| # | Title | Artist | Rating | Length |
|---|
| 1 | Break On Through (to the Other Side) | The Doors | 4.4 | 2:25 |
| 2 | Go Your Own Way | Fleetwood Mac | 4.25 | 3:38 |
| 3 | Here I Go Again | Whitesnake | 3.5 | 3:52 |
| 4 | Owner of a Lonely Heart (2008 remaster)- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.85 | 4:27 |
| 5 | Sharp Dressed Man | ZZ Top | 4.6 | 4:10 |
| 6 | Song 2- engineer:
- John Smith
- producer:
- Stephen Street
- acoustic guitar:
- Damon Albarn and Graham Coxon
- bass guitar:
- Alex James
- drums (drum set):
- Graham Coxon and Dave Rowntree
- electric guitar, theremin and background vocals:
- Graham Coxon
- Hammond organ, keyboard, piano and lead vocals:
- Damon Albarn
- percussion:
- Dave Rowntree
- publisher:
- EMI Music Publishing Ltd.
- phonographic copyright (℗) by:
- EMI Records Ltd (in 1997)
- music videos:
- Song 2 by Blur
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 8), NME: Greatest “Indie” Anthems Ever: 2007 (number: 15), Indie 88: Top 500 Indie Rock Songs (number: 57) and BILLIONS CLUB
- recording of:
- Song 2
- lyricist:
- Damon Albarn
- composer:
- Damon Albarn, Graham Coxon, Alex James and Dave Rowntree
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Ltd. , Kobalt Music Publishing Ltd. , Sony Music Publishing (Japan) Inc. , Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 , ソニー・ミュージックパブリッシング EMI外国事業部 , ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- sub-publisher:
- EMI Music Publishing Hong Kong , FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 and 香港商華納音樂出版有限公司台灣分公司
| Blur | 4.25 | 2:01 |
| 7 | American Idiot | Green Day | 2 | 2:56 |
| 8 | Welcome to the Black Parade | My Chemical Romance | | 4:37 |
| 9 | In the Air Tonight- assistant engineer:
- Nick Launay and Karen Segal
- engineer:
- Hugh Padgham
- assistant producer:
- Hugh Padgham
- producer:
- Phil Collins and Hugh Padgham
- bass guitar:
- John Giblin (in 1980)
- guitar:
- Daryl Stuermer (in 1980)
- Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder and lead vocals:
- Phil Collins (in 1980)
- violin:
- Sharokav (in 1980)
- arranger:
- Phil Collins
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981) and WEA International Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 291)
- recording of:
- In the Air Tonight (in 1980)
- lyricist and composer:
- Phil Collins
- publisher:
- EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
- part of:
- Risky Business
| Phil Collins | 4.3 | 5:31 |
| 10 | Sheena Is a Punk Rocker (2009 remaster) | Ramones | | 2:46 |
| 11 | Are You Gonna Be My Girl- additional engineer:
- Greg Gordon
- assistant engineer:
- Evil Chris
- engineer:
- Greg Fidelman
- producer and mixer:
- Brooklyn’s own Dave Sardy
- editor:
- Greg Gordon
- additional guitar:
- Brooklyn’s own Dave Sardy
- bass guitar:
- Mark Wilson
- drums (drum set):
- Chris Cester
- guitar:
- Cam Muncey and Nic Cester
- vocals:
- Cam Muncey, Chris Cester and Nic Cester
- phonographic copyright (℗) by:
- Elektra Entertainment Group Inc. (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (in 2003)
- recorded at:
- Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- mixed at:
- The Village in Los Angeles, California, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
- recording of:
- Are You Gonna Be My Girl
- writer:
- Nic Cester and Cameron Muncey
- publisher:
- Copyright Control , Universal Music Publishing and Universal Music Publishing Pty Ltd.
