Jim Beam: The Best of 40 Shots of Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1No Second Prize
recording of:
No Second Prize
Texter und Komponist(in):
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) und EMI Songs
Jimmy Barnes3:57
2Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.954:08
3You Get What You Give
Produzent(in):
Gregg Alexander
Bass:
John Pierce (US session bassist)
Gitarre:
Gregg Alexander und Rusty Anderson
Klavier:
Rick Nowels
membranophone:
Gary Ferguson (Session drummer)
Perkussion:
Juliet Prater
arranger:
Gregg Alexander
zusätzlich vocals arranger:
Richard Podolor
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 390) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 453)
recording of:
You Get What You Give
Verfasser(in):
Gregg Alexander und Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. und Grosse Point Harlem
New Radicals4.654:59
4Early Warning
Techniker(in):
Kevin Shirley (producer & mixer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Mix:
Mike Chapman (Australian producer and songwriter) und Kevin Shirley (producer & mixer)
Bassgitarre [bass]:
Eddie Parise
Gitarre:
Suze DeMarchi und Dave Leslie
Schlagzeug [drums]:
Frank Celenza
Sologesang [vocals]:
Suze DeMarchi
vocals:
Dave Leslie und Eddie Parise
phonographisches Urheberrecht (℗) von:
Imago Recording Company (in 2007)
recording of:
Early Warning
Verfasser(in):
Suze DeMarchi, Dave Leslie und Eddie Parise
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, Mushroom Music Pty. Ltd. und Mushroom Music Publishing
Baby Animals3:57
5Epic
Techniker(in):
Jim “Watts” Vereecke und Matt Wallace (US producer & engineer)
Produzent(in):
Faith No More und Matt Wallace (US producer & engineer)
Mix:
Matt Wallace (US producer & engineer)
Bassgitarre:
Billy Gould
Gitarre:
Jim Martin (ex-Faith No More guitarist)
Keyboard:
Roddy Bottum
Schlagzeug:
Mike Bordin (American drummer)
Sologesang:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
phonographisches Urheberrecht (℗) von:
Slash Records (company, do not use as release label!) (in 1986)
Musikvideos:
Epic von Faith No More
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 54) und Indie 88: Top 500 Indie Rock Songs (Nummer: 483)
recording of:
Epic
Texter:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
Komponist(in):
Mike Bordin (American drummer), Roddy Bottum, Billy Gould und Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.34:51
6Horror Movie
Techniker(in):
John French (Australian producer/engineer)
Produzent(in):
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
Bassgitarre:
Greg Macainsh (in 1974)
Gitarre:
Bob “Bongo” Starkie (in 1974) und Redmond Symons (in 1974)
Schlagzeug:
Fred Strauks (in 1974)
Sologesang:
Graeme 'Shirley' Strachan (in 1974)
vocals:
Fred Strauks (in 1974), Greg Macainsh (in 1974), Bob “Bongo” Starkie (in 1974) und Redmond Symons (in 1974)
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Limited (in 1990)
aufgenommen bei:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australien (in 1974)
recording of:
Horror Movie (in 1974)
Texter und Komponist(in):
Greg Macainsh
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Skyhooks3:46
7Watch Out Boys
Magic Dirt33:25
8Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:46
9The Stroke
Assistent recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Billy Squier
Gitarre und Sologesang:
Billy Squier
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Mark Clarke (Rock, UK) und Alan St. Jon
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 59)
recording of:
The Stroke
Texter und Komponist(in):
Billy Squier
publisher:
Songs of the Knight
Billy Squier3.753:38
10Unchain My Heart
Produzent(in):
Charlie Midnight
Bassgitarre:
T.M. Stevens (US bass player Thomas Michael Stevens)
Gitarre:
Phil Grande
Horn:
Crispin Cioe, Arno Hecht (American saxophonist), Hollywood Paul Litteral und Robert Funk (trombonist, trumpet player)
Keyboard:
Jeff Levine
Schlagzeug:
David Beal
Solo-Tenorsaxophon:
Clarence Clemons
Hintergrundgesang:
Tawatha Agee, Benny Diggs und Vaneese Thomas
Horn arranger:
Uptown Horns (US horn section, formed in 1980)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
cover recording of:
Unchain My Heart
Texter und Komponist(in):
Bobby Sharp
Verfasser(in):
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Joe Cocker4.35:04
11Welcome to My Nightmare
assistierende(r) Produzent(in):
Michael Sherman (producer)
Produzent(in):
Bob Ezrin
Akustikgitarre:
Dick Wagner
Bassgitarre:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre:
Steve Hunter (rock guitarist)
Klarinette:
Jozef Chirowski
Schlagzeug:
Johnny Badanjek
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Bob Ezrin und Allan MacMillan
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
produced for:
My Own Production Company Ltd.
