That Loving Feeling, Volume III

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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#TitoloArtistaValutazioneDurata
1Careless Whisper
produttore:
George Michael
basso :
Deon Estus (nel 1984)
batteria :
Trevor Murrell (nel 1984)
chitarra :
Hugh Burns (nel 1984)
percussione :
Danny Cummings (British drummer and percussionist) (nel 1984)
tastiera :
Chris Parren (nel 1984)
voce:
George Michael (nel 1984)
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1984), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984)
registrazione di:
Careless Whisper (nel 1984)
autore:
George Michael e Andrew Ridgeley
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Limited (2019–present) e Wham! Music Ltd.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael4.354:54
2Anything for You
registrazione di:
Anything for You
paroliere e compositore:
Gloria M. Estefan
Gloria Estefan3:38
3Sorry Seems to Be the Hardest Word
tecnico:
Gus Dudgeon e Mark Howlett
produttore:
Gus Dudgeon e John Stewart (UK music producer/recording engineer)
basso elettrico :
Kenny Passarelli (Bass, piano)
fisarmonica :
Carl Fortina
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
pianoforte elettrico :
James Newton Howard (American score composer)
vibrafono :
Ray Cooper (percussionist)
direttore d'orchestra:
James Newton Howard (American score composer)
arrangiatore fisarmonica e archi :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Happenstance Limited (record and publishing company) (nel 1976)
registrata presso:
Eastern Sound in Toronto, Ontario, Canada e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1976-03)
registrazione di:
Sorry Seems to Be the Hardest Word
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd (publisher), Chappell & Co Inc. (USA), Happenstance Limited (record and publishing company), Intersong U.S.A. Inc. (publisher), Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.353:44
4Stay With Me Till Dawn
registrazione di:
Stay With Me Till Dawn
autore:
Mike Paxman (multi-instrumentalist & record producer) e Judie Tzuke
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Rocket Music Ltd. (publisher)
Judie Tzuke3:52
5You Wear It Well
registrazione di:
You Wear It Well
autore:
Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4:22
6How Long
produttore:
John Anthony (British producer and record executive)
diritti fonografici (℗) detenuti da:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (nel 1974) e Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2015)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 31) e The Downloader’s Music Source Book (numero: 121)
registrazione di:
How Long?
paroliere e compositore:
Paul Carrack
editore:
Anchor Music Ltd. e Minder Music Ltd.
Ace3.653:21
7Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:55
8Your Love Is King
produttore:
Robin Millar
chitarra basso :
Paul S. Denman (dal 1983-10 al 1983-11)
chitarra e sassofono :
Stuart Matthewman (dal 1983-10 al 1983-11)
tastiera :
Andrew Hale (keyboardist/composer) (dal 1983-10 al 1983-11)
voce:
Sade Adu (dal 1983-10 al 1983-11)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrata presso:
Power Plant in London (Greater London), England, Regno Unito (dal 1983-10 al 1983-11)
registrazione di:
Your Love Is King (dal 1983-10 al 1983-11)
paroliere:
Sade Adu
compositore:
Sade Adu e Stuart Matthewman
editore:
Angel Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sade33:58
9Dance Away
tecnico:
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) e Randy Mason
produttore:
Roxy Music
tecnico di missaggio:
Bob Clearmountain
esecutore:
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) e Gary Tibbs
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1979), Virgin EG Records Ltd. (nel 1979) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1999)
registrata presso:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Ridge Farm Studios in Dorking, Surrey, England, Regno Unito
mixata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
Dance Away (nel 1979)
paroliere e compositore:
Bryan Ferry
editore:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. e E.G. Music Ltd. (publisher) (nel 1979)
Roxy Music43:45
10Silly Games
registrazione di:
Silly Games
paroliere e compositore:
Dennis Bovell (reggae guitarist, bass player and record producer)
Janet Kay3:57
11Everybody’s Got to Learn Sometime
diritti fonografici (℗) detenuti da:
Action Replay Records (nel 1990)
registrazione di:
Everybody’s Got to Learn Sometime
paroliere e compositore:
James Warren (English singer and guitarist)
editore:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (nel 1980) e Warner Bros. Ltd. (publisher) (nel 1980)
The Korgis4.054:12
12When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:55
13Tell It Like It Is
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 381)
registrazione di:
Tell It Like It Is
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville3:08
14Drift Away
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1972)
registrazione cover di:
Drift Away
paroliere e compositore:
Mentor Williams (songwriter & producer)
editore:
Rondor Music (London) Ltd.
Dobie Gray3:33
15My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:36

Accreditamenti

Gruppo di pubblicazioni

parte di:That Loving Feeling (numero: 3) (ordine: 3)
Discogs:https://www.discogs.com/master/326140 [info]