Edition Lied, Volume 1: Come Again Sweet Love

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Io non compro più speranza
Countertenorgesang:
Grayston Burgess (counter tenor / conductor)
Orchester:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
recording of:
Io non compro più speranza
Komponist(in):
Marchetto Cara (Italian renaissance composer, c. 1465 – probably 1525)
Marchetto Cara2:17
2Toda mi vida os amé
Gitarre:
Narciso Yepes (classical guitarist)
Soprangesang:
Teresa Berganza (mezzo-soprano)
recording of:
El Maestro: Toda mi vida hos amé
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
Teil von:
El Maestro
Luis de Milán4:55
3Triste estaba el rey David
Gitarre:
Narciso Yepes (classical guitarist)
Soprangesang:
Teresa Berganza (mezzo-soprano)
recording of:
Triste estaba el rey David
Komponist(in):
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra2:26
4Though Amaryllis Dance in Green
viola da gamba:
Phantasm (renaissance viola da gamba consort)
Soprangesang:
Barbara Bonney (soprano)
recording of:
Though Amaryllis Dance in Green
Komponist(in):
William Byrd (English composer) (in 1588)
William Byrd3:04
5I Joy Not in No Earthly Bliss
Instrumente:
Academy of Ancient Music
Soprangesang:
Judith Nelson (soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist)
William Byrd2:00
6Amarilli mia bella
theorbo:
Anthony Bailes (lutenist)
Tenor-Gesang:
Nigel Rogers (tenor)
recording of:
Le nuove musiche: 8. Amarilli, mia bella (original, for voice and continuo)
Texter:
Elisabeth von Hessen-Kassel
Komponist(in):
Giulio Caccini (Italian renaissance composer, 1551-1618)
publisher:
G. Schirmer Inc.
Teil von:
Le nuove musiche
Giulio Caccini2:45
7It Was a Lover and His Lass
Laute:
Jacob Heringman (American lutenist)
Soprangesang:
Barbara Bonney (soprano)
recording of:
First Book of Ayres: It Was a Lover and His Lass
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Thomas Morley (English Renaissance composer) (bis 1600)
basiert auf:
A Lover and His Lass (original poem)
Teil von:
First Book of Ayres
Thomas Morley3:23
8O Mistress Mine!
Laute:
James Tyler
Countertenorgesang:
James Bowman (UK countertenor)
recording of:
Consort Lessons, Book 1: O Mistress Mine
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Thomas Morley (English Renaissance composer)
Teil von:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:19
9Come Again, Sweet Love
Laute:
Jacob Heringman (American lutenist)
Soprangesang:
Barbara Bonney (soprano)
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite"
Komponist(in):
John Dowland (composer and lutenist) (in 1597)
Teil von:
The First Booke of Songs or Ayres
John Dowland2:42
10In Darkness Let Me Dwell
Laute:
Julian Bream
Tenor-Gesang:
Peter Pears (tenor)
recording of:
In Darkness Let Me Dwell (A Musicall Banquet, No. 10: “In Darkness Let Me Dwell”)
Komponist(in):
John Dowland (composer and lutenist) (in 1610)
John Dowland4:51
11Fine Knacks for Ladies
Laute:
Julian Bream
Tenor-Gesang:
Peter Pears (tenor)
recording of:
The Second Booke of Songs or Ayres, No. 12: "Fine Knacks for Ladies"
Komponist(in):
John Dowland (composer and lutenist) (in 1600)
Teil von:
The Second Booke of Songs or Ayres
John Dowland2:39
12Exulta filia Sion
Laute:
Nigel North (English lute player)
Orgel:
David Roblou (Conductor, harpsichordist, pianist)
Soprangesang:
Catherine Bott (soprano)
recording of:
Exulta filia Sion, SV 303
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Stattkus-Verzeichnis (Nummer: SV 303)
Claudio Monteverdi4:59
13Se vittorie sì belle
Cembalo:
Colin Tilney (harpsichordist)
Laute:
Eugen M. Dombois (lutenist)
theorbo:
Michael Schäffer (Lute player)
viola da gamba:
Heinrich Haferland (violist)
Tenor-Gesang:
Ian Partridge (tenor) und Nigel Rogers (tenor)
recording of:
Se vittorie sì belle
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Stattkus-Verzeichnis (Nummer: SV 149)
