| # | Title | Rating | Length |
|---|
| 1 | Catherine of Aragon- assistant recording engineer:
- Pete Flanagan (from 1972-02 until 1972-10)
- recording engineer:
- Ken Scott (from 1972-02 until 1972-10)
- producer:
- Rick Wakeman
- mixer:
- Ken Scott
- bass guitar:
- Les Hurdle (from 1972-02 until 1972-10) and Chris Squire (from 1972-02 until 1972-10)
- drums (drum set):
- Bill Bruford (from 1972-02 until 1972-10)
- electric piano [RMI], grand piano [Steinway 9'], Hammond organ [Custom-built C-3 organ], harpsichord [Thomas Goff], mellotron [2 400-D, one for vocals, sound effects and vibes; the other for brass, strings and flutes], Minimoog [2 Minimoog] and synthesizer [ARP] and organ [Church organ at St Giles-without-Cripplegate]:
- Rick Wakeman (from 1972-02 until 1972-10)
- guitar:
- Mike Egan (from 1972-02 until 1972-10) and Steve Howe (from 1972-02 until 1972-10)
- percussion:
- Ray Cooper (from 1972-02 until 1972-10)
- choir vocals:
- Judy Powell (from 1972-02 until 1972-10), Barry St. John (from 1972-02 until 1972-10) and Liza Strike (from 1972-02 until 1972-10)
- arranger:
- Rick Wakeman
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1973)
- mixed at and engineered at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- recording of:
- Catherine of Aragon (from 1972-02 until 1972-10)
- composer:
- Rick Wakeman
- publisher:
- Almo Music Corp. and Imagem Songs Ltd.
| 2.65 | 3:48 |
| 2 | Anne Boleyn ‘The Day Thou Gavest Lord Hath Ended’- assistant recording engineer:
- Pete Flanagan (from 1972-02 until 1972-10)
- recording engineer:
- Ken Scott (from 1972-02 until 1972-10)
- producer:
- Rick Wakeman
- mixer:
- Dave Henshall
- bass guitar:
- Les Hurdle (from 1972-02 until 1972-10)
- drums (drum set):
- Bill Bruford (from 1972-02 until 1972-10)
- electric piano [RMI], grand piano [Steinway 9'], Hammond organ [Custom-built C-3 organ], harpsichord [Thomas Goff], mellotron [2 400-D, one for vocals, sound effects and vibes; the other for brass, strings and flutes], Minimoog [2 Minimoog] and synthesizer [ARP] and organ [Church organ at St Giles-without-Cripplegate]:
- Rick Wakeman (from 1972-02 until 1972-10)
- guitar:
- Mike Egan (from 1972-02 until 1972-10)
- percussion:
- Ray Cooper (from 1972-02 until 1972-10)
- choir vocals:
- Laura Lee (from 1972-02 until 1972-10), Sylvia McNeill (from 1972-02 until 1972-10) and Liza Strike (from 1972-02 until 1972-10)
- arranger:
- Rick Wakeman
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1973)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- engineered at:
- Morgan Studios in Willesden, Brent , London , England, United Kingdom
- recording of:
- Anne Boleyn (from 1972-02 until 1972-10)
- composer:
- Rick Wakeman
- publisher:
- Almo Music Corp. and Imagem Songs Ltd.
- is based on:
- The Day Thou Gavest, Lord, Is Ended
| 3 | 6:36 |
| 3 | Catherine Howard- assistant recording engineer:
- Pete Flanagan (from 1972-02 until 1972-10)
- recording engineer:
- Paul Tregurtha (from 1972-02 until 1972-10)
- producer:
- Rick Wakeman
- mixer:
- Paul Tregurtha
- banjo:
- Dave Cousins (from 1972-02 until 1972-10)
- bass guitar:
- Chas Cronk (from 1972-02 until 1972-10)
- drums (drum set):
- Barry De Souza (from 1972-02 until 1972-10)
- electric piano [RMI], grand piano [Steinway 9'], Hammond organ [Custom-built C-3 organ], harpsichord [Thomas Goff], mellotron [2 400-D, one for vocals, sound effects and vibes; the other for brass, strings and flutes], Minimoog [2 Minimoog] and synthesizer [ARP] and organ [Church organ at St Giles-without-Cripplegate]:
- Rick Wakeman (from 1972-02 until 1972-10)
- guitar:
- Dave Lambert (from 1972-02 until 1972-10)
- percussion:
- Frank Ricotti (from 1972-02 until 1972-10)
- arranger:
- Rick Wakeman
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1973)
- mixed at and engineered at:
- Morgan Studios in Willesden, Brent , London , England, United Kingdom
- recording of:
- Catherine Howard (from 1972-02 until 1972-10)
- composer:
- Rick Wakeman
- publisher:
- Almo Music Corp. and Imagem Songs Ltd.
