111 More Classic Tracks

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Abbado – Chaliapin
2▼CD: Collins – Galway
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1Clarinet Concerto in A major, K. 622: II. Adagio
clarinet:
Michael Collins (clarinetist & conductor) (in 1997-07)
orchestra:
Russian National Orchestra (in 1997-07)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1997-07)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1997-07)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1997-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:44
2Symphony no. 4 in E minor, op. 98: III. Allegro giocoso (Poco meno presto) - Tempo I
recorded in:
Berlin, Germany (in 1939-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1939-04)
conductor:
Victor de Sabata (conductor and composer) (in 1939-04)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (in 1939-04)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms5:38
3Te lo juro yo
engineer:
Stephan Flock
executive producer:
Ute Fesquet and Valentina Granados (executive producer)
producer:
Sid McLauchlan (engineer/producer)
guitar:
José María Gallardo del Rey (in 2007-07)
tenor vocals:
Plácido Domingo (tenor) (in 2007-07)
vocals:
Plácido Domingo (tenor) (in 2007-07)
orchestra:
Orquesta de la Comunidad de Madrid (in 2007-07)
conductor:
Miguel Roa (conductor) (in 2007-07)
orchestrator:
Emilio Aragón (Spanish director)
recorded at:
Teatro Albéniz in Madrid, Comunidad de Madrid (Community of Madrid), Spain (from 2007-07 to present, in 2007-07)
recording of:
Te lo juro yo (I Swear It) (in 2007-07)
lyricist and composer:
Manuel Quiroga (Spanish pianist and composer, 1899-1988)
Manuel Quiroga2:41
4Kalinka & Grünes Gras
bass vocals:
Paul Myhalik (in 1964-01)
choir vocals:
Don Cossack Choir (in 1964-01)
tenor vocals:
Igor Seifert (in 1964-01) and Georg Tymczenko (in 1964-01)
conductor:
Serge Jaroff
chorus master:
Сергей Жаров (Serge Jaroff) (in 1964-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1964-01)
recording of:
Kalinka & Grünes Gras (in 1964-01)
composer:
[anonymous] (special purpose artist)
arranger:
Сергей Жаров (Serge Jaroff)
[unknown]4:24
5“West Side Story” - Symphonic Dances: IV. Mambo
orchestra:
Orquesta Sinfónica Simón Bolívar (Simón Bolívar Symphony Orchestra) (in 2008-01)
conductor:
Gustavo Dudamel (conductor and violinist) (in 2008-01)
recorded at:
Sala Simón Bolivar (CASPM) in Caracas, Venezuela (in 2008-01)
live recording of:
Symphonic Dances from West Side Story: IV. Mambo. Presto (in 2008-01)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
live recording of:
West Side Story: The Dance at the Gym: Mambo
composer:
Leonard Bernstein (American conductor, composer, pianist)
arranger:
Michael Sweeney (American composer)
part of:
West Side Story: The Dance at the Gym
Leonard Bernstein2:21
6Allegretto (Polka) for String Quartet
producer:
Da-Hong Seetoo
cello:
David Finckel (in 1998-07)
string quartet:
Emerson String Quartet (in 1998-07)
viola:
Lawrence Dutton (violist) (in 1998-07)
violin:
Eugene Drucker (in 1998-07) and Philip Setzer (violinist) (in 1998-07)
recorded at:
Harris Concert Hall in Aspen, Colorado, United States (in 1998-07)
edit of:
Allegretto (Polka) for String Quartet After the Polka From “The Age of Gold”, op. 22 (w/ applause) by Emerson String Quartet
live recording of:
Two Pieces for String Quartet: II. Polka (in 1998-07)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arrangement of:
Suite from "The Age of Gold", op. 22a: III. Polka
part of:
Two Pieces for String Quartet (sometimes labelled op. 36)
Дмитрий Дмитриевич Шостакович2:27
7Hora staccato
piano:
Jean‐Claude Ambrosini (pianist) (on 1968-12-19)
violin:
Christian Ferras (violinist) (on 1968-12-19)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Studio Polydor in Paris, Île-de-France, France (on 1968-12-19)
recording of:
Hora Staccato (for violin and piano, arr. Heifetz) (on 1968-12-19)
composer:
Grigoraș Dinicu (Romanian violin virtuoso and composer)
piano and violin arranger:
Jascha Heifetz (violinist) (in 1932)
arrangement of:
Hora Staccato (dance for solo violin)
Grigoraș Dinicu2:21
8Lieder, op. 62: “Herr Pfarrer hat zwei Fraeulchen” Book II no. 4 (Poem: Die Pfarrjuengferchen)
piano:
Cord Garben (pianist and conductor) (in 1987-10)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1987-10)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1987-10)
recording of:
Die Pfarrjüngferchen, op. 62, Heft 1, no. 10 (in 1987-10)
lyricist:
Friedrich Rückert (German poet)
composer:
Carl Loewe (composer)
part of:
Liederkreis nach Gedichten von Friedrich Rückert, op. 62
Carl Loewe2:23
9Cantata “Christ lag in Todesbanden”, BWV 4: VI. Versus 5: “Hier ist das rechte Osterlamm”
organ:
Maria Jung (in 1950-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950-08)
orchestra:
Bach Festival Orchestra 1950 (in 1950-08)
conductor:
