Hightech Oper (mit Audio‐Test‐Signalen)

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

a reference recording edition; a later reissue with clearer images and a more accurate tracklist (but evidently w/o the audio test signals 18-32) found here: https://www.discogs.com/release/12197128

Annotation last modified on 2018-08-14 08:27 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Tosca: 1. Akt. Ah! Finalmente… – Dammi i colori! – Recondita armonia
baritone vocals:
Domenico Trimarchi (bass-baritone) (in 1976-07)
bass vocals:
Samuel Ramey (bass-baritone) (in 1976-07)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1976-07)
conductor:
Sir Colin Davis (English conductor) (in 1976-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1976)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1976-07)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (in 1976-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1976-07)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini9:11
2Tosca: 1. Akt. Te Deum (Schluß)
baritone vocals [Scarpia]:
Ingvar Wixell (baritone) (in 1976-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1976-07)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1976-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1976-07)
conductor:
Sir Colin Davis (English conductor) (in 1976-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1976)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1976-07)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1976-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:55
3La traviata: Vorspiel 1. Akt
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1983-12)
recording of:
La traviata: Preludio (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi4:32
4Rigoletto: 2. Akt. Ella mi fu rapita!
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi2:37
5Rigoletto: 2. Akt. Parmi veder le lagrime
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto II. “Parmi veder le lagrime” (Duca) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi3:09
6Rigoletto: 2. Akt. Duca, duca! – Scorrendo uniti
baritone vocals [Marullo]:
Armando Gabba (baritone) (in 1984-09)
bass vocals [Ceprano]:
Geoffrey Moses (Welsh bass singer) (in 1984-09)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1984-09)
tenor vocals [Borsa]:
William Matteuzzi (tenor) (in 1984-09)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi2:26
7Rigoletto: 2. Akt. Possente amor
baritone vocals [Marullo]:
Armando Gabba (baritone) (in 1984-09)
bass vocals [Ceprano]:
Geoffrey Moses (Welsh bass singer) (in 1984-09)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1984-09)
tenor vocals [Borsa]:
William Matteuzzi (tenor) (in 1984-09)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto II. "Possente amor mi chiama" (Borsa, Marullo, Ceprano, Duca, Coro) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi3:20
8Rigoletto: 3. Akt. Un di, se ben rammentomi
baritone vocals [Rigoletto]:
Renato Bruson (baritone) (in 1984-09)
mezzo-soprano vocals [Maddalena]:
Brigitte Fassbaender (mezzo-soprano) (in 1984-09)
soprano vocals [Gilda]:
Edita Gruberová (soprano) (in 1984-09)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi1:34
9Rigoletto: 3. Akt. Bella figlia dell’amore
baritone vocals [Rigoletto]:
Renato Bruson (baritone) (in 1984-09)
mezzo-soprano vocals [Maddalena]:
Brigitte Fassbaender (mezzo-soprano) (in 1984-09)
soprano vocals [Gilda]:
Edita Gruberová (soprano) (in 1984-09)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi4:39
10Nabucco: Ouvertüre (Sinfonia)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1983-12)
recording of:
Nabucco: Sinfonia (Overture) (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco
Giuseppe Verdi7:50
11Nabucco: Chor der Gefangenen »Va, pensiero, sull’ali dorate«
recorded in:
East Germany (historical, 1949-1990) (in 1983-12)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1983-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1983-12)
conductor:
Silvio Varviso (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1983-12)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:10
12Faust: 5. Akt. Va t’en!
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1986-02)
conductor:
Sir Colin Davis (English conductor) (in 1986-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1986)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1986-02)
recording of:
Faust : Acte V. No. 30 Scène de la prison « Va-t’en ! » (Faust, Méphistophélès) (in 1986-02)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod1:43
13Faust: 5. Akt. Mon cœur est pénétré
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1986-02)
conductor:
Sir Colin Davis (English conductor) (in 1986-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1986)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1986-02)
recording of:
Faust : Acte V. « Mon cœur est pénétré d’épouvante ! » (Faust) (in 1986-02)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod6:26
14Faust: 5. Akt. Alerte, alerte !
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1986-02)
conductor:
Sir Colin Davis (English conductor) (in 1986-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1986)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1986-02)
recording of:
Faust : Acte V. No. 31 « Alerte, alerte » … « Anges purs » (Méphistophélès, Marguerite, Faust, Chœur) (in 1986-02)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte V
Charles Gounod3:15
15Faust: 5. Akt. Apothéose: Sauvée !
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1986-02)
conductor:
Sir Colin Davis (English conductor) (in 1986-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1986)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1986-02)
recording of:
Faust : Acte V. No. 32 Apothéose « Sauvée » … « Christ est ressuscité » (Chœur) (in 1986-02)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod2:13
16Die Zauberflöte KV 620: 2. Akt. In diesen heil’gen Hallen
bass vocals:
Kurt Moll (operatic bass) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:13
17Die Zauberflöte KV 620: 2. Akt. Nur stille, stille, stille – Die Strahlen der Sonne
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:28
18Audio‐Testsignale: Ansage Balance‐Test
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:17
19Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
20Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
21Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:10
22Audio‐Testsignale: Ansage Phasentest
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:10
23Audio‐Testsignale: Phase »ein«
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:14
24Audio‐Testsignale: Phase »aus«
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:12
25Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:40
26Audio‐Testsignale: Ansage Spitzenpegel
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
27Audio‐Testsignale: Linker Kanal – Sinussignal 1kHz = 0 dB (Maximalpegel)
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
28Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
29Audio‐Testsignale: Rechter Kanal – Sinussignal 1kHz = 0 dB (Maximalpegel)
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
30Audio‐Testsignale: Ansage Gleitfrequenzgang
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:17
31Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20Hz bis 20kHz – 20 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:51
32Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:15

Credits

Release

manufactured in:Germany
printed in:Germany
manufactured by:Polygram in Hannover, Germany (CD pressing plant in Langenhagen, near Hanover, Germany)
phonographic copyright (℗) by:Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
Discogs:https://www.discogs.com/release/10719891 [info]
ASIN:DE: B000024H4W [info]