| Jet | 3.7 | 3:34 |
| 12 | I Believe in a Thing Called Love | The Darkness | 4.1 | 3:37 |
| 13 | I Write Sins Not Tragedies | Panic! at the Disco | 4.2 | 3:07 |
| 14 | Figure It Out | Royal Blood | 3.8 | 3:03 |
| 15 | School’s Out (2012 remaster)- engineer:
- Roy Cicala and Shelly Yakus
- producer:
- Bob Ezrin
- drums (drum set):
- Neil Smith
- electric bass guitar:
- Dennis Dunaway
- electric guitar:
- Michael Bruce and Glen Buxton
- guitar and background vocals:
- Reggie Vincent
- keyboard:
- Michael Bruce and Bob Ezrin
- lead vocals:
- Alice Cooper
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1972, in 1974) and WEA International Inc. (in 1972)
- produced for:
- Alive Enterprises Incorporated and Nimbus 9 Productions
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (number: 319)
- recording of:
- School’s Out
- writer:
- Michael Bruce , Glen Buxton , Alice Cooper , Dennis Dunaway and Neal Smith
- publisher:
- Bizarre Music Co. , BMG Platinum Songs US, Carlin Music Corporation, Copyright Control , Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.25 | 3:30 |
| 16 | Long Cool Woman (in a Black Dress) | The Hollies | 4 | 3:17 |
| 17 | Hot Blooded | Foreigner | 3.65 | 3:04 |
| 18 | Epic | Faith No More | 4.3 | 4:53 |
| 19 | Love Will Tear Us Apart (2005 remaster)- producer:
- Joy Division and Martin Hannett
- bass:
- Peter Hook
- drums (drum set):
- Stephen Morris
- guitar:
- Bernard Albrecht
- vocals:
- Bernard Albrecht and Ian Curtis
- phonographic copyright (℗) by:
- Factory Communications Ltd. (in 1988)
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1989 (All-time)), triple j’s Hottest 100 (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 179)
- recording of:
- Love Will Tear Us Apart
- lyricist:
- Ian Curtis
- composer:
- Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
- publisher:
- Fractured Music and Zomba Music Publishers Ltd.
| Joy Division | 4.5 | 3:26 |
| 20 | Just What I Needed | The Cars | 4.3 | 3:45 |
| 21 | Alternative Ulster | Stiff Little Fingers | 4.5 | 2:43 |
| 22 | What Difference Does It Make? | The Smiths | 3.95 | 3:49 |
| 23 | Brass in Pocket- additional recording engineer:
- Steve Nye
- engineer:
- Bill Price
- producer:
- Chris Thomas
- mixer:
- Michael Paul Stavrou
- phonographic copyright (℗) by:
- Warner Music UK Ltd. (in 1979, in 1987, in 2000)
- additionally recorded at:
- Air Studios in London , England, United Kingdom
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- mixed at:
- Air Studios in London , England, United Kingdom
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
- recording of:
- Brass in Pocket
- writer:
- James Honeyman‐Scott and Chrissie Hynde
- publisher:
- ATV Music Ltd., Banks Clive Music, EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , Hynde House of Hits Music and Modern Music Publishing Co., Inc.
| Pretenders | 4.3 | 3:04 |
| 24 | April Skies | The Jesus and Mary Chain | 4 | 3:11 |
| 25 | Joyride | Roxette | 4 | 4:23 |
| 26 | Golden Brown | The Stranglers | 4.4 | 3:26 |
| 27 | China Grove- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman , Tom Johnston , Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- China Grove
- lyricist and composer:
- Tom Johnston
- publisher:
- Copyright Control and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 4.65 | 3:15 |
| 28 | Ooh La La (2018 remaster) | Faces | 3.75 | 3:31 |
| 29 | Feel Like Makin’ Love (2015 remaster)- recording engineer:
- Ron Nevison (in 1974-09)
- producer:
- Bad Company
- mixer:
- Ron Nevison
- drums (drum set):
- Simon Kirke (in 1974-09)
- electric bass guitar:
- Boz Burrell (in 1974-09)
- guitar:
- Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
- keyboard:
- Mick Ralphs (in 1974-09)
- piano and lead vocals:
- Paul Rodgers (in 1974-09)
- phonographic copyright (℗) by:
- Swan Song Inc. (in 1975)
- recorded at:
- Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
- mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 78)
- recording of:
- Feel Like Makin’ Love (in 1974-09)
