Blue Grass 1959-1969

~ Veröffentlichung von Bill Monroe (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Packaging: 4 CDs in individual jewel cases, packaged in LP sized box with booklet

Anmerkung zuletzt geändert am 2018-07-10 03:30 UTC.

Titelliste

1▶CD: Volume 1
2▼CD: Volume 2
Nr.TitelBewertungLänge
1There Was Nothing We Could Do
Produzent(in):
Owen Bradley
Banjo:
Tony Ellis (US banjo player) (am 1962-04-25)
Fiddle:
Red Stanley (Fiddler Harold Stanley) (am 1962-04-25) und Benny Williams (US bluegrass fiddler/multi-instrumentalist) (am 1962-04-25)
Gitarre und Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-04-25)
Kontrabass:
Bessie Lee Mauldin (am 1962-04-25)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-04-25)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-04-25)
recording of:
There Was Nothing We Could Do (am 1962-04-25)
Komponist(in):
Chuck Carson (US bluegrass songwriter)
2:36
2I Was Left on the Street
Produzent(in):
Owen Bradley
Banjo:
Tony Ellis (US banjo player) (am 1962-04-25)
Fiddle:
Red Stanley (Fiddler Harold Stanley) (am 1962-04-25) und Benny Williams (US bluegrass fiddler/multi-instrumentalist) (am 1962-04-25)
Gitarre:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-04-25)
Kontrabass:
Bessie Lee Mauldin (am 1962-04-25)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-04-25)
Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-04-25) und Bill Monroe (“The Father of Bluegrass”) (am 1962-04-25)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-04-25)
recording of:
I Was Left on the Street (am 1962-04-25)
Komponist(in):
Chuck Carson (US bluegrass songwriter) und Bill Monroe (“The Father of Bluegrass”)
publisher:
Songs of Universal, Inc. (BMI)
2:45
3Cheap Love Affair
Produzent(in):
Owen Bradley
Banjo:
Tony Ellis (US banjo player) (am 1962-04-25)
Fiddle:
Red Stanley (Fiddler Harold Stanley) (am 1962-04-25) und Benny Williams (US bluegrass fiddler/multi-instrumentalist) (am 1962-04-25)
Gitarre:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-04-25)
Kontrabass:
Bessie Lee Mauldin (am 1962-04-25)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-04-25)
Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-04-25) und Bill Monroe (“The Father of Bluegrass”) (am 1962-04-25)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-04-25)
recording of:
Cheap Love Affair (am 1962-04-25)
Komponist(in):
Chuck Carson (US bluegrass songwriter) und Bill Monroe (“The Father of Bluegrass”)
publisher:
Songs of Universal, Inc. (BMI)
2:45
4When the Bees Are in the Hive
Produzent(in):
Owen Bradley
Banjo:
Tony Ellis (US banjo player) (am 1962-04-26)
Fiddle:
Red Stanley (Fiddler Harold Stanley) (am 1962-04-26) und Benny Williams (US bluegrass fiddler/multi-instrumentalist) (am 1962-04-26)
Gitarre:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-04-26)
Kontrabass:
Bessie Lee Mauldin (am 1962-04-26)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-04-26)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-04-26)
cover recording of:
When the Bees Are in the Hive (am 1962-04-26)
Komponist(in):
Alfred Bryan (US songwriter) und Kerry Mills
2:11
5Big Ball in Brooklyn
Produzent(in):
Owen Bradley
Banjo:
Tony Ellis (US banjo player) (am 1962-04-26)
Fiddle:
Red Stanley (Fiddler Harold Stanley) (am 1962-04-26) und Benny Williams (US bluegrass fiddler/multi-instrumentalist) (am 1962-04-26)
Gitarre:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-04-26)
Kontrabass:
Bessie Lee Mauldin (am 1962-04-26)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-04-26)
Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-04-26) und Bill Monroe (“The Father of Bluegrass”) (am 1962-04-26)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-04-26)
recording of:
Big Ball in Brooklyn (am 1962-04-26)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
basiert auf:
Roll on the Ground
1:36
6Columbus Stockade Blues
Produzent(in):
Owen Bradley
Banjo:
Tony Ellis (US banjo player) (am 1962-04-26)
Fiddle:
Red Stanley (Fiddler Harold Stanley) (am 1962-04-26) und Benny Williams (US bluegrass fiddler/multi-instrumentalist) (am 1962-04-26)
Gitarre:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-04-26)
Kontrabass:
Bessie Lee Mauldin (am 1962-04-26)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-04-26)
Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-04-26) und Bill Monroe (“The Father of Bluegrass”) (am 1962-04-26)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-04-26)
cover recording of:
Columbus Stockade Blues (am 1962-04-26)
Verfasser(in):
Thomas Darby (in 1927) und Jimmie Tarlton (of Darby & Tarlton) (in 1927)
3:01
7Blue Ridge Mountain Blues