Teil von:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi2:21
14Con che soavità
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Karl-August Naegler (balance engineer)
Soprangesang:
Anne Sofie von Otter (mezzo-soprano) (in 1997-02)
Orchester:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1997-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1997-02)
Tonmeister(in):
Hans‐Ulrich Bastin (in 1997-02)
aufgenommen bei:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Deutschland (in 1997-02)
recording of:
Settimo libro de madrigali: Con che soavità, labbra odorate, SV 139 (in 1997-02)
Texter:
Giovanni Battista Guarini
Komponist(in):
Philippe de Monte (Flemish composer of the late Renaissance) und Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Stattkus-Verzeichnis (Nummer: SV 139)
Teil von:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi4:37
15Occhi belli
theorbo:
Anthony Bailes (lutenist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
Tenor-Gesang:
Nigel Rogers (tenor)
recording of:
Occhi belli e sia ver che in lungo pianto
Verfasser(in):
Giovanni Del Turco
Giovanni Del Turco3:23
16Farewell, Dear Love
Laute:
James Tyler
Countertenorgesang:
James Bowman (UK countertenor)
recording of:
The First Booke of Songes or Ayres: XII. Farwell, Dear Love
Komponist(in):
Robert Jones (English lutenist and composer)
Robert Jones3:44
17Cruda Amarilli
theorbo:
Anthony Bailes (lutenist)
Tenor-Gesang:
Nigel Rogers (tenor)
recording of:
Cruda amarilli
Komponist(in):
Sigismondo d’India (Italian Renaissance / Baroque composer, c. 1582-1629)
Sigismondo d’India2:27
18Aria di Romanesca
Cembalo:
David Roblou (Conductor, harpsichordist, pianist)
Soprangesang:
Catherine Bott (soprano)
recording of:
Partite sopra l’aria della Romanesca, F 2.13
Komponist(in):
Girolamo Frescobaldi (composer) (in 1616)
Teil von:
Frescobaldi Thematic Catalogue Online (Nummer: F 2.13)
Version von:
Partite sopra la Romanesca, F 2.36
Teil von:
Il primo libro de toccate (1616) (Toccate e partite d’intavolatura di cimbalo (Rome: Borboni, 1616))
Teil von:
Il primo libro de toccate (1637) (Il primo libro de toccate d’intavolatura di cimbalo et organo, partite di diverse arie et corrente, balletti, ciaccone, passachagli (Rome: Borboni, 1637))
Girolamo Frescobaldi2:58
19Maria Maddalena alla Croce
Cembalo:
David Roblou (Conductor, harpsichordist, pianist)
Soprangesang:
Catherine Bott (soprano)
recording of:
Primo libro d’arie musicali: A piè della gran Croce, F 7.06
Komponist(in):
Girolamo Frescobaldi (composer) (in 1630)
Teil von:
Frescobaldi Thematic Catalogue Online (Nummer: F 7.06)
Teil von:
Primo libro d’arie musicali per cantarsi nel gravicimbalo, e tiorba. A una, a due, e a tre voci (Arie musicali I (1630))
Girolamo Frescobaldi3:24
20Quest'amore, quest'arsura
theorbo:
Anthony Bailes (lutenist)
Violone:
Pere Ros (viola da gamba player)
Tenor-Gesang:
Nigel Rogers (tenor)
recording of:
Quest'amore, quest'arsura
Komponist(in):
Claudio Saracini (in 1620)
Claudio Saracini2:10
21Giovinetta vezzosetta
theorbo:
Anthony Bailes (lutenist)
Truhenorgel [positive organ]:
Colin Tilney (harpsichordist)
Tenor-Gesang:
Nigel Rogers (tenor)
recording of:
Giovinetta vezzosetta
Komponist(in):
Claudio Saracini
Claudio Saracini1:20
22Take, o Take Those Lips Away
Laute:
James Tyler
Countertenorgesang:
James Bowman (UK countertenor)
recording of:
Take, Oh Take Those Lipps Away
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
John Wilson (English baroque composer and lutenist)
John Wilson2:25
23A Musicall Banquet: Go, My Flock, Go Get You Hence
Orpheoreon:
Edin Karamazov
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
A Musicall Banquet: Go, My Flock, Go Get You Hence
Komponist(in):
Robert Dowland
Robert Dowland2:52
24A Musicall Banquet: Vuestros ojos
Bassviola:
Christophe Coin (cellist)
Gitarre:
Edin Karamazov
Countertenorgesang:
Andreas Scholl (countertenor)
Robert Dowland2:49