The Greatest Operettas

~ Release by Franz Lehár (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Das Land des Lächelns: Ouvertüre
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Ouvertüre
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns
1:52
2Das Land des Lächelns: „Immer nur lächeln“
tenor vocals [Sou-Chong]:
Nicolai Gedda (tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Akt I. Nr. 3 „Immer nur lächeln und immer vergnügt” (Sou-Chong)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
4:40
3Das Land des Lächelns: „Bei einem Tee á deux“
soprano vocals [Lisa]:
Anneliese Rothenberger (soprano)
tenor vocals [Sou-Chong]:
Nicolai Gedda (tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Akt I. Nr. 4 „Mein lieber Prinz” … „Bei einem Tee à deux” (Lisa, Sou-Chong)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
3:58
4Das Land des Lächelns: „Von Apfelblüten einen Kranz“
tenor vocals [Sou-Chong]:
Nicolai Gedda (tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Akt I. Nr. 5 „Von Apfelblüten einen Kranz” (Sou-Chong)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
4:03
5Das Land des Lächelns: Verleihung der gelben Jacke
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
tenor vocals [Sou-Chong]:
Nicolai Gedda (tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Akt II. Verleihung der Gelben Jacke „Dschinthien wuomen ju chon ma goa can” (Chor, Tschang, Sou‐Chong)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt II
1:55
6Das Land des Lächelns: „Im Salon zur blau’n Pagode“
soprano vocals [Mi]:
Renate Holm (soprano)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Akt II. Nr. 9 Tanzlied „Im Salon zur blauen Pagode” (Mi)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt II
3:23
7Das Land des Lächelns: „Wer hat die Liebe uns ins Herz gesenkt“
soprano vocals [Lisa]:
Anneliese Rothenberger (soprano)
tenor vocals [Sou-Chong]:
Nicolai Gedda (tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Akt II. „Wer hat die Liebe uns ins Herz gesenkt?” (Sou-Chong, Lisa)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt II
5:26
8Das Land des Lächelns: „Dein ist mein ganzes Herz“
tenor vocals [Sou-Chong]:
Nicolai Gedda (tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
3:59
9Das Land des Lächelns: „Meine Liebe, deine Liebe“
soprano vocals [Mi]:
Renate Holm (soprano)
tenor vocals [Gustl]:
Harry Friedauer (opera singer tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Akt II. Nr. 10 Duett „Als Gott die Welt erschuf” – „Meine Liebe, deine Liebe, die sind beide gleich” (Gustl, Mi)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag Ltd. (Neulerchenfelderstr. 3-7, 1160 Wien)
part of:
Das Land des Lächelns: Akt II
2:43
10Das Land des Lächelns: „Ich möcht’ wieder einmal die Heimat sehen“
soprano vocals [Lisa]:
Anneliese Rothenberger (soprano)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Akt II. Nr. 12 Szene & Lied „Alles vorbei!” – „Ich möcht’ wieder einmal die Heimat seh’n” (Lisa)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt II
1:50
11Das Land des Lächelns: II. Finale
soprano vocals [Lisa]:
Anneliese Rothenberger (soprano)
soprano vocals [Mi]:
Renate Holm (soprano)
tenor vocals [Gustl]:
Harry Friedauer (opera singer tenor)
tenor vocals [Sou-Chong]:
Nicolai Gedda (tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
partial recording of:
Das Land des Lächelns: Akt II
composer:
Franz Lehár (composer)
librettist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
part of:
Das Land des Lächelns
9:26
12Das Land des Lächelns: „Zig, zig, zig!“
soprano vocals [Mi]:
Renate Holm (soprano)
tenor vocals [Gustl]:
Harry Friedauer (opera singer tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
recording of:
Das Land des Lächelns: Akt III. Nr. 15 Duett „Zig, zig, zig” … „Wenn die Chrysanthemen blüh’n” … „Du bist so lieb…” (Mi, Gustl)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt III
2:31
13Das Land des Lächelns: III. Finale
