Interstellar: Original Motion Picture Soundtrack Expanded Edition

~ Release by Hans Zimmer (see all versions of this release, 18 available)

Tracklist

1CD
2CD
#TitleRatingLength
1First Step
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
First Step (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
31:48
2Flying Drone
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Flying Drone (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
21:53
3Atmospheric Entry
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Atmospheric Entry (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
21:39
4No Need to Come Back
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
No Need to Come Back (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
24:33
5Imperfect Lock
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Imperfect Lock (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
26:55
6No Time for Caution
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
No Time for Caution (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
part of:
Interstellar (Live in Prague)
part of:
Interstellar
34:06
7What Happens Now?
recording of:
What Happens Now? (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
publisher:
Paramount Bella Music and Warner–Barham Music LLC
part of:
Interstellar
22:26
8Who’s They?
recording of:
Who’s They? (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
27:17
9Murph
recording of:
Murph (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
211:21
10Organ Variation
recording of:
Organ Variation (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
34:52
11Tick‐Tock
recording of:
Tick-Tock (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
38:19
12Day One (original demo)
demo recording of:
Day One (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
publisher:
Paramount Allegra Music, Paramount Bella Music, Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Warner Olive Music LLC and Warner–Barham Music LLC
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar (Live in Prague)
part of:
Interstellar
23:49
13Day One Dark
26:57
14Do Not Go Gentle Into That Good Night
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
spoken vocals:
Casey Affleck, Ellen Burstyn, Jessica Chastain, Mackenzie Foy, John Lithgow and Matthew McConaughey (actor and producer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Do Not Go Gentle Into That Good Night (Interstellar)
lyricist:
Dylan Thomas (the poet)
composer:
Hans Zimmer (German score composer)
arrangement of:
Do Not Go Gentle Into That Good Night
part of:
Interstellar
21:38

Credits

Release

manufactured in:Europe
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
distributed by and licensed to:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyrighted (©) by:Paramount Pictures Corp. (in 2020)
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.) (in 2020)
phonographic copyright (℗) by:Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.) (in 2020)
Discogs:https://www.discogs.com/release/16227462 [info]
other databases:https://rateyourmusic.com/release/album/hans-zimmer/interstellar-8/ [info]