recording of:
Welcome to My Nightmare
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975‐present) und Dick Wagner
publisher:
Early Frost Music Corp., Ezra Music, Ezra Music Corp., Spirit One Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3.55:16
12Daughters of Glory
The Black Sorrows4:04
13Green Limousine
recording of:
Green Limousine (The Badloves song)
Verfasser(in):
Michael Spiby
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Pty. Ltd.
The Badloves3:41
14Put Your Money Where Your Mouth Is
Techniker(in):
Cameron Barton und Ryan Castle
Produzent(in) und Mix:
D. Sardy (American score composer)
Editing:
Andy Brohard
zusätzliches Editing:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) und Greg Gordon (producer/engineer)
phonographisches Urheberrecht (℗) von:
Real Horrorshow Pty. Ltd. (in 2006)
recording of:
Put Your Money Where Your Mouth Is
Verfasser(in):
Chris Cester, Nic Cester und Cameron Muncey
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet2.52:33
15Heart of Glass
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison
Gitarre:
Frank Infante und Chris Stein
Keyboard:
Jimmy Destri
Schlagzeug:
Clem Burke
Sologesang:
Deborah Harry
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (in 1978), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) und Chrysalis Records, Inc. (not for release label use!) (in 1978)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1978-06)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie4.34:10
16Higher Ground
Techniker(in):
Garth Richardson (Canadian music producer and engineer)
zusätzliche(r) Techniker(in):
Michael Beinhorn
Produzent(in):
Michael Beinhorn
Mix:
Dave Jerden und Garth Richardson (Canadian music producer and engineer)
Bass:
Flea (US bassist)
Gitarre:
John Frusciante
Schlagzeug:
Chad Smith (drummer from Red Hot Chili Peppers)
Hintergrundgesang:
Sir Babs, Vicki Calhoun, Aklia Chinn, Bruno Deron, Joel Virgel Viergel, Iris Parker, Julie Ritter, Randy Ruff, Gretchen Seager, Jack Sherman, Laura Spinosa, Kristen Vigard, WAG (Diverse Interpreten, add compilations to this artist) und Merrill Ward
Sologesang:
Anthony Kiedis
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1989), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
produced for:
Demolition Sound
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Higher Ground
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing (do not use as a release label!), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Stein & Van Stock, Inc.
Red Hot Chili Peppers43:22
17Rip It Up
phonographisches Urheberrecht (℗) von:
Mushroom Records International B.V. (not for release label use! © & ℗ rights use only) (in 2000)
recording of:
Rip It Up
Komponist(in):
Barry Palmer (English singer)
publisher:
Mushroom Music Publishing
28 Days33:39
18Emergency! Emergency!
The Hot Lies3:04
19Crazytown
Diesel3:33
20Get Free
recording engineer:
Doug Boehm (von 2001-07 bis 2002-02)
Produzent(in):
Rob Schnapf (producer and audio engineer)
assistierende(r) Mix:
Brian Douglass
Mix:
Andy Wallace (engineer) (in 2001)
Bass:
Patrick Matthews (von 2001-07 bis 2002-02)
E-Gitarre, Tamburin, Hintergrundgesang und Sologesang:
Craig Nicholls (von 2001-07 bis 2002-02)
Schlagzeug:
Joey Waronker (von 2001-07 bis 2002-02)
zusätzlich Perkussion:
Ethan Johns und Steven Rhodes (Engineer)
vocals:
Craig Nicholls
phonographisches Urheberrecht (℗) von:
Engine Room Music Pty Limited (in 2002)
aufgenommen bei:
The Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-07 bis 2002-02)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten (in 2001)
recording of:
Get Free (Vines song) (von 2001-07 bis 2002-02)
Texter und Komponist(in):
Craig Nicholls
publisher:
Mushroom Music Pty. Ltd.
The Vines42:04

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