The Ultimate Guitar Collection

~ Release by John Williams (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Concierto de Aranjuez: II. Adagio
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (from 1983-03-06 until 1983-03-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Concierto de Aranjuez: II. Adagio (from 1983-03-06 until 1983-03-07)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:28
2El Diablo Suelto
assistant engineer:
Jake Jackson (recording engineer)
engineer:
Michael Paul Stavrou (producer/engineer)
co-producer:
Michael Paul Stavrou (producer/engineer)
producer:
John Williams (classical guitarist)
classical guitar:
John Williams (classical guitarist) (in 2003-05)
cuatro:
Alfonso Montes (Venezuelan guitarist and composer) (in 2003-05)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2003-05)
recording of:
El diablo suelto (catch-all for arrangements) (in 2003-05)
composer:
Heraclio Fernández
arrangement of:
El diablo suelto (for piano)
Heraclio Fernández2:19
3Preludio en do menor
engineer:
Mike Stavrou (producer/engineer) (from 1994-06-20 until 1994-06-28)
co-producer:
Mike Stavrou (producer/engineer) (from 1994-06-20 until 1994-06-28)
producer:
John Williams (classical guitarist) (from 1994-06-20 until 1994-06-28)
classical guitar:
John Williams (classical guitarist) (from 1994-06-20 until 1994-06-28)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-20 until 1994-06-28)
recording of:
Preludio en do menor (from 1994-06-20 until 1994-06-28)
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
Agustín Barrios Mangoré2:12
4Suite Espanola, op. 47: Sevilla (Sevillanas)
engineer:
Uli Schneider (producer/engineer) and Andreas Stange (engineer)
producer:
Nathan Waks (producer)
classical guitar:
John Williams (classical guitarist) (from 1992-11-10 until 1992-11-18)
guitar:
John Williams (classical guitarist)
recorded at:
Reales Alcázares de Sevilla in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain (from 1992-11-10 until 1992-11-18)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (from 1992-11-10 until 1992-11-18)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz1.254:40
5Gnossienne no. 1
assistant engineer:
Andy Granger (sound engineer) (in 1998-03) and Matt Palmer (engineer) (in 1998-03)
engineer and mixer:
Mike Ross‐Trevor (engineer) (in 1998-03)
producer:
John Williams (classical guitarist) (in 1998-03)
classical guitar and guitar:
John Williams (classical guitarist) (from 1998-03-17 until 1998-03-21)
arranger:
John Williams (classical guitarist)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-03-17 until 1998-03-21)
recording of:
Gnossienne no. 1 (catch all for arrangements) (from 1998-03-17 until 1998-03-21)
composer:
Erik Satie (French composer)
arrangement of:
Gnossienne no. 1
Erik Satie3:49
6Cueca
engineer:
Mike Stavrou (producer/engineer) (from 1994-06-20 until 1994-06-28)
co-producer:
Mike Stavrou (producer/engineer) (from 1994-06-20 until 1994-06-28)
producer:
John Williams (classical guitarist) (from 1994-06-20 until 1994-06-28)
classical guitar and guitar:
John Williams (classical guitarist) (from 1994-06-20 until 1994-06-28)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-20 until 1994-06-28)
recording of:
Cueca (from 1994-06-20 until 1994-06-28)
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
part of:
Suite andina
Agustín Barrios Mangoré3:29
7Schindler’s List
classical guitar:
John Williams (classical guitarist) (from 1996-06-06 until 1996-07-30)
instruments arranger:
John Williams (classical guitarist)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1996-06-06 until 1996-07-30)
recording of:
Main Theme (Schindler’s List) (from 1996-06-06 until 1996-07-30)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams3:06
8Lute Suite no. 4 in E major, BWV 1006a: III. Gavotte en rondeau
producer:
Paul Myers (classical record producer)
co-mixer and co-editor:
Mike Ross‐Trevor (engineer) and John Williams (classical guitarist)
classical guitar:
John Williams (classical guitarist) (from 1974-11-12 until 1975-02-10)
arranger:
