Radio 10 Top 4000: 2020

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Don’t Go Breaking My Heart
recorded in:
Toronto, Ontario, Kanada (in 1976-05)
Produzent(in):
Gus Dudgeon
Bongos, Conga und Tamburin:
Ray Cooper (percussionist) (in 1976-05)
E-Bass:
Kenny Passarelli (Bass, piano) (in 1976-05)
E-Gitarre:
Davey Johnstone (in 1976-05)
Rhodes Piano [Fender Rhodes electric piano]:
James Newton Howard (American score composer) (in 1976-05)
Schlagzeug:
Roger Pope (in 1976-05)
Gast vocals:
Kiki Dee (in 1976-05)
Hintergrundgesang:
Curt Boettcher (in 1976-05), Cidny Bullens (American singer-songwriter) (in 1976-05) und Kiki Dee (in 1976-05)
Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1976-05)
Orchestrator(in):
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
recording of:
Don’t Go Breaking My Heart (in 1976-05)
Texter:
Carte Blanche (aka. Bernie Taupin, Onions)
Komponist(in):
Ann Orson (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
Elton John & Kiki Dee3.74:22
2Lily Was Here
recording engineer:
Steve McLaughlin (British producer, engineer, musician and film producer)
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Mix:
Gary Bradshaw
Gast-Saxophon:
Candy Dulfer
Gitarre:
David A. Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1989) und Eligible Music Ltd. (in 1989)
recording of:
Lily Was Here
Komponist(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd. und Eligible Music Ltd.
Dave Stewart feat. Candy Dulfer3.84:20
3Quiero
recording of:
Quiero
Verfasser(in):
Cecilia (artist name of Spanish singer-songwriter Eva Sobredo), Rafael Ferro (Spanish pianist) und Julio Iglesias
Julio Iglesias2:50
4It’s All Coming Back to Me Now
Bearbeitung von:
It’s All Coming Back to Me Now (album version) von Céline Dion
cover recording of:
It’s All Coming Back to Me Now
Texter und Komponist(in):
Jim Steinman
publisher:
Lost Boys Music (BMI affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Céline Dion5:20
5Budapest
Programmierung und Produzent(in):
Cam Blackwood
Techniker(in):
Cam Blackwood und Liam Thorne
assistierende(r) Produzent(in):
Liam Thorne
assistierende(r) Mix:
Sean Julliard
Mix:
Cenzo Townshend (engineer)
Bass-Synthesizer [bass synth] und Keyboard [keys]:
Cam Blackwood
Gitarre [guitars] und Perkussion:
Cam Blackwood und George Ezra
Keyboard [keyboards]:
George Ezra
vocals:
George Ezra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
produced for:
Big Life Management
aufgenommen bei:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Decoy Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 89)
recording of:
Budapest
Verfasser(in):
George Ezra Barnett und Joel Pott
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
George Ezra3.653:22
6Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Musikvideos:
Never Too Much von Luther Vandross
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross3.853:49
7Why
Programmierung:
Marius de Vries, Stephen Lipson und Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Techniker(in):
Heff Moraes
Produzent(in):
Stephen Lipson
assistierende(r) Mix:
Will O'Donovan
Gitarre:
Stephen Lipson
Keyboard:
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson und Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
recorder:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
BMG Ariola Muenchen GmbH (in 1992) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich und The Church Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Why
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. und Universal Music Publishing MGB Ltd.
Annie Lennox3.54:54
8Sylvia’s Mother
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
Texter und Komponist(in):
Shel Silverstein
publisher:
Essex Music, Essex Music of Australia Pty. Ltd. und Evil Eye Music Inc.
Dr. Hook & the Medicine Show43:48
9My Silver LiningFirst Aid Kit3.853:32
10I’ll Never Break Your Heart
Produzent(in):
Timmy Allen (producer, songwriter, bassist, record executive)
recording of:
I’ll Never Break Your Heart
Verfasser(in):
Albert Manno und Eugene Wilde
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Backstreet Boys24:25
11Hey, Soul Sister
recording engineer:
Amund Bjørklund, Bryan Cook (US engineer), Dyre Gormsen, Espen Lind und Ross Peterson (studio professional)
assistierende(r) Techniker(in):
Ian Hill (UK bassist for Judas Priest)
Produzent(in):
Espionage (NY-based Norwegian songwriting/production team) und Martin Terefe
zusätzliche(r) Produzent(in):
Gregg Wattenberg
zusätzlich Bassgitarre:
Martin Terefe
zusätzlich Hammond-Orgel:
Jerry Becker
zusätzlich Keyboard:
Claes Björklund
zusätzlich Keyboard und Ukulele:
Espen Lind
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 3) und Billboard Year-End Hot 100 singles of 2010 (Nummer: 3)
recording of:
Hey, Soul Sister
Verfasser(in):
Amund Bjørklund, Espen Lind und Pat Monahan
Train4.153:37
12No Ordinary LoveSade3:59
13Fireball
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2014)
recording of:
Fireball
Pitbull feat. John Ryan3.253:56
14Thought You Were on My Side
Produzent(in) und Mix:
Steve Hillage
Schlagzeug und Perkussion:
Louis Molino
Sologesang:
Peter Kingsbery und Anna LaCazio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
mixed at:
Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Thought You Were on My Side
Texter und Komponist(in):
Peter Kingsbery
publisher:
Edwin Ellis Music (publisher), Nurk Twins Music (publisher) und Wixen Music Publishing, Inc.