| 3.5 | 6:39 |
| 4 | The Journey/Recollection | | 6:21 |
| 5 | The Battle | | 4:06 |
| 6 | Arthur | 3.5 | 7:29 |
| 7 | Merlin the Magician | 3.5 | 8:54 |
| 8 | The Prisoner- assistant engineer:
- Didier Utard
- engineer:
- Paul Hardiman and Paul Tregurtha
- producer:
- Rick Wakeman
- acoustic guitar, electric guitar and mandolin:
- John Dunsterville (from 1976-01 until 1976-03)
- bass guitar and bass pedals:
- Roger Newell (from 1976-01 until 1976-03)
- bass trombone and trombone:
- Reg Brooks (from 1976-01 until 1976-03)
- clavinet, effects, electric piano, grand piano, Hammond organ, harpsichord, mellotron, Moog, organ, pipe organ and upright piano:
- Rick Wakeman (from 1976-01 until 1976-03)
- drums (drum set) and percussion:
- Tony Fernandez (from 1976-01 until 1976-03)
- flugelhorn, French horn and trumpet:
- Martyn Shields (from 1976-01 until 1976-03)
- lead vocals:
- Ashley Holt (from 1976-01 until 1976-03)
- vocals:
- Reg Brooks (from 1976-01 until 1976-03), Roger Newell (from 1976-01 until 1976-03) and Martyn Shields (from 1976-01 until 1976-03)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom (from 1976-01 until 1976-03) and Le Chateau in Hérouville, Val-d'Oise, Île-de-France, France (from 1976-01 until 1976-03)
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- recording of:
- The Prisoner (from 1976-01 until 1976-03)
- lyricist and composer:
- Rick Wakeman
- publisher:
- Almo Music Corp. and Rondor Music
| 5 | 7:04 |
| 9 | White Rock- engineer:
- Paul Hardiman
- producer:
- Rick Wakeman
- Moog:
- Rick Wakeman (from 1976-01 until 1976-09)
- percussion:
- Tony Fernandez (from 1976-01 until 1976-09)
- arranger:
- Rick Wakeman
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1977)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom (from 1976-01 until 1976-09)
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- recording of:
- White Rock (from 1976-01 until 1976-09)
- composer:
- Rick Wakeman
- publisher:
- Rondor Music and Rondor Music (London) Ltd.
| | 3:15 |
| 10 | After the Ball- engineer:
- Paul Hardiman and Dick Lewzey
- producer:
- Rick Wakeman
- Moog, grand piano and mellotron:
- Rick Wakeman (from 1976-01 until 1976-09)
- arranger:
- Rick Wakeman
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1977)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom (from 1976-01 until 1976-09) and The Music Centre in Wembley, Brent , London , England, United Kingdom (from 1976-01 until 1976-09)
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- recording of:
- After the Ball (from 1976-01 until 1976-09)
- composer:
- Rick Wakeman
- publisher:
- Rondor Music (London) Ltd.
| | 3:04 |
| 11 | Statue of Justice | 3 | 6:23 |
| 12 | Crime of Passion- engineer:
- Dave Richards and John Timperley
- producer:
- Rick Wakeman
- assistant mixer:
- Dave Richards
- mixer:
- John Timperley
- bass and bass guitar:
- Chris Squire (from 1977-04 until 1977-06)
- drums (drum set):
- Alan White (from 1977-04 until 1977-06)
- Minimoog, Rhodes piano, clavinet, harpsichord, keyboard, piano and pipe organ:
- Rick Wakeman (from 1977-04 until 1977-06)
- percussion:
- Frank Ricotti (from 1977-04 until 1977-06)
- arranger:
- Rick Wakeman
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1977)
- recorded at:
- Mountain Recording Studios in Montreux, Vaud , Switzerland (from 1977-04 until 1977-06)
- mixed at:
- Mountain Recording Studios in Montreux, Vaud , Switzerland
- recording of:
- Crime of Passion (from 1977-04 until 1977-06)
- composer:
- Rick Wakeman
| 3 | 5:51 |
| 13 | Chamber of Horrors | 3 | 6:40 |
| 14 | The Palais | | 2:24 |
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