Best 200 Hits of the 90’s (Street market release)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1Can’t Help Falling in Love
cover recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
UB403:30
2Total Eclipse of the Heart
Nicki French3:42
3Baby, I Love Your Way
recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Big Mountain4:21
4Kiss From a Rose
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
lead vocals:
Seal (English‐born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 308)
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) and SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
5Believe
producer:
Brian Rawling and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) and Rive Droite Music Productions
recorded at and mixed at:
Dreamhouse Studios in London (Greater London), England, United Kingdom
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 159) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 337)
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music and Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:58
6Missing
recording of:
Missing
lyricist:
Tracey Thorn (of Everything but the Girl)
composer:
Tracey Thorn (of Everything but the Girl) and Ben Watt
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony Music Publishing (worldwide except Japan, ended 1995)
Everything but the Girl4:43
7It’s All Coming Back to Me
recording engineer:
Steven Rinkoff
miscellaneous support:
Don Ketteler
programming:
Jeff Bova
assistant engineer:
Greg Pinto and Charles Vasoll
co-producer:
Roy Bittan and Steven Rinkoff
executive producer:
John Doelp and Vito Luprano
producer:
Jim Steinman
mixer:
Tony Phillips (engineer, mix, remix credits)
bass:
Steve Buslowe (in 1995)
drums (drum set):
Kenny Aronoff (in 1995) and Jimmy Bralower (in 1995)
grand piano [acoustic grand]:
Roy Bittan (in 1995)
guitar:
Eddie Martinez (guitar) (in 1995) and Tim Pierce (US session guitarist) (in 1995)
keyboard:
Jeff Bova (in 1995)
percussion:
Jimmy Bralower (in 1995) and Bashiri Johnson (in 1995)
background vocals:
Glen Burtnik (in 1995), Rory Dodd (in 1995), Todd Rundgren (in 1995), Kasim Sulton (in 1995) and Eric Troyer (in 1995)
lead vocals:
Céline Dion (in 1995)
arranger:
Roy Bittan, Jeff Bova, Jimmy Bralower and Jim Steinman
background vocals arranger:
Todd Rundgren
phonographic copyright (℗) by:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1995)
music videos:
It’s All Coming Back to Me Now (single version) by Céline Dion
cover recording of:
It’s All Coming Back to Me Now (in 1995)
lyricist and composer:
Jim Steinman
publisher:
Lost Boys Music (BMI affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Céline Dion57:38
8Unchained Melody
recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers3:39
9Good Vibration
recording engineer:
Jeff Dovner, Randy Melton (American musician, engineer, and producer) and Leo Okeke
drum machine programming:
Leo Okeke and Donnie Wahlberg
co-producer:
Marky Mark and Leo Okeke
producer:
Donnie Wahlberg
mixer:
Mary Alford and Tom Soares
bass and piano:
Leo Okeke
sampler:
Leo Okeke and Donnie Wahlberg
additional vocals:
Loleatta Holloway
vocals:
Marky Mark
phonographic copyright (℗) by:
Interscope Records, Inc. (not for release label use!)
recorded at:
The Plant Studios (1981–2008) in Sausalito, California, United States (from 1991-01 until 1991-05)
samples:
Hot Pants by Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Love Sensation (LP version) by Loleatta Holloway
recording of:
Good Vibrations
writer:
Mark Wahlberg, Amir Shakir and Donnie Wahlberg
Marky Mark4.654:30
10Counting Blue Cars
recording of:
Counting Blue Cars
lyricist and composer:
Scot Alexander, Rodney Browning Cravens, Gregory Kelanek, George Pendergast and J. R. Richards
Dishwalla54:52
11Standing Outside a Broken Phone Booth
recording engineer and mixer:
David Vaught
producer:
Chris O’Connor (member of Primitive Radio Gods)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recorded at and mixed at:
Camp David in Thousand Oaks, California, United States
samples:
Back to Life (club mix) by Soul II Soul and How Blue Can You Get? (live, 1970-09-10: Cook County Jail, Chicago, Illinois, USA) by B.B. King
edit of:
Standing Outside a Broken Phone Booth With Money in My Hand (album version) by Primitive Radio Gods
recording of:
Standing Outside a Broken Phone Booth With Money in My Hand
writer:
Jane Feather, Leonard Feather and Chris O’Connor (member of Primitive Radio Gods)
Primitive Radio Gods44:32
12Semi Charmed Life
programming:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) and Eric Valentine (Eric Dodd, producer and instrumentalist)
assistant engineer:
Jaquire King and Kevin Scott (engineer)