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Tony Ellis (US banjo player) (am 1962-05-03)
Fiddle:
Red Stanley (Fiddler Harold Stanley) (am 1962-05-03) und Benny Williams (US bluegrass fiddler/multi-instrumentalist) (am 1962-05-03)
Gitarre und Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-03)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-03)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-03)
recording of:
Blue Ridge Mountain Blues (am 1962-05-03)
Texter und Komponist(in):
Cliff Hess
vorher zugeschrieben zu:
Bill Clifton (American bluegrass musician and singer) und Bill Monroe (“The Father of Bluegrass”)
2:34
8How Will I Explain About You?
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Tony Ellis (US banjo player) (am 1962-05-03)
Fiddle:
Red Stanley (Fiddler Harold Stanley) (am 1962-05-03) und Benny Williams (US bluegrass fiddler/multi-instrumentalist) (am 1962-05-03)
Gitarre:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-03)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-03)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-03)
Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-03) und Bill Monroe (“The Father of Bluegrass”) (am 1962-05-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-03)
recording of:
How Will I Explain About You (am 1962-05-03)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Bill Monroe Music
2:35
9Foggy River
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Tony Ellis (US banjo player) (am 1962-05-03)
Fiddle:
Red Stanley (Fiddler Harold Stanley) (am 1962-05-03) und Benny Williams (US bluegrass fiddler/multi-instrumentalist) (am 1962-05-03)
Gitarre und Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-03)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-03)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-03)
recording of:
Foggy River (am 1962-05-03)
Texter und Komponist(in):
Fred Rose (songwriter)
cover recording of:
Foggy River
Texter und Komponist(in):
Fred Rose (songwriter)
2:17
10The Old Country Baptising
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Gitarre und Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-10)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-10)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-10)
Baritongesang:
Ray Edenton (am 1962-05-10)
Bass-Gesang:
Culley Holt (am 1962-05-10)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-10)
recording of:
Old Country Baptizing (am 1962-05-10)
Verfasser(in):
Verlon Bryant (US songwriter) und Jim Shumate
2:18
11I Found the Way
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Gitarre und Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-10)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-10)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-10)
Baritongesang:
Ray Edenton (am 1962-05-10)
Bass-Gesang:
Culley Holt (am 1962-05-10)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-10)
recording of:
I Found the Way (am 1962-05-10)
Komponist(in):
Rev. L.E. Green und Adger M. Pace
2:18
12This World Is Not My Home
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Gitarre:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-10)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-10)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-10)
Baritongesang:
Ray Edenton (am 1962-05-10)
Bass-Gesang:
Culley Holt (am 1962-05-10)
Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-10) und Bill Monroe (“The Father of Bluegrass”) (am 1962-05-10)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-10)
recording of:
This World Is Not My Home (am 1962-05-10)
Texter und Komponist(in):
J.R. Baxter
Verfasser(in):
[traditional] (special purpose artist)
2:31
13Way Down Deep in My Soul
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Tony Ellis (US banjo player) (am 1962-05-16)
Gitarre und Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-16)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-16)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-16)
Baritongesang:
Red Stanley (Fiddler Harold Stanley) (am 1962-05-16)
Bass-Gesang:
Culley Holt (am 1962-05-16)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-16)
recording of:
Way Down Deep in My Soul (am 1962-05-16)
Komponist(in):
Floyd E. Hunter
2:29
14Drifting Too Far From the Shore
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Tony Ellis (US banjo player) (am 1962-05-16)
Gitarre und Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-16)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-16)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-16)
Baritongesang:
Red Stanley (Fiddler Harold Stanley) (am 1962-05-16)
Bass-Gesang:
Culley Holt (am 1962-05-16)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-16)
