A New Approach to Johann Sebastian Bach

~ Release by Alberto Basso (see all versions of this release, 1 available)

Annotation

2 digipak style holders in front cover

Annotation last modified on 2016-11-06 08:34 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Fantasy in G major, BWV 572
organ and pipe organ:
Lionel Rogg (organist)
recorded at:
Domkirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland
recording of:
Fantasia G-Dur, BWV 572 “Pièce d’Orgue” (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 572)
Johann Sebastian Bach9:21
2Pastorella in F major, BWV 590: I.
organ [Silbermann organ in Arlesheim]:
Lionel Rogg (organist)
recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: I. (Pastorella)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
Johann Sebastian Bach2:28
3Concerto for Two Violins, BWV 1060 : III. Allegro
engineer:
Brad Michel (engineer) (in 1996-10)
producer:
Robina G. Young (producer) (in 1996-10)
editor:
Paul F. Witt (engineer/editor)
violin:
Andrew Manze (violinist and conductor) (from 1996-10-17 until 1996-10-20) and Rachel Podger (violinist) (from 1996-10-17 until 1996-10-20)
orchestra:
Academy of Ancient Music (from 1996-10-17 until 1996-10-20)
conductor:
Andrew Manze (violinist and conductor) (from 1996-10-17 until 1996-10-20)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (from 1996-10-17 until 1996-10-20)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: III. Allegro (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach3:24
4Advent Cantata, BWV 61: Nun Komm, Der Heiden Heiland
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1997)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (in 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:21
5Cantata Ich Hatte Viel Bekümmernis, BWV 21: Sinfonia (Adagio Assai)
solo oboe:
Marcel Ponseele (oboist)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:58
6Orchestral Suite no. 1 in C major, BWV 1066: IV. Forlane
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach1:19
7Orchestral Suite no. 1 in C major, BWV 1066: ,V. Menuets I & II
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:26
8Mass in B minor, BWV 232: Et Incarnatus Est
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:16
9Mass in B minor, BWV 232: Crucifixus
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:07
10Mass in B minor, BWV 232: Et Resurrexit
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:09
11Saint Matthew Passion, BWV 244: Petrus Aber / Saint Matthew Passion, BWV 244: Warlicht, Du Bist
choir vocals:
Collegium Vocale (in 1984-09)
tenor vocals:
Howard Crook (tenor) (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:11
12Saint Matthew Passion, BWV 244: Erbarme Dich
alto vocals and countertenor vocals:
René Jacobs (conductor) (in 1984-09)
choir vocals:
Collegium Vocale (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1984-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:11
13Saint Matthew Passion, BWV 244: Bin Ich Gleich
choir vocals:
Collegium Vocale (in 1984-09) and Ensemble vocal européen de la Chapelle royale (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1984-09)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:10
14Saint Matthew Passion, BWV 244: Des Morgens Aber / Saint Matthew Passion, BWV 244: Was Gehet Uns Des An? / Saint Matthew Passion, BWV 244: Und Er Warf
choir vocals:
Collegium Vocale (in 1984-09) and Ensemble vocal européen de la Chapelle royale (in 1984-09)
tenor vocals:
Howard Crook (tenor) (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:54
15Motet, BWV 225: I. Singet Dem Herrn Ein Neues Lied
choir vocals:
RIAS Kammerchor (German chamber choir)
countertenor vocals:
René Jacobs (conductor)
orchestra and performer:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Singet dem Herrn ein neues Lied, BWV 225: I. "Singet dem Herrn ein neues Lied" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
Johann Sebastian Bach4:23
16Magnificat, BWV 243: Sicut Locutus Est
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:40
17Ascension Oratorio, BWV 11: Ach, Ich Bleibe Doch
choir vocals:
Collegium Vocale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:26
18Mass in B minor, BWV 232: Agnus Dei
choir vocals:
Collegium Vocale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
196 Part Fugue, BWV 686: Aus Tieƒer Not Schrei Ich Zu Dir
organ and pipe organ:
Lionel Rogg (organist)
recorded at:
Domkirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland
recording of:
Aus tiefer Not schrei ich zu dir, BWV 686 (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 18) and Bach-Werke-Verzeichnis (number: BWV 686)
Johann Sebastian Bach5:24
20Goldberg Variations, BWV 988: Theme
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Uri Caine
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach1:06
21Goldberg Variations, BWV 988: Variation no. 25
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist)
recording of:
Goldberg-Variationen, BWV 988: Variatio 25. a 2 Clav. adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Uri Caine
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach1:31
22The Art of Fugue: Contrapunctus 1
harpsichord:
Davitt Moroney (cembalist)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach0:52
23The Art of Fugue: Contrapunctus 3
harpsichord:
Davitt Moroney (cembalist)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach0:33
24The Art of Fugue: Contrapunctus 6
harpsichord:
Davitt Moroney (cembalist)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach0:39
25The Art of Fugue: Canon in Hypodiatesseron per Augmentationem in Contrario Motu
harpsichord:
Davitt Moroney (cembalist)
Johann Sebastian Bach0:39
26The Musical Offering, BWV 1079: Ricercar a 3 (beginning)
cello:
Jaap ter Linden (cellist/violist/conductor)
flute:
Janet See
harpsichord:
Davitt Moroney (cembalist)
violin:
John Holloway (violinist/conductor)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:37
27The Musical Offering, BWV 1079: Ricercar a 6 (beginning)
cello:
Jaap ter Linden (cellist/violist/conductor)
flute:
Janet See
harpsichord:
Davitt Moroney (cembalist)
violin:
John Holloway (violinist/conductor)
recording of:
The Musical Offering, BWV 1079: V. Ricercar a 6 voci (orch. Webern)
orchestrator:
Anton Webern (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6
Johann Sebastian Bach2:58
28The Musical Offering, BWV 1079: Largo of Sonata Sopr'il Sogetto Reale
cello:
Jaap ter Linden (cellist/violist/conductor)
flute:
Janet See
harpsichord:
Davitt Moroney (cembalist)
violin:
John Holloway (violinist/conductor)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach5:59