John Williams (classical guitarist)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1974-11-12 until 1975-02-10)
recording of:
Suite E-Dur, BWV 1006.2: III. Gavotte en Rondeau (former BWV 1006a) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite E-Dur, BWV 1006.2 (for lute, former BWV 1006a)
recording of:
Suite E-Dur, BWV 1006a: III. Gavotte en Rondeau (catch all for arrangements) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006.2: III. Gavotte en Rondeau (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
Johann Sebastian Bach2:49
9Nkosi Sikelel’i Afrika
classical guitar:
John Williams (classical guitarist) (from 2000-09-26 until 2000-11-13)
double bass:
Chris Laurence (double bassist) (from 2000-09-26 until 2000-11-13)
hammered dulcimer and siku:
Richard Harvey (UK multi‐instrumentalist and composer) (from 2000-09-26 until 2000-11-13)
choir vocals:
African Children's Choir (from 2000-09-26 until 2000-11-13)
arranger:
John Williams (classical guitarist)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-09-26 until 2000-11-13)
recording of:
Nkosi Sikelel’ iAfrika (former national anthem of Zambia, Namibia, and South Africa) (from 2000-09-26 until 2000-11-13)
anthem of:
Zambia (from 1964-10-24 until 1973-09-14), Namibia (from 1990-03-21 until 1991-12-17) and South Africa (from 1994-05-10 until 1997-10-10)
lyricist and composer:
Enoch Mankayi Sontonga (in 1897)
part of:
The Funeral (September 25, 1977)
Enoch Mankayi Sontonga3:55
10Pavane
classical guitar:
John Williams (classical guitarist) (on 1999-12-20)
conductor:
William Goodchild (on 1999-12-20)
instruments arranger:
John Williams (classical guitarist)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1999-12-20)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:07
11Trio Sonata for Violin, Lute, and Basso Continuo, RV 82: III. Allegro
engineer:
István Zakariás
producer:
Georges Kadar
guitar:
John Williams (classical guitarist) (from 1990-05-21 until 1990-05-25)
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra) (from 1990-05-21 until 1990-05-25)
conductor:
János Rolla (violinist and conductor) (from 1990-05-21 until 1990-05-25)
recording of:
Trio in C major for Lute, Violin, Cello and Continuo, RV 82: III. Allegro (from 1990-05-21 until 1990-05-25)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Trio in C major for Lute, Violin, Cello and Continuo, RV 82
Antonio Vivaldi2:09
12Sunburst
assistant engineer:
Matt Howe (producer and engineer) (in 1988)
engineer:
Mike Stavrou (producer/engineer) (in 1988)
co-producer:
Mike Stavrou (producer/engineer) (in 1988)
producer:
John Williams (classical guitarist) (in 1988)
classical guitar and guitar:
John Williams (classical guitarist) (from 1988-11-22 until 1988-12-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (from 1988-11-22 until 1988-12-01)
Andrew York3:34
13The Godfather
classical guitar:
John Williams (classical guitarist) (from 1996-06-04 until 1996-07-30)
conductor:
Christopher Gunning (English composer) (from 1996-06-04 until 1996-07-30)
arranger:
Christopher Gunning (English composer)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1996-06-04 until 1996-07-30)
recording of:
Love Theme from The Godfather (from 1996-06-04 until 1996-07-30)
composer:
Nino Rota (Italian composer)
version of:
Buongiorno Fortunella
part of:
The Godfather (1972 film soundtrack)
Nino Rota4:33
14Scherzino mexicano
assistant engineer:
Matt Howe (producer and engineer) (in 1988)
engineer:
Mike Stavrou (producer/engineer) (in 1988)
co-producer:
Mike Stavrou (producer/engineer) (in 1988)
producer:
John Williams (classical guitarist) (in 1988)
classical guitar and guitar:
John Williams (classical guitarist) (from 1988-11-22 until 1988-12-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (from 1988-11-22 until 1988-12-01)
recording of:
Scherzino mexicano (from 1988-11-22 until 1988-12-01)
composer:
Manuel María Ponce (Mexican composer)
Manuel María Ponce2:32
15Aeolian Suite for Guitar: I. Aeolian Chant
assistant engineer:
Andy Granger (sound engineer) (in 1998-03) and Matt Palmer (engineer) (in 1998-03)
engineer and mixer:
Mike Ross‐Trevor (engineer) (in 1998-03)
producer:
John Williams (classical guitarist) (in 1998-03)
classical guitar and guitar:
John Williams (classical guitarist) (from 1998-03-17 until 1998-03-21)
orchestra:
William Goodchild and Orchestra (from 1998-03-17 until 1998-03-21)
concertmaster:
Ben Cruft (violinist) (from 1998-03-17 until 1998-03-21)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-03-17 until 1998-03-21)
recording of:
Aeolian Suite for Guitar and Small Orchestra: I. Aeolian Chant (from 1998-03-17 until 1998-03-21)
composer:
John Williams (classical guitarist)
part of:
Aeolian Suite for Guitar and Small Orchestra
John Williams4:22
16Spanish Guitar Blues
assistant engineer:
Matt Howe (producer and engineer) (in 1988)
engineer:
Mike Stavrou (producer/engineer) (in 1988)
co-producer:
Mike Stavrou (producer/engineer) (in 1988)
producer:
John Williams (classical guitarist) (in 1988)
classical guitar and guitar:
John Williams (classical guitarist) (from 1988-11-22 until 1988-12-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (from 1988-11-22 until 1988-12-01)
Charlie Byrd2:04
17Blues for Felix
assistant engineer:
Matt Howe (producer and engineer) (in 1988)
engineer:
Mike Stavrou (producer/engineer) (in 1988)
co-producer:
Mike Stavrou (producer/engineer) (in 1988)
producer:
John Williams (classical guitarist) (in 1988)
classical guitar and guitar:
John Williams (classical guitarist) (from 1988-11-22 until 1988-12-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (from 1988-11-22 until 1988-12-01)
Charlie Byrd2:09
183 Blues for Classical Guitar: Swing 59
classical guitar:
John Williams (classical guitarist) (from 1988-11-22 until 1988-12-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (from 1988-11-22 until 1988-12-01)
Charlie Byrd1:05
19The Black Decameron: II. The Flight of the Lovers through the Valley of Echoes
engineer:
Mike Ross‐Trevor (engineer) (in 1997-05)
co-producer:
Gareth Walters (in 1997-05)
producer:
John Williams (classical guitarist) (in 1997-05)
classical guitar and guitar:
John Williams (classical guitarist) (from 1997-05-25 until 1997-05-27)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1997-05-25 until 1997-05-27)
recording of:
El decamerón negro: II. La huída de los amantes por el valle de los ecos (from 1997-05-25 until 1997-05-27)
composer:
Leo Brouwer
part of:
El decamerón negro
Leo Brouwer4:26
20Una limosna por el amor de Dios
engineer:
Mike Stavrou (producer/engineer) (from 1994-06-20 until 1994-06-28)
co-producer:
Mike Stavrou (producer/engineer) (from 1994-06-20 until 1994-06-28)
producer:
John Williams (classical guitarist) (from 1994-06-20 until 1994-06-28)
guitar:
John Williams (classical guitarist) (from 1994-06-20 until 1994-06-28)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-20 until 1994-06-28)
recording of:
Una limosna por el amor de Dios (a.k.a. "La última canción") (from 1994-06-20 until 1994-06-28)
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
Agustín Barrios Mangoré3:27
21Saltarello
assistant engineer:
Andy Granger (sound engineer) (in 1998-03) and Matt Palmer (engineer) (in 1998-03)
engineer and mixer:
Mike Ross‐Trevor (engineer) (in 1998-03)
producer:
John Williams (classical guitarist) (in 1998-03)
classical guitar and guitar:
John Williams (classical guitarist) (from 1998-03-17 until 1998-03-21)
arranger:
John Williams (classical guitarist)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-03-17 until 1998-03-21)
[anonymous]1:58
22Piezas Características no. 12, op. 92: Torre Bermeja
engineer:
Michael Paul Stavrou (producer/engineer) (from 1980-10 until 1980-11)
producer:
Roy Emerson (producer, engineer, classical) (from 1980-10 until 1980-11)
classical guitar:
John Williams (classical guitarist) (from 1980-10 until 1980-11)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (from 1980-10 until 1980-11)
recording of:
Torre Bermeja (catch-all for arrangements) (from 1980-10 until 1980-11)
composer:
Isaac Albéniz (Spanish composer) (in 1888)
arrangement of:
12 piezas características, op. 92, no. 12: Torre Bermeja (for piano)
Isaac Albéniz4:10