Fritz Lehmann (conductor) (in 1950-08)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany (in 1950-08)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1950-08)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:25
10Sonata for Violin and Piano in A major: I. Allegretto ben moderato
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: I. Allegretto ben moderato (from 1993-09 until 1993-10)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck5:48
11Ragtime Bass in C‐sharp
producer:
Dr. Fred Hamel
piano:
Földes Andor (Hungarian pianist) (in 1951-09)
balance engineer:
Karl-Heinz Westphal (in 1951-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1951-09)
recording of:
Ragtime Bass in C-sharp (in 1951-09)
composer:
Virgil Thomson (American composer)
Virgil Thomson1:46
12The Tale of Tsar Saltan: The Flight of the Bumble‐Bee
producer:
Hansjoachim Reiser (engineer/producer)
cello:
Pierre Fournier (cellist) (in 1969-01, from 1969-01-08 until 1969-01-10)
piano:
Lamar Crowson (pianist) (in 1969-01, from 1969-01-08 until 1969-01-10)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1969-01-08 until 1969-01-10)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-01, from 1969-01-08 until 1969-01-10)
recording of:
Flight of the Bumblebee (for cello and piano, Strimer) (from 1969-01-08 until 1969-01-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
arranger:
Joseph Strimer
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements) (in 1969-01)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Николай Андреевич Римский‐Корсаков1:17
13Tritsch‐Tratsch‐Polka, op. 214
producer:
Hans Weber (producer/engineer)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-02-02 until 1961-02-09)
conductor:
Ferenc Fricsay (conductor) (from 1961-02-02 until 1961-02-09)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-02-02 until 1961-02-09)
recording of:
Tritsch–Tratsch Polka, op. 214 (from 1961-02-02 until 1961-02-09)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss II2:29
14Rosamunde, D.797 (Incidental music to Helmina von Chézy’s Play): Ballet Music no. 2
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1929-06)
conductor:
Wilhelm Furtwängler (conductor) (in 1929-06)
recorded at:
Hochschule für Musik Hanns Eisler Berlin in Berlin, Germany (in 1929-06)
recording of:
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino (in 1929-06)
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert5:20
15Bachianas brasileiras no. 5 for Soprano and Cellos: Aria (Cantilena)
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
arranger:
[anonymous] (special purpose artist)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements) (in 2006-07)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
arrangement of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Heitor Villa‐Lobos6:21
16Die Schöpfung Hob. XXI:2 Erster Teil - XIV. Chor und Terzett: “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
instruments:
English Baroque Soloists (The English Baroque Soloists)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:50
17Fantasias (7 Piano Pieces), op. 116: VII. Capriccio in D minor
piano:
Emil Gilels (pianist) (from 1975-09-08 until 1975-09-10)
recorded at:
Turun konserttitalo (Turku Concert Hall) in Turku, Varsinais-Suomi (Finland Proper), Finland (from 1975-09-08 until 1975-09-10)
recording of:
7 Fantasias, op. 116: No. 7 in D minor. Capriccio. Allegro agitato (from 1975-09-08 until 1975-09-10)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
7 Fantasias, op. 116
Johannes Brahms2:19
18Requiem, Op.48: VII. In Paradisum
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor) (in 1986-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:52
19Ayre: II. Una Madre Comió Asado (A Mother Roasted Her Child)
instruments:
The Andalucian Dogs (in 2004-08)
soprano vocals:
Dawn Upshaw (soprano) (in 2004-08)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 2004-08)
recording of:
Ayre: II. Una madre comió asado (in 2004-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Osvaldo Golijov (Argentinean composer)
part of:
Ayre
Osvaldo Golijov3:08
20Annie’s Song (arranged by Charles Gerhardt; adapted by Craig Leon)
producer:
Craig Leon (musician, arranger, composer and producer)
flute:
James Galway (flautist) (in 2004-06)
orchestra:
London Symphony Orchestra (in 2004-06)
conductor:
Klauspeter Seibel (conductor) (in 2004-06)
arranger:
Charles Gerhardt (conductor, producer, arranger) and Craig Leon (musician, arranger, composer and producer)
balance engineer:
Jonathan Allen (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2004-06) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2004-06)
recording of:
Annie’s Song (John Denver song) (in 2004-06)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
instrumental recording of:
Annie’s Song (John Denver song) (in 2004-06)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
John Denver2:57
3▶CD: Goebel – Knappertsbusch
4▶CD: Kleiber – Mravinsky
5▶CD: Mutter – Rostropovich
6▶CD: Seefried – Zimerman