Les Inrockuptibles: 10 ans/100 chansons

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1You Made Me Realise
Produzent(in):
My Bloody Valentine (Irish shoegaze band)
Bassgitarre:
Deb B. Googe (English bassist)
Gitarre:
Bilinda Jayne Butcher
Instrumente:
K. Shields (singer/guitarist/producer, My Bloody Valentine)
Schlagzeug:
Colm Ó Cíosóig (Irish drummner, member of My Bloody Valentine)
vocals:
Bilinda Jayne Butcher und K. Shields (singer/guitarist/producer, My Bloody Valentine)
phonographisches Urheberrecht (℗) von:
Creation Records (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 50)
recording of:
You Made Me Realise
Texter und Komponist(in):
Kevin Shields (singer/guitarist/producer, My Bloody Valentine)
publisher:
Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
My Bloody Valentine4.53:47
2Natural One
recording of:
Natural One
Komponist(in):
Lou Barlow, John Davis (Folk Implosion guitarist/drummer) und Wally Gagel
The Folk Implosion53:10
3Cannonball
assistierende(r) Techniker(in):
Sean Leonard (Irish engineer) und Andy Taub (recording engineer, owner of Brooklyn Recording)
Techniker(in):
Mark Freegard
Produzent(in):
Kim Deal und Mark Freegard
Bassgitarre:
Josephine Wiggs
Gitarre:
Kelley Deal und Kim Deal
Schlagzeug:
Jim MacPherson
vocals:
Kelley Deal, Kim Deal und Josephine Wiggs
phonographisches Urheberrecht (℗) von:
4AD (in 1993)
aufgenommen bei:
Brilliant Studios in San Francisco, California (Kalifornien), Vereinigte Staaten, Coast Recorders in San Francisco, California (Kalifornien), Vereinigte Staaten und Refraze Recording Studios in Dayton, Ohio, Vereinigte Staaten
mixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Cannonball (Official Video) von The Breeders
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 22), Indie 88: Top 500 Indie Rock Songs (Nummer: 416) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 489)
recording of:
Cannonball
Texter und Komponist(in):
Kim Deal
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Period Music
The Breeders4.553:36
4Pump Up the Volume
Techniker(in):
John Fryer (British producer and engineer)
Produzent(in):
Martyn Young
Mix:
John Fryer (British producer and engineer) und Ivo Watts‐Russell
Gitarre:
A.R. Kane (British dreampop duo)
Sampler:
John Fryer (British producer and engineer)
Schlagzeug:
Colourbox
turntable:
Dave Dorrell und C.J. Mackintosh
Musikvideos:
Pump Up the Volume von M|A|R|R|S (1987 group known for “Pump Up the Volume”)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 91)
recording of:
Pump Up the Volume
Komponist(in):
Martyn Young und Steven Young (UK musician, member of Colourbox & MARRS)
Teil von:
American Psycho
MARRS3.655:08
5Pacific 202
Produzent(in):
808 State
recording of:
Pacific 202
Komponist(in):
Graham Massey, Martin Price und Gerald Simpson
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Arrangement von:
Pacific State
recording of:
Pacific 707
Komponist(in):
Graham Massey, Martin Price und Gerald Simpson
Arrangement von:
Pacific State
808 State3.355:39
6Bizarre Love Triangle
Techniker(in):
Michael Johnson (UK recording engineer and producer)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986)
aufgenommen bei:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Vereinigtes Königreich, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich und Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 114), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 201), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 220) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 379)
recording of:
Bizarre Love Triangle
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
New Order4.54:22
7Wrote for Luck
recording of:
W.F.L. (Think About the Future)
Komponist(in):
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder und Gary Whelan
publisher:
London Music
Happy Mondays6:12
8My October Symphony
recording of:
My October Symphony
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd. und Cage Music Ltd.
Pet Shop Boys5:20
9Babies
Techniker(in):
Ed Buller und Adi Winman
Produzent(in) und Mix:
Ed Buller
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1992)
produced for:
140dB
aufgenommen bei:
Fallout Shelter in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich (in 1992-07)
remixed at:
Westside Studios in London (Greater London), England, Vereinigtes Königreich (von 1994-02-08 bis 1994-02-11)
Remix von:
Babies (pre‐1994 original version, 2m30s: “Yeah”) von Pulp (von 1994-02-08 bis 1994-02-11)
recording of:
Babies (in 1992-07)
Texter:
Jarvis Cocker
Komponist(in):
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) und Russell Senior
publisher:
Island Music Ltd.
Pulp4.254:06
10Sit Down
recording of:
Sit Down
Texter:
Tim Booth
Komponist(in):
Tim Booth, Jim Glennie, Larry Gott und Gavan Whelan
James4:17
11End of a Century
Techniker(in):
John Smith (UK producer/engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
Gast-Flügelhorn:
Roddy Lorimer (von 1993-11 bis 1994-01)
Gast-Instrumente:
Kick Horns (von 1993-11 bis 1994-01)
Gast-Posaune:
Richard Edwards (trombonist) (von 1993-11 bis 1994-01)
phonographisches Urheberrecht (℗) von:
Food Ltd. (in 1994)
aufgenommen bei:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich (von 1993-11 bis 1994-01)
recording of:
End of a Century (von 1993-11 bis 1994-01)
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Blur3.152:47
12There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:36
13Empty Sea
The Sneetches3:03
14This Time Around
Luna3:31
15Sensitive
recording of:
Sensitive
Verfasser(in):
Michael Hiscock und Robert Wratten
The Field Mice55:06
16Higher Ground
The Feelies4:37
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