engineer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
additional producer:
Kevin Cadogan and Arion Salazar
co-producer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
producer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
bass guitar:
Arion Salazar
brushes and lead vocals:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
drums (drum set):
Brad Hargreaves
guitar:
Kevin Cadogan and Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
background vocals:
Kevin Cadogan
additional arranger:
Ren Klyce
arranger:
Kevin Cadogan and Arion Salazar
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 138) and Indie 88: Top 500 Indie Rock Songs (number: 347)
recording of:
Semi‐Charmed Life
lyricist and composer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind44:29
13One Sweet Day
percussion programming:
Walter Afanasieff and Dan Shea
synthesizer programming:
Gary Cirimelli
additional engineer:
David Gleeson
co-engineer:
Kurt Lundvall, Andy Smith (Engineer at the famous "The Hit Factory", New York.) and Brian Vibberts
engineer:
Dana Jon Chappelle
audio engineer:
Dana Jon Chappelle and Jay Healy
mixer:
Mick Guzauski
bass synthesizer, keyboard and synthesizer:
Dan Shea
guitar [guitars]:
Dann Huff
keyboard, percussion and synthesizer:
Walter Afanasieff
background vocals and lead vocals:
Boyz II Men and Mariah Carey
performer:
Boyz II Men and Mariah Carey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 43)
recording of:
One Sweet Day
lyricist:
Mariah Carey, Michael McCary, Nathan Morris (Boyz II Men), Wanya Morris and Shawn Stockman
writer:
Walter Afanasieff
composer:
Mariah Carey
publisher:
Aynaw Publishing, Black Panther Publishing Co., Ensign Music Corporation, Rye Songs, Shawn Patrick Publishing, Sony Songs Inc. and Vanderpool Publishing
Mariah Carey & Boyz II Men34:43
14I Believe
recording of:
I Believe
writer:
Jeff Pence, Matthew Senatore and Eliot Sloan
Blessid Union of Souls4:28
15I Can See Clearly Now
recording of:
I Can See Clearly Now
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Cliff3:17
16She’s So High
producer:
Bob Rock
bass guitar [bass]:
Chris Wyse
drums (drum set) [drums]:
Lance Porter (Drummer)
electric guitar, lap steel guitar, piano and lead vocals:
Tal Bachman
Moog and Wurlitzer electric piano [Wurlitzer]:
Buck Johnson
background vocals:
Tal Bachman and Buck Johnson
recording of:
She's So High
writer:
Tal Bachman
Tal Bachman4.53:45
17As I Lay Me Down
vocals:
Sophie B. Hawkins
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
recording of:
As I Lay Me Down
lyricist and composer:
Sophie B. Hawkins
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Sophie B. Hawkins54:09
18Don’t Speak
recording engineer:
Phil Kaffel
producer:
Matthew Wilder
mixer:
Holman and Paul Palmer (engineer)
bass guitar:
Tony Kanal
cello:
Melissa Hasin
drums (drum set) [drums] and percussion:
Adrian Young (drummer for No Doubt)
guitar:
Tom Dumont
keyboard and piano:
Eric Stefani
lead vocals:
Gwen Stefani
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) and Interscope Records, Inc. (not for release label use!) (in 1996)
recorded at:
York Street Studios in Auckland, Auckland (Auckland Region), North Island, New Zealand
mixed at:
Cactus Studios in California, United States
recording of:
Don’t Speak
writer:
Eric Stefani and Gwen Stefani
publisher:
Knock Yourself Out Music and Universal‐MCA Music Publishing (US)
No Doubt4.154:24
19I Believe I Can Fly
recording engineer:
Stephen George and Carl Robinson (US bassist, guitarist & recording engineer)
producer:
R. Kelly
mixer:
Stephen George and R. Kelly
arranger:
R. Kelly
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 406)
recording of:
I Believe I Can Fly
lyricist and composer:
R. Kelly
publisher:
Imagem Music (ended), R. Kelly Publishing Inc., Zomba Music Publ. Ltd. and Zomba Songs Inc.
sub-publisher:
BMG Music Publishing Hong Kong Ltd
R. Kelly3.45:22
20Fly
programming, engineer, producer and mixer:
David Kahne
assistant engineer:
John Ewing, Jr. (engineer), James Murray (US engineer), Mark Nixdorf (engineer), Mike Rew and Doug Trantow
additional vocals:
Super Cat (dancehall deejay)
performer:
Super Cat (dancehall deejay)
recorded at:
NRG Studios in North Hollywood, Los Angeles, California, United States
mixed at:
Pacifique (Burbank) in North Hollywood, Los Angeles, California, United States, Quad Studios in New York, New York, United States and Scream Studios in Studio City, Los Angeles, California, United States
recording of:
Fly
writer:
Sugar Ray (US alternative rock band) and William Maragh (dancehall deejay)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), Wild Apache Music Publishing, Inc. and Zomba Enterprises, Inc.
