Matthäus-Passion BWV 244

~ Release by Johann Sebastian Bach; Elisabeth Schwarzkopf, Dietrich Fischer‐Dieskau, Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Rez (Ev): Und er kam und fand sie aber schlafend & Rez (Ev): Und er kam zu seinen Jüngern & Choral: Was mein Gott will
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:06
2Duett (Sopran, Alt): So ist mein Jesus nun gefangen & Chor: Laßt ihn! haltet! & Chor: Sind Blitze, sind Donner
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:59
3Rezitativ (Evangelist): Und siehe, einer aus denen
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:47
4Choral 'O Mensch, bewein dein Sünde groß'
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
soprano vocals [Soprano in ripieno]:
Hampstead Parish Church Choir (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach11:14
5[PART TWO] Arie (Alt): Ach, nun ist mein Jesus hin! & Chor: Wo ist denn dein Freund
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:28
6Rezitativ (Evangelist): 'Die aber Jesum gegriffen hatten'
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
7Choral: Mir hat die Welt trüglich gericht't
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1961-01-01 until 1961-01-12)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:29
8Rezitativ (Evangelist): Und wiewohl viel falsche Zeugen
contralto vocals:
Christa Ludwig (mezzo-soprano)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:26
9Rezitativ (Tenor): Mein Jesus schweigt zu falschen Lügen stille
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:01
10Arie (Tenor): Geduld!
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:54
11Rezitativ (Evangelist): Und der Hohepriester antwortete & Chor: Er ist des Todes schuldig!
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach2:02
12Rezitativ (Evangelist): Da speieten sie aus & Chor: Weissage, weissage
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:48
13Choral: Wer hat dich so geschlagen
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:36
14Rezitativ (Evangelist): Petrus aber saß draußen & Chor: Wahrlich, du bist auch einer von denen
bass vocals:
Walter Berry (bass‐baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:23
15Rezitativ (Evangelist): Da hub er an, sich zu verfluchen
bass vocals:
Walter Berry (bass‐baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:33
16Arie (Alt) 'Erbarme Dich, Mein Gott'
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1961-01-01 until 1961-01-12)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:23
17Choral: Bin ich gleich von dir gewichen
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1961-01-01 until 1961-01-12)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:38
18Rezitativ (Evangelist): Des Morgens aber & Chor: Was gehet uns das an?
baritone vocals:
John Carol Case (English baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach1:18
19Rezitativ (Evangelist): Und er warf die Silberlinge
baritone vocals:
John Carol Case (English baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:54
20Arie (Bass) 'Gebt Mir Meinen Jesum Wieder'
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:11
21Rezitativ Evangelist): Sie hielten aber einen Rat
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:35
22Choral: Befiehl du deine Wege
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:58
23Rez (Ev): Auf das Fest aber & Chor: Barabbam & Rez (Ev): Pilatus sprach & Chor: Laß ihn kreuzigen
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:50
24Choral: Wie wunderbarlich ist doch diese Strafe
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1961-01-01 until 1961-01-12)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:24
25Rezitativ (Evangelist): Der Landpfleger sagte
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:14
26Rezitativ (Sopran): Er hat uns allen wohlgetan
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:20
27Arie (Sopran): Aus Liebe will mein Heiland
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:43
3▶CD