Die kompletten Werke, Volume 9: Kantaten, BWV 103-114

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Dezember 1980, März/Mai 1981 (BWV 103); September 1979, Februar 1979 (BWV 104); September/Dezember 1977, Januar 1978 (BWV 105)
CD2 Aufnahme: Gedächtniskirche Stuttgart. Januar/März/Juni 1975 (BWV 106); Februar/Oktober 1979 (BWV 107); August/Dezember 1980, Februar/März 1981 (BWV 108)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Februar 1971, Februar/März 1981 (BWV 109); Januar/Februar/Mai 1975 (BWV 110); Februar/April/Dezember 1980 (BWV 111)
CD4 Aufnahme: Gedächtniskirche Stuttgart. Dezember 1980, Februar 1981 (BWV 112); März 1973, Mai 1981 (No. 7) (BWV 113); Januar/Februar 1974, Februar 1981 (No. 5 & 7) (BWV 114)

Annotation last modified on 2014-06-19 18:07 UTC.

Tracklist

1▶CD: BWV 103-105
2▶CD: BWV 106-108
3▼CD: BWV 109-111
#TitleArtistRatingLength
1Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": I. Coro "Ich glaube, lieber Herr, hilf meinem Unglauben"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": I. Coro "Ich glaube, lieber Herr, hilf meinem Unglauben" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach6:52
2Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": II. Recitativo (Tenor) "Des Herren Hand ist ja noch nicht verkürzt"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": II. Recitativo (Tenor) "Des Herren Hand ist ja noch nicht verkürzt" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach1:52
3Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": III. Aria (Tenor) "Wie zweifelhaftig ist mein Hoffen"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": III. Aria (Tenor) "Wie zweifelhaftig ist mein Hoffen" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach5:33
4Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": IV. Recitativo (Alt) "O fasse dich, du zweifelhafter Mut"
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": IV. Recitativo (Alt) "O fasse dich, du zweifelhafter Mut" (in 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach0:50
5Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": V. Aria (Alt) "Der Heiland kennt ja die Seinen"
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": V. Aria (Alt) "Der Heiland kennt ja die Seinen" (in 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach5:43
6Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": VI. Choral "Wer hofft in Gott und dem vertraut"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": VI. Choral "Wer hofft in Gott und dem vertraut" (in 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach4:23
7Kantate, BWV 110 "Unser Mund sei voll Lachens": I. Coro "Unser Mund sei voll Lachens"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": I. Coro "Unser Mund sei voll Lachens" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach9:11
8Kantate, BWV 110 "Unser Mund sei voll Lachens": II. Aria (Tenor) "Ihr Gedanken und ihr Sinnen"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": II. Aria (Tenor) "Ihr Gedanken und ihr Sinnen" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach3:49
9Kantate, BWV 110 "Unser Mund sei voll Lachens": III. Recitativo (Bass) "Dir, Herr, ist niemand gleich"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": III. Recitativo (Bass) "Dir, Herr, ist niemand gleich" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach0:28
10Kantate, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (Tenor) "Ach Herr, was ist ein Menschenkind"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (Tenor) "Ach Herr, was ist ein Menschenkind" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:07
11Kantate, BWV 110 "Unser Mund sei voll Lachens": V. Duetto (Sopran, Tenor) "Ehre sei Gott in der Höhe"
soprano vocals:
Kathrin Graf (Swiss soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": V. Duetto (Sopran, Tenor) "Ehre sei Gott in der Höhe" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach3:39
12Kantate, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (Bass) "Wacht auf, ihr Adern und ihr Glieder"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (Bass) "Wacht auf, ihr Adern und ihr Glieder" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:17
13Kantate, BWV 110 "Unser Mund sei voll Lachens": VII. Choral "Alleluja! Gelobt sei Gott"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VII. Choral "Alleluja! Gelobt sei Gott" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Kaspar Füger (16th century hymnwriter) (in 1592)
part of:
Breitkopf 389 Choralgesänge (number: 380)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach1:01
14Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": I. Coro "Was mein Gott will, das gscheh allzeit"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": I. Coro "Was mein Gott will, das gscheh allzeit" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach5:04
15Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": II. Aria (Bass) "Entsetze dich, mein Herze, nicht"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": II. Aria (Bass) "Entsetze dich, mein Herze, nicht" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach3:09
16Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": III. Recitativo (Alt) "O Törichter! der sich von Gott entzieht"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": III. Recitativo (Alt) "O Törichter! der sich von Gott entzieht" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach1:04
17Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": IV. Aria (Alt, Tenor) "So geh ich mit beherzten Schritten"
alto vocals:
Helen Watts (contralto)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": IV. Aria (Alt, Tenor) "So geh ich mit beherzten Schritten" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach7:47
18Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": V. Recitativo (Sopran) "Drum wenn der Tod zuletzt den Geist"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": V. Recitativo (Sopran) "Drum wenn der Tod zuletzt den Geist" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach1:24
19Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": VI. Choral "Noch eins, Herr, will ich bitten dich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": VI. Choral "Noch eins, Herr, will ich bitten dich" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 345)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach1:30
4▶CD: BWV 112-114