Sugar Ray4.254:52
21Vogue
executive producer:
Craig Kostich
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
Goh Hotoda and Shep Pettibone
lead vocals:
Madonna (“Queen of Pop”)
mixed at:
Sound Works (New York) in New York, New York, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 5)
recording of:
Vogue
writer:
Madonna (“Queen of Pop”) and Shep Pettibone
publisher:
Bleu Disque Music Co., Inc. (publisher), Lexor Music, Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
Madonna4.155:18
22You Oughta Know
additional recording engineer:
Chris Fogel (engineer) and David Schiffman (American producer/audio engineer)
recording engineer:
Glen Ballard and Ted Blaisdell
programming and producer:
Glen Ballard
co-mixer:
Chris Fogel (engineer)
mixer:
Jimmy Boyelle
bass:
Flea (US bassist)
drums (drum set):
Matt Laug
guitar [guitars]:
Dave Navarro (American guitarist)
organ:
Benmont Tench
vocals:
Alanis Morissette
part of:
Canada’s Drag Race Lip Sync Performances (season 1) (number: 8), Huffington Post: 100 Best Canadian Songs Ever (number: 15), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 103), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 145) and Indie 88: Top 500 Indie Rock Songs (number: 358)
recording of:
You Oughta Know
lyricist:
Alanis Morissette
composer:
Glen Ballard and Alanis Morissette
publisher:
Aerostation Corporation (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended), Vanhurst Place Music (ended), Arlovol Music and Songs of Universal, Inc. (BMI)
part of:
Jagged Little Pill (the musical)
Alanis Morissette44:10
23Secret
producer:
Dallas Austin and Madonna (“Queen of Pop”)
produced for:
DARP, Inc.
music videos:
Secret by Madonna (“Queen of Pop”)
recording of:
Secret
composer:
Dallas Austin, Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
Madonna3.55:03
24My Heart Will Go On
recording engineer:
Humberto Gatica and David Gleeson
miscellaneous support:
Emilie Charlap (task: orchestratra contractor) and Dan Shea (task: sound design)
additional drum machine [drum and rhythm] programming:
Dan Shea
drum machine [drum and rhythm] programming:
Walter Afanasieff
programming:
Dan Shea
assistant engineer:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson (engineer, mixer)
engineer:
Humberto Gatica (lead vocals) and Dan Shea
co-producer:
James Horner (American score composer)
producer:
Walter Afanasieff
mixer:
Humberto Gatica
additional keyboard:
Dan Shea
bass synthesizer [synth bass], Hammond organ [Hammond B-3 organ] and keyboard:
Walter Afanasieff
fiddle [Irish fiddle]:
Paul Peabody (violinist)
guitar:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
background vocals:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
My Heart Will Go On (love theme from Titanic) by Céline Dion
a cappella versions:
The music from that movie about the boat by David Thorne (designer)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 279)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
Céline Dion4.354:38
25You Gotta Be
recording of:
You Gotta Be
writer:
Des’ree and Ashley Ingram
Des’ree4:04
26Love You Always Forever
Donna Lewis3:57
27Bittersweet Symphony
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer and additional mixer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Andrew Loog Oldham, The Verve and Youth (producer/bassist Martin Glover)
lead vocals:
Richard Ashcroft
orchestra:
The Andrew Oldham Orchestra
additional strings arranger:
Wil Malone
samples:
The Last Time by The Andrew Oldham Orchestra
music videos:
Bitter Sweet Symphony by The Verve
part of:
Triple J’s Hottest 100: Twenty Years (2013) (number: 5), NME: Greatest “Indie” Anthems Ever: 2007 (number: 18), Indie 88: Top 500 Indie Rock Songs (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 382)
recording of:
Bitter Sweet Symphony
lyricist and composer:
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
is based on:
The Last Time
The Verve4.35:59
28Nobody Knows
recording engineer and engineer:
Neal Pogue (mix engineer)
producer:
Tony Rich
mixer:
Jon Gass
acoustic guitar:
Peter Moore (guitarist)
keyboard:
Joseph Richards (Joe Rich)
vocals:
Tony Rich
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1995) and LaFace Records (in 1995)
music videos:
Nobody Knows by Tony Rich Project
recording of:
Nobody Knows
writer:
Don Dubosé and Joseph Richards (Joe Rich)
publisher:
Menace Music Ltd.
