Verdi / Domingo: The Tenor Arias

~ Veröffentlichung von Verdi; Domingo (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1Ernani: “Mercé, diletti amici… Come rugiada al cespite”
Chorgesang:
The Roger Wagner Chorale (US / Los Angeles choir)
Mezzosoprangesang:
Rose Wagemann (mezzo-soprano)
Tenor-Gesang [Ernani]:
Plácido Domingo (tenor)
Orchester:
Los Angeles Philharmonic
conductor:
Carlo Maria Giulini (conductor)
recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:23
2Ernani: “Dell’esilio nel dolore… O tu, che l’alma adora”
Chorgesang:
The Roger Wagner Chorale (US / Los Angeles choir)
Tenor-Gesang [Ernani]:
Plácido Domingo (tenor)
Orchester:
Los Angeles Philharmonic
conductor:
Carlo Maria Giulini (conductor)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Ernani: Atto I (Il bandito)
Giuseppe Verdi2:10
3Ernani: “D’Ernani i fidi chiedono… Odi il voto… Sprezzo lavita”
Baritongesang:
Alfred Walker (baritone)
bass-baritone vocals:
James Courtney (operatic bass-baritone)
Tenor-Gesang [Ernani]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (Waleri Gergijew, conductor)
Interpret(in):
Chorus of the Mariinsky Theatre (Mariinsky Theatre Chorus, fka Kirov Chorus till 1992)
recording of:
[Ernani: Atto II] Odi il voto - Sprezzo la vita (alternative aria written for Nicola Ivanoff)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Ernani: Atto II (L’ospite)
recording of:
Ernani: Atto II. (no. 10c) “d’Ernani i fidi chiedono” (Jago, Silva, Ernani, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Ernani: Atto II (L’ospite)
Giuseppe Verdi7:57
4I lombardi alla prima crociata: “O madre mia, che fa colei?”
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Mezzosoprangesang:
Montserrat Aparici (mezzo-soprano)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
I Lombardi: Atto II. N°7 Scena “O madre mia, che fa colei?” (Sofia, Oronte)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Temistocle Solera
Teil von:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi1:12
5I lombardi alla prima crociata: “La mia letizia infondere… Come poteva un angelo”
Mezzosoprangesang:
Montserrat Aparici (mezzo-soprano)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Temistocle Solera
Teil von:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi6:49
6I lombardi alla prima crociata: “Come poteva un angelo” (alternate version)
Mezzosoprangesang:
Marjorie Dix (mezzo-soprano)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Mariinsky Theater Orchestra (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (Waleri Gergijew, conductor)
recording of:
I Lombardi: Atto II. N°7 “Come poteva un angelo” (Oronte, Sofia)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Temistocle Solera
Teil von:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi2:01
7I lombardi alla prima crociata: “Componi, o cara vergine… Incielo benedetto”
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Soprangesang:
Cristina Deutekom (soprano)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
I Lombardi: Atto IV. N°16 “Componi, o cara vergine” (Giselda, Oronte, coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Temistocle Solera
Teil von:
I Lombardi: Atto IV (Il santo sepolcro)
recording of:
I Lombardi: Atto IV. N°16 “In cielo benedetto” (Oronte, coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Temistocle Solera
Teil von:
I Lombardi: Atto IV (Il santo sepolcro)
Giuseppe Verdi6:37
8Jérusalem : « L’émir auprès de lui m’appelle » … « Je veux encore entendre »
Tenor-Gesang:
Plácido Domingo (tenor)
conductor:
Valery Gergiev (Waleri Gergijew, conductor)
Interpret(in):
Mariinsky Theater Orchestra (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
recording of:
Jérusalem : Acte II, scène 2. « Je veux encore entendre ta voix » (Gaston)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Alphonse Royer und Gustave Vaëz
Teil von:
Jérusalem : Acte II.
recording of:
Jérusalem : Acte II, scène 2. « L'émir auprès de lui m'appelle » (Gaston)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Alphonse Royer und Gustave Vaëz
Teil von:
Jérusalem : Acte II.
Giuseppe Verdi5:48
9Luisa Miller: “Il foglio dunque?”
Baritongesang:
Luigi De Corato (baritone)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lorin Maazel (conductor)
recording of:
Luisa Miller: Atto II, Nº 10a. Scena “Il foglio dunque?” – “Oh! Fede negar potessi” (Rodolfo, Farmer)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:33
10Luisa Miller: “Quando le sere al placido”
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lorin Maazel (conductor)
recording of:
Luisa Miller: Atto II, Nº 10b. Aria "Quando la sere al placido" (Rodolfo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:38
11Luisa Miller: “Di me chiedeste?”