recording of:
Drifting Too Far From the Shore (am 1962-05-16)
Texter und Komponist(in):
Charles Ernest Moody (20th-century American gospel songwriter)
2:29
15Going Home
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Tony Ellis (US banjo player) (am 1962-05-16)
Gitarre und Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-16)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-16)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-16)
Baritongesang:
Red Stanley (Fiddler Harold Stanley) (am 1962-05-16)
Bass-Gesang:
Culley Holt (am 1962-05-16)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-16)
recording of:
Going Home (am 1962-05-16)
Komponist(in):
Carl Tipton
2:04
16On the Jericho Road
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Tony Ellis (US banjo player) (am 1962-05-17)
Gitarre und Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-17)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-17)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-17)
Baritongesang:
Red Stanley (Fiddler Harold Stanley) (am 1962-05-17)
Bass-Gesang:
Culley Holt (am 1962-05-17)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-17)
recording of:
On the Jericho Road (am 1962-05-17)
Texter und Komponist(in):
Don McCrossan (Evangelist, singer, composer and radio announcer)
2:45
17We'll Understand It Better
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Tony Ellis (US banjo player) (am 1962-05-17)
Gitarre:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-17)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-17)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-17)
Baritongesang:
Red Stanley (Fiddler Harold Stanley) (am 1962-05-17)
Bass-Gesang:
Culley Holt (am 1962-05-17)
Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-17) und Bill Monroe (“The Father of Bluegrass”) (am 1962-05-17)
vocals:
Frank Buchanan (Bluegrass guitarist & vocalist) und Bill Monroe (“The Father of Bluegrass”)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-17)
recording of:
We Will Understand It Better By and By (am 1962-05-17)
Texter und Komponist(in):
Charles Albert Tindley
2:18
18Somebody Touched Me
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Tony Ellis (US banjo player) (am 1962-05-17)
Gitarre und Sologesang:
Frank Buchanan (Bluegrass guitarist & vocalist) (am 1962-05-17)
Kontrabass:
Bessie Lee Mauldin (am 1962-05-17)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-05-17)
Baritongesang:
Red Stanley (Fiddler Harold Stanley) (am 1962-05-17)
Bass-Gesang:
Culley Holt (am 1962-05-17)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-05-17)
recording of:
Somebody Touched Me (am 1962-05-17)
Texter und Komponist(in):
John Reedy (bluegrass/gospel musician and songwriter) (in 1939)
2:32
19Careless Love
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-11-23)
Fiddle:
Kenny Baker (US fiddler) (am 1962-11-23)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-11-23)
Kontrabass:
Bessie Lee Mauldin (am 1962-11-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-11-23)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-11-23)
recording of:
Careless Love (am 1962-11-23)
Verfasser(in):
[traditional] (special purpose artist)
2:43
20I'm So Lonesome I Could Cry
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-11-23)
Fiddle:
Kenny Baker (US fiddler) (am 1962-11-23)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-11-23)
Kontrabass:
Bessie Lee Mauldin (am 1962-11-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-11-23)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-11-23)
recording of:
I’m So Lonesome I Could Cry (am 1962-11-23)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (am 1949-10-31) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (vom 2002 bis heute)
cover recording of:
I’m So Lonesome I Could Cry
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (am 1949-10-31) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (vom 2002 bis heute)
2:14
21Jimmie Brown, the Newsboy
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-11-23)
Fiddle:
Kenny Baker (US fiddler) (am 1962-11-23)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-11-23)
Kontrabass:
Bessie Lee Mauldin (am 1962-11-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-11-23)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-11-23)
recording of:
Jimmy Brown the Newsboy (am 1962-11-23)
Texter und Komponist(in):
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
2:26
22Pass Me Not
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Fiddle:
Kenny Baker (US fiddler) (am 1962-11-23) und Joe Stuart (US bluegrass musician) (am 1962-11-23)
Gitarre:
Lonnie Hoppers (am 1962-11-23)
Kontrabass:
Bessie Lee Mauldin (am 1962-11-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-11-23)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-11-23)
recording of:
Pass Me Not (am 1962-11-23)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
basiert auf:
Pass Me Not, O Gentle Saviour
4:00
23The Gloryland Way
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-11-23)
Fiddle:
Kenny Baker (US fiddler) (am 1962-11-23)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-11-23)
Kontrabass:
Bessie Lee Mauldin (am 1962-11-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-11-23)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-11-23)
recording of:
The Glory Land Way (am 1962-11-23)
Texter und Komponist(in):
J.S. Torbett (gospel songwriter)
2:02
24Farther Along
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-11-23)
Fiddle:
Kenny Baker (US fiddler) (am 1962-11-23)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-11-23)
Kontrabass:
Bessie Lee Mauldin (am 1962-11-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-11-23)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-11-23)
recording of:
Farther Along (am 1962-11-23)
Texter:
Rev. W.A. Fletcher (in 1911)
Verfasser(in):
[traditional] (special purpose artist)
Komponist(in):
J.R. Baxter und W.B. Stevens
publisher:
Carlin Music Corporation
3:30
25Big Sandy River
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-12-06)
Fiddle:
Kenny Baker (US fiddler) (am 1962-12-06)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-12-06)
Kontrabass:
Bessie Lee Mauldin (am 1962-12-06)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1962-12-06)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-12-06)
recording of:
Big Sandy River (am 1962-12-06)
Komponist(in):
Kenny Baker (US fiddler) und Bill Monroe (“The Father of Bluegrass”)
publisher:
Songs of Universal, Inc. (BMI)
2:24
26Baker's Breakdown
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-12-06)
Fiddle:
Kenny Baker (US fiddler) (am 1962-12-06)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-12-06)
Kontrabass:
Bessie Lee Mauldin (am 1962-12-06)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1962-12-06)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-12-06)
recording of:
Baker's Breakdown (am 1962-12-06)
Komponist(in):
Kenny Baker (US fiddler) und Bill Monroe (“The Father of Bluegrass”)
2:16
27Darling Corey
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-12-06)
Fiddle:
Kenny Baker (US fiddler) (am 1962-12-06)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-12-06)
Kontrabass:
Bessie Lee Mauldin (am 1962-12-06)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-12-06)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-12-06)
recording of:
Darling Corey (am 1962-12-06)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 5723) und Roud Folk Song Index (Nummer: 5723)
2:01
28Cindy
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-12-10)
Fiddle:
Kenny Baker (US fiddler) (am 1962-12-10)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-12-10)
Kontrabass:
Bessie Lee Mauldin (am 1962-12-10)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-12-10)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-12-10)
recording of:
Cindy (am 1962-12-10)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 836)
2:03
29Master Builder
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-12-10)
Fiddle:
Kenny Baker (US fiddler) (am 1962-12-10)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-12-10)
Kontrabass:
Bessie Lee Mauldin (am 1962-12-10)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-12-10)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-12-10)
recording of:
Master Builder (am 1962-12-10)
Komponist(in):
Wes Martin (US songwriter) und J.W. Wilson
2:45
30Let Me Rest at the End of the Day
Produzent(in):
Harry Silverstein (Producer, worked with Decca Records)
Banjo:
Lonnie Hoppers (am 1962-12-10)
Fiddle:
Kenny Baker (US fiddler) (am 1962-12-10)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1962-12-10)
Kontrabass:
Bessie Lee Mauldin (am 1962-12-10)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1962-12-10)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1962-12-10)
recording of:
Let Me Rest at the End of My Journey (am 1962-12-10)
Verfasser(in):
[traditional] (special purpose artist)
2:36
3▶CD: Volume 3
4▶CD: Volume 4

Nennungen

Veröffentlichung

liner notes:Neil Rosenberg
Charles K. Wolfe
Mix:John Strother (Aufgabe: 5-track mix)
Produzent(in):Richard Weize (Aufgabe: Reissue producer)
mastering:Rebecca Everett
Discogs:https://www.discogs.com/release/4427117 [Info]
ASIN:US: B0000282XI [Info]
bestellen:https://www.bear-family.de/monroe-bill-blue-grass-1959-1969-4-cd.html [Info]