Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▶CD: Cantatas 198, 201 (1727-1729)
3▶CD: Cantatas 213, 214 (1733)
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▶CD: St. Matthew Passion (3 Richter)
28▼CD: Great Singers (1952-1965)
#TitleRatingLength
1Christmas Oratorio, BWV 248: 1. Chorus: "Jauchzet, frohlocket"
choir vocals:
Berliner Motettenchor (from 1955-08-03 until 1955-08-10) and RIAS Kammerchor (German chamber choir) (from 1955-08-03 until 1955-08-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1955-08-03 until 1955-08-10)
conductor:
Fritz Lehmann (conductor) (from 1955-08-03 until 1955-08-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1955-08-03 until 1955-08-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
8:18
2Christmas Oratorio, BWV 248: 15. Aria: "Frohe Hirten, eilt, ach eilet"
tenor vocals:
Helmut Krebs (tenor) (from 1955-08-03 until 1955-08-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1955-08-03 until 1955-08-10)
conductor:
Fritz Lehmann (conductor) (from 1955-08-03 until 1955-08-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1955-08-03 until 1955-08-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:49
3Mass in B minor, BWV 232: 3. Agnus Dei
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:47
4"Widerstehe doch der Sünde", BWV 54: 1. Aria: "Widerstehe doch der Sünde" (conclusion)
alto vocals:
Hilde Rössel‐Majdan (Austrian contralto)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
4:00
5"Widerstehe doch der Sünde", BWV 54: 3. [Aria:] "Wer Sünde tut, der ist vom Teufel"
alto vocals:
Helen Watts (contralto)
orchestra:
Philomusica of London
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
3:24
6"Mein Herze schwimmt im Blut", BWV 199: 2. Aria: "Stumme Seufzer, stille Klagen"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (catch-all for unknown versions) (on 2000-09-03)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
5:27
7Easter Oratorio, BWV 249: 7. Aria: "Sanfte soll mein Todeskummer"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1956-07)
orchestra:
Stuttgarter Bach-Orchester (in 1956-07)
conductor:
Marcel Couraud (conductor) (in 1956-07)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956-07)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1956-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
6:48
8"Jauchzet Gott in allen Landen", BWV 51: 1. [Aria]: "Jauchzet Gott in allen Landen!"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
trumpet:
Willi Bauer (trumpet player) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:45
9"Weichet nur, betrübte Schatten", BWV 202: 7. Aria: "Sich üben im Lieben, in Scherzen sich herzen"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
4:35
10"Es ist euch gut, dass ich hingehe", BWV 108: 5. Aria: "Was mein Herz von dir begehrt"
recorded in:
Wien (Vienna), Austria (in 1960-07)
alto vocals:
Aafje Heynis (contralto)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Hans Gillesberger
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": V. Aria (Alt) "Was mein Herz von dir begehrt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
4:04
11St. Matthew Passion, BWV 244: 6. Aria: "Buß und Reu"
alto vocals:
Marga Höffgen (contralto) (in 1965-11)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1965-11)
conductor:
Eugen Jochum (conductor) (in 1965-11)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1965-11)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1965-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:57
12St. Matthew Passion, BWV 244: 35. Aria: "Geduld! Wenn mich falsche Zungen stechen"
producer:
Ray Minshull (record producer)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (German conductor) (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1964-07-27 until 1964-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:02
13St. Matthew Passion, BWV 244: 39. Aria: "Erbarme dich"
alto vocals:
Aafje Heynis (contralto) (in 1961)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1961)
conductor:
Hans Gillesberger (in 1961)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1961)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:21
14St. Matthew Passion, BWV 244: 49. Aria: "Aus Liebe will mein Heiland sterben"
soprano vocals:
Agnes Giebel (soprano) (in 1965-11)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1965-11)
conductor:
Eugen Jochum (conductor) (in 1965-11)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1965-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:06
15Christmas Oratoria, BWV 248: 51. Trio: "Ach, wenn wird die Zeit erscheinen?"
recording engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr Gerd Ploebsch (engineer) and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1965-02 until 1965-06)
soprano vocals:
Gundula Janowitz (soprano) (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:27
16Magnificat in D major, BWV 243: 12. "Gloria Patri"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:26
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]