Bass-Gesang:
Wladimiro Ganzarolli (bass-baritone) und Gwynne Howell (operatic bass)
Chorgesang:
Chorus of the Royal Opera House, Covent Garden
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lorin Maazel (conductor)
chorus master:
John Barker (conductor)
recording of:
Luisa Miller: Atto II, Nº 10c."Di me chiedeste?" (Wurm, Rodolfo, Servi, Walter)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:27
12Luisa Miller: “L’ara, o l’avello apprestami”
Bass-Gesang:
Gwynne Howell (operatic bass)
Chorgesang:
Chorus of the Royal Opera House, Covent Garden
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lorin Maazel (conductor)
chorus master:
John Barker (conductor)
recording of:
Luisa Miller: Atto II, Nº 10d. Cabaletta "L'ara, o l'avello apprestami" (Rodolfo, Walter, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:24
13Giovanna d’Arco: “Il re! – nel suo bel volto”
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Tenor-Gesang [Carlo]:
Plácido Domingo (tenor)
Tenor-Gesang [Delil]:
Keith Erwen (operatic tenor)
Orchester:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Giovanna d'Arco: Prologo, Nº 2a. Scena "Il re! - Nel suo bel volto" (Delil, Carlo, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Temistocle Solera
Teil von:
Giovanna d'Arco: Prologo
Giuseppe Verdi2:55
14Giovanna d’Arco: “Sotto una quercia parvemi”
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Tenor-Gesang [Carlo]:
Plácido Domingo (tenor)
Orchester:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Giovanna d'Arco: Prologo, Nº 2b. Cavatina "Sotto una quercia parvemi" (Carlo, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Giovanna d'Arco: Prologo
Giuseppe Verdi2:49
15Giovanna d’Arco: “V’ha dunque un loco simile”
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Tenor-Gesang [Carlo]:
Plácido Domingo (tenor)
Orchester:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Giovanna d'Arco: Prologo, Nº 2c. Racconto “V'ha dunque un loco simile” … “Allor che i flebili” (Coro, Carlo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Giovanna d'Arco: Prologo
Giuseppe Verdi2:38
16Giovanna d’Arco: “Pondo è letal, martiro”
Tenor-Gesang [Carlo]:
Plácido Domingo (tenor)
Orchester:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
Interpret(in):
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
recording of:
Giovanna d'Arco: Prologo, Nº 2d. Cabaletta "Pondo è letal, martiro" (Carlo, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Giovanna d'Arco: Prologo
Giuseppe Verdi2:48
17Giovanna d’Arco: “Di novel prodigo”
Baritongesang [Giacomo]:
Sherrill Milnes (baritone)
Tenor-Gesang [Carlo]:
Plácido Domingo (tenor)
Tenor-Gesang [Delil]:
Keith Erwen (operatic tenor)
Orchester:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Giovanna d'Arco: Atto III, Nº 14a. Scena "Di novel prodigio" (Carlo, Giacomo, Delil)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Giovanna d'Arco: Atto III
Giuseppe Verdi2:11
18Giovanna d’Arco: “Quale più fido amico”
Tenor-Gesang [Carlo]:
Plácido Domingo (tenor)
Orchester:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Giovanna d'Arco: Atto III, Nº 14b. Romanza "Quale più fido amico" (Carlo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Giovanna d'Arco: Atto III
Giuseppe Verdi2:40
19I vespri siciliani: “È di Monforte il cenno!”
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
James Levine (US conductor and pianist)
recording of:
I vespri siciliani: Atto IV. “È di Monforte il cenno!” (Arrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Charles Duveyrier und Eugène Scribe
Übersetzer:
Arnaldo Fusinato
Teil von:
I vespri siciliani: Atto IV
Giuseppe Verdi4:55
20I vespri siciliani: “Giorno di pianto”
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
James Levine (US conductor and pianist)
recording of:
I vespri siciliani: Atto IV. “Giorno di pianto” (Arrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Charles Duveyrier und Eugène Scribe
Übersetzer:
Arnaldo Fusinato
Teil von:
I vespri siciliani: Atto IV
Giuseppe Verdi4:31
21Les Vêpres siciliennes : « Ah, toi que j’ai chérie » (alternate Aria)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Mariinsky Theater Orchestra (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (Waleri Gergijew, conductor)
recording of:
Les Vêpres siciliennes : Acte IV. Romance: « À toi que j'ai chérie » (alternate aria)
Teil von:
Les Vêpres siciliennes: Acte IV
Giuseppe Verdi3:32
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ASIN:UK: B00005OC0F [Info]