100 Hits: 70s Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Queen of Clubs
Produzent(in):
Harry Wayne Casey und Richard Finch
recording of:
Queen of Clubs
Verfasser(in):
Harry Wayne Casey und Richard Finch
KC and the Sunshine Band53:20
2Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.153:13
3Get It Right Next Time
Techniker(in):
Nick Patrick
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Get It Right Next Time
Texter und Komponist(in):
Gerry Rafferty
publisher:
Stage Three Music Ltd.
Gerry Rafferty34:42
4Street Life
Techniker(in):
John Punter
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Chris Thomas (UK record producer / remixer) (in 1973-09)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1973), Virgin EG Records Ltd. (in 1973) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-09)
recording of:
Street Life (in 1973-09)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher)
Roxy Music43:28
5Let’s Work Together
Techniker(in):
David Weichman
Produzent(in):
Canned Heat und Skip Taylor
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
International Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-12-03)
engineered at:
Annex Studios (aka Music Annex or Annex Digital) in San Mateo, California (Kalifornien), Vereinigte Staaten
cover recording of:
Let’s Work Together (am 1969-12-03)
Texter:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. und United Artists Musik GmbH
Canned Heat2.653:13
6Roxette
recording of:
Roxette
Komponist(in):
Wilko Johnson
publisher:
EMI United Partnership Ltd.
Dr. Feelgood4.52:56
7I Love Rock ’n’ Roll
Bass und Sologesang:
Alan Merrill
Gitarre:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
Schlagzeug:
Paul Varley
recording of:
I Love Rock ’n’ Roll
Verfasser(in):
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) und Alan Merrill
publisher:
Finchley Music Corp.
The Arrows3:04
848 Crash
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
48 Crash
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music
Suzi Quatro4.53:54
9No More Heroes (radio edit)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
No More Heroes
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers52:57
10Sunday Girl
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
recording of:
Sunday Girl (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc (in 1978)
Blondie3.83:04
11Malt and Barley Blues
sonstige Unterstützung:
Chris Kimsey
Techniker(in) und Produzent(in):
Glyn Johns
Bass und Gitarre:
Benny Gallagher, Graham Lyle und Tom McGuinness
Keyboard [keyboards]:
Dennis Coulson und Benny Gallagher
Mandoline:
Graham Lyle
Perkussion:
Hughie Flint
Sologesang [vocals]:
Dennis Coulson, Benny Gallagher und Graham Lyle
phonographisches Urheberrecht (℗) von:
Capitol Recording (imprint of Capitol Records, Inc.) (in 1971)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Malt and Barley Blues
Verfasser(in):
Benny Gallagher und Graham Lyle
publisher:
Gallagher & Lyle Music (publisher; do NOT use as release label)
McGuinness Flint2:14
12Oh Boy
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1975)
cover recording of:
Oh, Boy!
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
Mud22:53
13Boy Oh Boy
Produzent(in):
Mickie Most (English record producer)
recording of:
Boy Oh Boy
Verfasser(in):
Roger D. Ferris und Gloria Macari
Racey2:54
14Oh You Pretty Things
recording of:
Oh! You Pretty Things
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
Peter Noone3:06
15I’d Love to Change the World (single edit)
recording of:
I’d Love to Change the World
Texter und Komponist(in):
Alvin Lee
Ten Years After3:14
16Fog on the Tyne
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Bass und Fiddle:
Rod Clements
Gitarre:
Rod Clements, Alan Hull und Si Cowe
Mundharmonika:
Ray Jackson
Perkussion und Schlagzeug:
Ray Laidlaw
vocals:
Alan Hull, Ray Jackson und Si Cowe
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
Fog on the Tyne
Texter und Komponist(in):
Alan Hull
publisher:
Charisma Music (generic publishing entity, relating to Charisma Music Publishing Co. Ltd. or Charisma Music Publishing USA, Inc.) und Hazy Music
Lindisfarne53:24
17Freedom Come, Freedom Go.
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971)
recording of:
Freedom Come, Freedom Go
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) und Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und PolyGram Music Publishing
The Fortunes3:21
18Goodbye Sam Hello Samantha
Produzent(in):
Norrie Paramor
vocals:
Cliff Richard
recording of:
Goodbye Sam, Hello Samantha
Verfasser(in):
Peter Callander, Mitch Murray und Geoff Stephens
Cliff Richard2:49
19Just a Smile
recording of:
Just a Smile
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
Pilot3:07
20Who Was It?
recording of:
Who Was It?
Texter und Komponist(in):
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd.
sub-publisher:
渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Hurricane Smith3:04
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Teil von:100 Hits (UK Demon Music Group) (Nummer: 101) (Reihenfolge: 97)