Variationen für Gitarre / Variations pour Guitare

~ Release by John Williams (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1Chaconne
engineer:
Ed Michalski (engineer) and Fred Plaut
guitar:
John Williams (classical guitarist) (on 1965-11-15)
arranger:
John Williams (classical guitarist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1965-11-15)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (catch‐all for arrangements) (on 1965-11-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
arrangement of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne
part of:
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach13:48
A2Queen Elizabeth, Her Galliard
recorded in:
New York, New York, United States (in 1965-11)
engineer:
Ed Michalski (engineer) (in 1965-11) and Fred Plaut (in 1965-11)
producer:
Paul Myers (classical record producer) (in 1965-11)
classical guitar:
John Williams (classical guitarist) (in 1965-11)
recording of:
Queene Elizabeth, her Galliard, P. 41 (in 1965-11)
composer:
John Dowland (composer and lutenist)
part of:
John Dowland's lute works (number: P. 41)
John Dowland1:15
A3Earle of Essex, His Galliard
recorded in:
New York, New York, United States (in 1965-11)
engineer:
Ed Michalski (engineer) (in 1965-11) and Fred Plaut (in 1965-11)
producer:
Paul Myers (classical record producer) (in 1965-11)
classical guitar:
John Williams (classical guitarist) (in 1965-11)
recording of:
The Earle of Essex Galiard (in 1965-11)
composer:
John Dowland (composer and lutenist)
part of:
Lachrimæ or Seaven Teares, with divers other pavans (The collection of seven teares and 14 other works)
John Dowland1:55
A4Mounsiers Almaine
recorded in:
New York, New York, United States (in 1965-11)
engineer:
Ed Michalski (engineer) (in 1965-11) and Fred Plaut (in 1965-11)
producer:
Paul Myers (classical record producer) (in 1965-11)
classical guitar:
John Williams (classical guitarist) (in 1965-11)
recording of:
Mounsier's Almaine (in 1965-11)
composer:
Daniel Bacheler (English composer)
Daniel Bacheler2:38
B1Caprice Nr. 24
recorded in:
New York, New York, United States (in 1965-11)
engineer:
Ed Michalski (engineer) (in 1965-11) and Fred Plaut (in 1965-11)
producer:
Paul Myers (classical record producer) (in 1965-11)
guitar:
John Williams (classical guitarist) (in 1965-11)
arranger:
John Williams (classical guitarist)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (in 1965-11)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini6:55
B2Variationen über ein Thema von Händel
recorded in:
New York, New York, United States (in 1965-11)
engineer:
Ed Michalski (engineer) (in 1965-11) and Fred Plaut (in 1965-11)
producer:
Paul Myers (classical record producer) (in 1965-11)
guitar:
John Williams (classical guitarist) (in 1965-11)
recording of:
Variationen über ein Thema von G. F. Händel, op. 107 "Der Harmonische Grobschmied" (Variations on "The Harmonious Blacksmith" by G.F. Händel) (in 1965-11)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Works of Mauro Giuliani by opus number (number: op. 107)
is based on:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni
Mauro Giuliani6:41
B3Variationen über ein Thema von Mozart
recorded in:
New York, New York, United States (in 1965-11)
engineer:
Ed Michalski (engineer) (in 1965-11) and Fred Plaut (in 1965-11)
producer:
Paul Myers (classical record producer) (in 1965-11)
classical guitar:
John Williams (classical guitarist) (in 1965-11)
recording of:
Introduction and Variations on a Theme by Mozart, op. 9 (in 1965-11)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
publisher:
B. Schott's Söhne (publisher; do not use as label)
part of:
Works of Fernando Sor by opus number (number: op. 9)
is based on:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor6:31