Cock Robin54:17
15Mmm Mmm Mmm Mmm
recording engineer:
Tommy Lipnick
zusätzlich recording engineer:
David Vartanian
Techniker(in):
Dan Harjung
Produzent(in):
Crash Test Dummies und Jerry Harrison (Talking Heads & producer)
Mix:
Tom Lord‐Alge
Editing:
Patrick Murphy (engineer)
accordion, Keyboard [keyboards], Klavier und Hintergrundgesang [back-up vocals]:
Ellen Reid (Canadian keyboardist and singer)
Akustikgitarre [acoustic guitars], E-Gitarre [electric guitars] und Sologesang:
Brad Roberts (of Crash Test Dummies)
phonographisches Urheberrecht (℗) von:
BMG Music Canada Inc. (in 1991, in 1993) und BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1993)
aufgenommen bei:
DV Productions in Milwaukee, Wisconsin, Vereinigte Staaten, Mindscape in Chicago, Illinois, Vereinigte Staaten und Music Head Recording in Lake Geneva, Wisconsin, Vereinigte Staaten
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, Vereinigte Staaten
produced at:
God of Thunder Studios in Winnipeg, Manitoba, Kanada
Musikvideos:
Mmm Mmm Mmm Mmm von Crash Test Dummies
recording of:
Mmm Mmm Mmm Mmm
Texter und Komponist(in):
Brad Roberts (of Crash Test Dummies)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1993)
Crash Test Dummies3.953:54
16Conga
Produzent(in):
Emilio Estefan, Jr.
Interpret(in):
Miami Sound Machine
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1985) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
Conga
Texter und Komponist(in):
Enrique Garcia (Miami Sound Machine)
Verfasser(in):
Enrique E. Garcia (Miami Sound Machine)
publisher:
Foreign Imported Productions & Publishing, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Miami Sound Machine feat. Gloria Estefan3.854:15
17Uptown Girl
Mastering:
Dick Beetham
assistierende(r) Techniker(in):
Daniel Pursey (UK engineer)
Techniker(in):
Chris Laws (engineer, keyboardist & songwriter) und Daniel Pursey (UK engineer)
Produzent(in) und Mix:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Bass:
Steve Pearce (UK bassist)
guitar family:
Friðrik Karlsson
Instrumente:
Frizzy Karlsson
Klavier:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Saxophon:
Phil Todd (UK flautist/saxophonist)
Schlagzeug:
Chris Laws (engineer, keyboardist & songwriter)
Trompete:
Guy Barker
zusätzlich Hintergrundgesang:
Andy Caine
Interpret(in):
Brian, Kian, Mark (Mark Feehily), Nicky und Shane
arranger:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
phonographisches Urheberrecht (℗) von:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 2001)
Musikvideo für:
Uptown Girl von Westlife
cover recording of:
Uptown Girl (in 2001)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
EMI Songs Ltd., CBS Songs Ltd. (in 1983) und Joelsongs (in 1983)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Westlife2.353:07
18If You Had My Love
Bearbeitung von:
If You Had My Love von Jennifer Lopez (American singer and actress aka J.Lo)
recording of:
If You Had My Love
Texter:
LaShawn Daniels (US contemporary R&B songwriter), Rodney Jerkins und Cory Rooney
Komponist(in):
Rodney Jerkins
Jennifer Lopez3:48
19Sick and Tired
recording engineer:
Bill Malina, Rick Sheppard (engineer) und Thomas R. Yezzi
assistierende(r) Techniker(in):
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Cesar Guevara, JD Andrew, Anthony Kilhoffer und Tom Sweeney (US engineer)
Techniker(in):
Femio Hernandez
Produzent(in):
Dallas Austin, Glen Ballard und Ric Wake
Mix:
Tom Lord‐Alge
Bass:
Colin Wolfe
Gitarre:
Tony Reyes (songwriter/producer/multi‐instrumentalist)
Keyboard:
Dallas Austin und Glen Ballard
Schlagzeug [Midi]:
Dallas Austin
produced for:
Make It Rock Productions, Inc.
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten, O’Henry Sound Studios in Burbank, California (Kalifornien), Vereinigte Staaten, Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
Musikvideos:
Sick and Tired von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Sick and Tired (in 2004)
Verfasser(in):
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Dallas Austin und Glen Ballard
publisher:
Aerostation Corporation, Arlovol Music, Cyptron Music, EMI Blackwood Music Inc., Po Ho Productions, Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
Anastacia3.853:29
20Motorcycle Emptiness
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2002)
Bearbeitung von:
Motorcycle Emptiness von Manic Street Preachers
recording of:
Motorcycle Emptiness
Texter:
Richey James Edwards und Nicky Wire
Komponist(in):
James Dean Bradfield und Sean Moore (Manic Street Preachers)
publisher:
SM Publishing (UK) Limited (Sony Music, 2009–2020) und Sony/ATV Music Publishing
basiert auf:
Behave Yourself Baby
Manic Street Preachers33:33
5CD