soprano vocals [Lisa]:
Anneliese Rothenberger (soprano)
soprano vocals [Mi]:
Renate Holm (soprano)
tenor vocals [Gustl]:
Harry Friedauer (opera singer tenor)
tenor vocals [Sou-Chong]:
Nicolai Gedda (tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (from 1967-06-04 until 1967-06-08)
partial recording of:
Das Land des Lächelns: Akt III
composer:
Franz Lehár (composer)
librettist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
part of:
Das Land des Lächelns
6:22
14Der Zarewitsch: Introduktion „Wir Tscherkessen brauchen weder Geld noch Gut“
choir vocals:
Singgemeinschaft Rudolf Lamy
orchestra:
Bayerisches Symphonieorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carl Michalski (conductor)
chorus master:
Eugen Cymbalisty (chorus master)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (in 1963-09)
recording of:
Der Zarewitsch: Akt I. Nr. 1 Introduktion und Chor „Es steht ein Soldat am Wolgastrand“ – „Wir Tscherkessen brauchen weder Gut noch Geld“ (Chor)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
1:22
15Der Zarewitsch: Wolgalied
tenor vocals [Zarewitsch]:
Fritz Wunderlich (operatic tenor)
orchestra:
Bayerisches Symphonieorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carl Michalski (conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (in 1963-09)
recording of:
Der Zarewitsch: Akt I. Nr. 5 Wolgalied „Allein, wieder allein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
4:50
16Der Zarewitsch: „Einer wird kommen“
soprano vocals [Sonja]:
Melita Muszely (soprano)
orchestra:
Bayerisches Symphonieorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carl Michalski (conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (in 1963-09)
recording of:
Der Zarewitsch: Akt I. Nr. 4 Lied „Einer wird kommen, der wird mich begehren“ (Sonja)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
3:39
17Der Zarewitsch: „Hab’ nur dich allein“
soprano vocals [Sonja]:
Melita Muszely (soprano)
tenor vocals [Zarewitsch]:
Fritz Wunderlich (operatic tenor)
orchestra:
Bayerisches Symphonieorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carl Michalski (conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (in 1963-09)
recording of:
Der Zarewitsch: Akt II. Nr. 8 Duett „Bleib bei mir“ – „Hab’ nur dich allein“ (Zarewitsch, Sonja)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt II
3:50
18Der Zarewitsch: „Heute abend komme ich zu dir“
baritone vocals [Iwan]:
Willy Hagara
soprano vocals [Mascha]:
Christine Görner (soprano singer, actress and vocal coach)
orchestra:
Bayerisches Symphonieorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carl Michalski (conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (in 1963-09)
recording of:
Der Zarewitsch: Akt II. Nr. 10 Duett „Was mir einst an dir gefiel“ – „Heute abend komm’ ich zu dir“ (Mascha, Iwan)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt II
2:23
19Der Zarewitsch: Ballettmusik
tenor vocals [Zarewitsch]:
Fritz Wunderlich (operatic tenor)
orchestra:
Bayerisches Symphonieorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carl Michalski (conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (in 1963-09)
recording of:
Der Zarewitsch: Akt II. Nr. 13 Ballett „Setz dich her!“ – „Wir Tscherkessen brauchen weder Gut noch Geld“
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt II
1:23
20Der Zarewitsch: „Willst Du? Warum hat jeder Frühling, ach, nur einen Mai“
soprano vocals [Sonja]:
Melita Muszely (soprano)
tenor vocals and tenor vocals [Zarewitsch]:
Fritz Wunderlich (operatic tenor)
orchestra:
Bayerisches Symphonieorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carl Michalski (conductor)
recorded at:
Bürgerbräu in München (Munich), Bayern (Bavaria), Germany (in 1963-09)
recording of:
Der Zarewitsch: Akt III. Nr. 14 Duett & Melodram „Kosende Wellen“ – „Warum hat jeder Frühling, ach, nur einen Mai“ (Zarewitsch, Sonja)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt III
6:16