- writer:
- Mick Ralphs and Paul Rodgers
- publisher:
- MCA Music , MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
| Bad Company | 4.25 | 5:14 |
| 30 | If You Leave Me Now- recording engineer:
- Armin Steiner (from 1976-03 until 1976-04: strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (from 1976-03 until 1976-04)
- lead vocals:
- Peter Cetera (from 1976-03 until 1976-04)
- French horn arranger and strings arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Rhino Entertainment Company (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (in 1976)
- recorded at:
- Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- recording of:
- If You Leave Me Now (from 1976-03 until 1976-04)
- lyricist:
- Peter Cetera
- composer:
- Peter Cetera (in 1976)
- publisher:
- Big Elk Music, BMG Music Publishing Ltd., Copyright Control , Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
| Chicago | 4.2 | 3:53 |
| 31 | Everything I Own | Bread | 4.35 | 3:07 |
| 32 | For What It’s Worth | Buffalo Springfield | 4.25 | 2:35 |
| 33 | Ride Like the Wind- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, solo guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and piano:
- Michael Omartian
- percussion:
- Lenny Castro
- synthesizer:
- Rob Meurer
- background vocals:
- Christopher Cross and Michael McDonald
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. (in 1979) and Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Ride Like the Wind
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music and Universal Music–MGB Songs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Christopher Cross | 4.1 | 4:35 |
| 34 | Life’s Been Good | Joe Walsh | 3 | 8:57 |
| 35 | Slow Ride | Foghat | 4.5 | 3:58 |
| 36 | In‐A‐Gadda‐Da‐Vida | Iron Butterfly | 4 | 2:53 |
| 37 | Black Night (1995 remaster)- drums (drum set):
- Ian Paice (in 1970-05)
- electric bass guitar:
- Roger Glover (in 1970-05)
- electric guitar:
- Ritchie Blackmore (in 1970-05)
- Hammond organ:
- Jon Lord (in 1970-05)
- lead vocals:
- Ian Gillan (in 1970-05)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (in 1970-05)
- recording of:
- Black Night (in 1970-05)
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- EMI Music Publishing , Glenwood Music Corp., HEC Music and Henrees Music co.
- sub-publisher:
- EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Deep Purple | 4.25 | 3:29 |
| 38 | Aqualung | Jethro Tull | 4.25 | 6:35 |
| 39 | We’re Not Gonna Take It- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello , Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza , Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Copyright Control and Universal Tunes
- part of:
- “The Filthy Fifteen” (number: 7)
| Twisted Sister | 4.35 | 3:39 |
| 40 | Roxette | Dr. Feelgood | 4.5 | 2:55 |
| 41 | Me and Mary Jane | Black Stone Cherry | 3 | 4:08 |
| 42 | One Week | Barenaked Ladies | 4.1 | 2:49 |
| 43 | Bubbles | Biffy Clyro | 4.35 | 5:01 |
| 44 | Red Flag | Billy Talent | 4.15 | 3:18 |
| 45 | Train, Train | Blackfoot | 4.5 | 3:36 |
| 46 | 2‐4‐6‐8 Motorway (2013 remaster) | Tom Robinson Band | 4 | 3:17 |
| 47 | Casey Jones (2013 remaster) | Grateful Dead | 4 | 4:25 |
| 48 | Willin’ | Little Feat | | 2:54 |
| 49 | Born to Rock & Roll (2012 collection remaster) | The Byrds | 3 | 3:12 |
| 50 | Hello It’s Me | Todd Rundgren | | 4:24 |
| 51 | Just a Gigolo / I Ain’t Got Nobody (45 version) | David Lee Roth | | 4:19 |
| 52 | Werewolves of London | Warren Zevon | 4.9 | 3:29 |
| 53 | Polk Salad Annie | Tony Joe White | | 3:41 |
| 54 | I’m a Believer- recorded in:
- New York, New York, United States (from 1966-10-15 until 1966-10-23)
- producer:
- Jeff Barry
- acoustic guitar:
- Neil Diamond (from 1966-10-15 until 1966-10-23)
- bass:
- Dick Romoff (from 1966-10-15 until 1966-10-23)
- drums (drum set):
- Buddy Salzman (from 1966-10-15 until 1966-10-23)
- guitar:
- Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
- organ:
- Artie Butler (from 1966-10-15 until 1966-10-23)
