| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | I’m Gonna Make It | Janice Tyrone | | 2:12 |
| 2 | Respect- recording engineer:
- Tom Dowd (am 1967-02-14)
- Produzent(in):
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (am 1967-02-14)
- Bassgitarre:
- Tommy Cogbill (am 1967-02-14)
- Gitarre:
- Jimmy Johnson (am 1967-02-14)
- Klavier:
- Aretha Franklin (am 1967-02-14)
- Kornett:
- Melvin Lastie (am 1967-02-14)
- Orgel:
- Spooner Oldham (am 1967-02-14)
- Schlagzeug:
- Roger Hawkins (am 1967-02-14)
- Tenorsaxophon:
- Charles Chalmers (am 1967-02-14) und King Curtis (am 1967-02-14)
- Hintergrundgesang:
- Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
- vocals:
- Aretha Franklin (am 1967-02-14)
- conductor:
- Tom Dowd (am 1967-02-14)
- arranger:
- Tom Dowd und Arif Mardin
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1967) und WEA International Inc. (in 1967)
- aufgenommen bei:
- Atlantic Studios in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (am 1967-02-14)
- Texter und Komponist(in):
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:29 |
| 3 | You Did Me Wrong (You Used Me for a Good Thing) | Priscilla Price | | 3:36 |
| 4 | I’ll Get Along | Ann Peebles | | 2:12 |
| 5 | Your Good Thing (Is About to End) | Mable John | | 2:59 |
| 6 | Dirty Man | Laura Lee | | 2:58 |
| 7 | Seven Days | The Apollas | | 2:37 |
| 8 | You’re the Dog | Irma Thomas | | 3:04 |
| 9 | Wedlock Is a Padlock | Laura Lee | | 3:11 |
| 10 | Soul Girl | Jeanne and the Darlings | | 2:32 |
| 11 | Women’s Love Rights | Laura Lee | | 3:15 |
| 12 | The Day I Found Myself | Honey Cone | | 3:11 |
| 13 | Your Turn to Cry | Bettye LaVette | | 3:17 |
| 14 | Girls Can’t Do What the Guys Do | Betty Wright | | 2:08 |
| 15 | Think (About It) | Lyn Collins | 4 | 3:26 |
| 16 | Where Would You Be Today | Ilana | | 3:20 |
| 17 | Needle in a Haystack | The Velvelettes | | 2:33 |
| 18 | Do Right Woman, Do Right Man- recording engineer:
- Rick Hall
- Produzent(in):
- Jerry Wexler
- Bassgitarre:
- Tommy Cogbill (am 1967-01-24)
- Gitarre:
- Jimmy Johnson (am 1967-01-24)
- Klavier:
- Aretha Franklin (von 1967-01-24 bis 1967-01)
- Orgel:
- Spooner Oldham (am 1967-01-24)
- Schlagzeug:
- Roger Hawkins (am 1967-01-24)
- Hintergrundgesang:
- Carolyn Franklin (am 1967-01-24), Erma Franklin (am 1967-01-24) und Cissy Houston (am 1967-01-24)
- vocals:
- Aretha Franklin (von 1967-01-24 bis 1967-01)
- conductor:
- Tom Dowd (am 1967-01-24)
- arranger:
- Tom Dowd und Arif Mardin
- phonographisches Urheberrecht (℗) von:
- WEA International Inc. (in 1967)
- aufgenommen bei:
- Atlantic Studios in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1967-01) und Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 473)
- recording of:
- Do Right Woman, Do Right Man (von 1967-01-24 bis 1967-01)
- Verfasser(in):
- Chips Moman und Dan Penn
- publisher:
- Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. , TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
| Aretha Franklin | 5 | 3:15 |