. Gloria
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Brevis
Giovanni Pierluigi da Palestrina2:56
4Missa Brevis: Graduale: Viderunt omnes
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa Brevis
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina3:30
5Missa Brevis: Credo
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa Brevis: III. Credo
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Brevis
Giovanni Pierluigi da Palestrina5:18
6Missa Brevis: Offertorium: Tui sunt coeli
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa Brevis
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina1:11
7Missa Brevis: Sanctus
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa Brevis: IV. Sanctus
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Brevis
part of:
Missa Brevis: Sanctus and Benedictus
Giovanni Pierluigi da Palestrina1:41
8Missa Brevis: Benedictus
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa Brevis: V. Benedictus
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Brevis
part of:
Missa Brevis: Sanctus and Benedictus
Giovanni Pierluigi da Palestrina2:06
9Missa Brevis: Communio: Viderunt omnes
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa Brevis
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina0:28
10Missa Brevis: Angus Dei
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa Brevis: VI. Agnus Dei
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Brevis
Giovanni Pierluigi da Palestrina5:10
11Missa "Lauda Sion": Introitus: Cibavit eos
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa "Lauda Sion"
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina2:31
12Missa "Lauda Sion": Kyrie
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa lauda Sion: I. Kyrie
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Lauda Sion"
Giovanni Pierluigi da Palestrina2:04
13Missa "Lauda Sion": Gloria
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa lauda Sion: II. Gloria
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Lauda Sion"
Giovanni Pierluigi da Palestrina3:13
14Missa "Lauda Sion": Graduale: Oculi omnium
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa "Lauda Sion"
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina3:03
15Missa "Lauda Sion": Credo
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa lauda Sion: III. Credo
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Lauda Sion"
Giovanni Pierluigi da Palestrina5:27
16Missa "Lauda Sion": Offertorium: Sacerdotes Domini
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa "Lauda Sion"
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina1:19
17Missa "Lauda Sion": Sanctus
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa lauda Sion: IV. Sanctus
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Lauda Sion"
Giovanni Pierluigi da Palestrina1:53
18Missa "Lauda Sion": Benedictus
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa lauda Sion: V. Benedictus
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Lauda Sion"
Giovanni Pierluigi da Palestrina2:35
19Missa "Lauda Sion": Communio: Quotiescumque manducabitis
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa "Lauda Sion"
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina1:29
20Missa "Lauda Sion": Agnus Dei
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Missa lauda Sion: VI. Agnus Dei
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Lauda Sion"
Giovanni Pierluigi da Palestrina4:58
21Super Flumina Babylonis
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Super flumina Babylonis
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina4:00
22Sicut Cervus
engineer:
Anthony Howells (Audio Engineer) (from 1991 until 1992)
producer:
Jack Leppington (Producer)
bass vocals:
Michael George (operatic bass) (from 1991 until 1992), Gordon Jones (baritone) (from 1991 until 1992) and Stephen Roberts (UK bass-baritone) (from 1991 until 1992)
countertenor vocals:
Michael Chance (British countertenor) (from 1991 until 1992) and Timothy Penrose (countertenor) (from 1991 until 1992)
tenor vocals:
James Griffett (tenor) (from 1991 until 1992) and Ian Partridge (tenor) (from 1991 until 1992)
conductor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
performer:
Pro Cantione Antiqua (UK early music vocal ensemble)
recorded at:
St. Jude’s Hampstead in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991 until 1992)
recording of:
Sicut cervus
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina5:53

Credits

Release

ASIN:UK: B0000AOGN7 [info]