- piano and tambourine:
- Jeff Barry (from 1966-10-15 until 1966-10-23)
- background vocals:
- Davy Jones (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
- background vocals and lead vocals:
- Micky Dolenz (from 1966-10-15 until 1966-10-23)
- arranger:
- Jeff Barry
- phonographic copyright (℗) by:
- Rhino Entertainment Company (in 1966) and WEA International Inc. (in 1966, in 1967)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
- cover recording of:
- I’m a Believer (from 1966-10-15 until 1966-10-23)
- lyricist and composer:
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music
- recording of:
- I’m a Believer
- lyricist and composer:
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music
| The Monkees | 4.65 | 2:45 |
| 55 | A House Is Not a Motel | Love | 4.35 | 3:31 |
| 56 | Rock & Roll | The Velvet Underground | 4.1 | 4:41 |
| 57 | I Wanna Be Your Dog (2005 remaster)- producer:
- John Cale
- bass guitar:
- Dave Alexander
- drums (drum set):
- Scott Asheton
- electric guitar:
- Ron Asheton
- lead vocals:
- Iggy Stooge
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 314) and Rolling Stone: 500 Greatest Songs of All Time (number: 438)
- recording of:
- I Wanna Be Your Dog
- writer:
- Dave Alexander , Ron Asheton, Scott Asheton and Iggy Pop
- publisher:
- Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| The Stooges | 3.6 | 3:10 |
| 58 | When the Children Cry | White Lion | 3.5 | 4:17 |
| 59 | 18 and Life | Skid Row | 3.85 | 3:51 |
| 60 | Jane Says | Jane’s Addiction | 4.1 | 4:47 |
| 61 | Roses for the Dead | Funeral for a Friend | | 4:06 |
| 62 | Hiding With Boys | Creeper | | 3:33 |
| 63 | I’d Do Anything | Simple Plan | 3.3 | 3:17 |
| 64 | Kick Out the Jams | MC5 | | 2:40 |
| 65 | Rockstar | Nickelback | 3.8 | 4:12 |
| 66 | Darkness Within | Machine Head | | 6:27 |
| 67 | Down With the Sickness | Disturbed | 4.25 | 4:39 |
| 68 | Motorhead (1997 remaster) | Motörhead | | 2:49 |
| 69 | Refuse/Resist- assistant engineer:
- Simon Dawson and Dave Somers
- engineer, producer and mixer:
- Andy Wallace
- co-producer:
- Sepultura
- bass guitar:
- Paulo Jr.
- drums (drum set):
- Igor Cavalera
- guitar:
- Max Cavalera and Andreas Kisser
- vocals:
- Max Cavalera
- recorded at:
- Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
- mixed at:
- The Wool Hall in Beckington, Somerset, England, United Kingdom
- part of:
- Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 58)
- recording of:
- Refuse/Resist
- lyricist:
- Max Cavalera
- composer:
- Igor Cavalera, Max Cavalera, Andreas Kisser and Paulo Jr.
- publisher:
- Roadblock Music, Inc.
| Sepultura | 4.6 | 3:19 |
| 70 | Poem | Taproot | 4 | 3:09 |
| 71 | Away From Here | The Enemy | | 3:01 |
| 72 | Take It Off | The Donnas | 4 | 2:41 |
| 73 | Boom | P.O.D. | 3.65 | 3:10 |
| 74 | Second Chance- additional engineer:
- Dorian Crozier
- assistant engineer:
- Doug McKean and Aaron Walk
- engineer:
- Doug McKean
- producer:
- Bob Cavallo and Rob Cavallo
- assistant mixer:
- Keith Armstrong
- mixer:
- Chris Lord‐Alge
- additional editor:
- Lars Fox
- lead vocals:
- Brent Smith
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 2008, in 2010) and WEA International Inc. (in 2008, in 2010)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Lightning Sound Studios in Hidden Hills, California, United States
- mixed at:
- Resonate Music in Burbank, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2009 (number: 26)
- recording of:
- Second Chance
- writer:
- Dave Bassett and Brent Smith
- publisher:
- Driven by Music, EMI Blackwood Music Inc., Two of Everything Music and WB Music Corp.
| Shinedown | 5 | 3:40 |
| 75 | Psychosocial (2012 remaster) | Slipknot | 3.85 | 4:43 |
| 76 | Walk | Pantera | 3.9 | 5:15 |
| 77 | Push It | Static‐X | 3.8 | 2:34 |
| 78 | Until the World Goes Cold | Trivium | 3 | 5:21 |
| 79 | Absolute Zero | Stone Sour | 4.35 | 3:49 |
| 80 | Poor Misguided Fool | Starsailor | 4 | 3:51 |
| 81 | Hard to Beat | Hard‐Fi | 3.45 | 4:14 |
Play on ListenBrainz