The Tony Rich Project55:07
29Truly, Madly, Deeply
producer:
Charles Fisher (Australian producer)
mixer:
Mike Pela
vocals arranger:
Jim Bonnefond, Charles Fisher (Australian producer) and Darren Hayes
orchestrator:
Jackie Orszaczky
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1997)
mixed at:
Whitfield Street Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Truly Madly Deeply
publisher:
Savage Garden
writer:
Darren Hayes and Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Publishing
Savage Garden4.254:41
30Cryin’
programming:
John Webster (Canadian keyboardist)
assistant engineer:
Mike Plotnikoff
engineer:
Ken Lomas
producer:
Bruce Fairbairn
mixer:
Brendan O’Brien (engineer)
additional percussion, harmonica, mandolin, background vocals and lead vocals:
Steven Tyler
Appalachian dulcimer [dulcimer]:
Joe Perry (guitarist for Aerosmith)
baritone saxophone:
Ian Putz
drums (drum set) and drums (drum set) and percussion:
Joey Kramer (drummer for Aerosmith)
electric bass guitar:
Tom Hamilton (bassist for Aerosmith)
guitar:
Joe Perry (guitarist for Aerosmith) and Brad Whitford (Aerosmith)
instruments:
The Margarita Horns
keyboard [keyboards]:
Steven Tyler and John Webster (Canadian keyboardist)
saxophone:
Tom Keenlyside
trombone:
Bob Rogers (Trombonist)
trumpet:
Paul Baron (trumpet player) and Bruce Fairbairn
vocals:
Joe Perry (guitarist for Aerosmith)
phonographic copyright (℗) by:
Geffen Records (in 1993) and Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1993)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
music videos:
Cryin' by Aerosmith (American hard rock band)
part of:
The Downloader’s Music Source Book (number: 222)
recording of:
Cryin’
writer:
Joe Perry (guitarist for Aerosmith), Taylor Rhodes (songwriter, producer, publisher, and musician) and Steven Tyler
publisher:
EMI April Music Inc., JuJu Rhythms, Primary Wave Steven Tyler, Universal Music Corp. (USA, affiliated with ASCAP), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 1992 to ????), Swag Song Music, Inc. (from 1992 to ????) and T. Rhodes Songs (from 1992 to present)
Aerosmith3.655:09
31Ironic
recording engineer:
Glen Ballard and Ted Blaisdell
producer:
Glen Ballard
mixer:
Chris Fogel (engineer)
bass:
Lance Morrison
drums (drum set) and percussion:
Rob Ladd
guitar:
Glen Ballard and Basil Fung
organ:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
vocals:
Alanis Morissette
music videos:
Ironic by Alanis Morissette
recording of:
Ironic
lyricist:
Alanis Morissette
composer:
Glen Ballard and Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music and Vanhurst Place Music
part of:
Jagged Little Pill (the musical)
Alanis Morissette43:50
32Crash Into Me
assistant engineer:
Scott Gormley, Paul Higgins (engineer) and Chris Laidlaw
engineer:
John Siket
producer and mixer:
Steve Lillywhite
acoustic guitar and lead vocals:
Dave Matthews (of Dave Matthews Band)
alto saxophone, baritone saxophone, flute, tenor saxophone and whistle:
LeRoi Moore
bass guitar and piano:
Stefan Lessard
electric violin and violin:
Boyd Tinsley
guest acoustic guitar and electric guitar:
Tim Reynolds
recorded at:
Bearsville Studios in Bearsville, New York, United States
mixed at:
Greene St. Recording in SoHo, New York, New York, United States
recording of:
Crash Into Me
lyricist and composer:
Dave Matthews (of Dave Matthews Band)
Dave Matthews Band3.855:16
33My Lovin’ [Never Gonna Get It]
recording engineer:
Steve Counter
additional engineer:
Neil King (sound engineer) and Michael Semanick
assistant engineer:
John Jackson (engineer)
producer:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
mixer:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
Can Am Studios in Tarzana, Los Angeles, California, United States
samples:
The Payback by James Brown (The Godfather of Soul)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 471)
recording of:
My Lovin’ (You’re Never Gonna Get It)
writer:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing and Irving Music (BMI) (from 1992 to present)
En Vogue4.64:42
34Killing Me Softly
recording engineer and mixer:
Wyclef Jean (Haitian rapper, musician and actor) and Warren Riker
engineer:
Warren Riker
co-producer:
Jerry Duplessis and Pras Michel (Pras, American rapper, member of The Fugees)
producer:
Ms. Lauryn Hill and Wyclef Jean (Haitian rapper, musician and actor)
background vocals and lead vocals:
Ms. Lauryn Hill
lead vocals:
Wyclef Jean (Haitian rapper, musician and actor)
performer:
Fugees
vocals arranger:
Ms. Lauryn Hill
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1996 to present, in 1996) and Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1996)
recorded at and mixed at:
Booga Basement Studio in Bloomfield, New Jersey, United States
samples:
Bonita Applebum by A Tribe Called Quest, Fool Yourself by Little Feat, Killing Me Softly With His Song by Roberta Flack (singer and pianist), Memory Band by Rotary Connection and The Day Begins (1972 stereo mix) by The Moody Blues with the London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) conducted by Peter Knight (British arranger, conductor and composer)
a cappella versions:
Killing Me Softly (L∆VINCi Remix) by L∆VINCi (LAVINCi) feat. Fugees & Kay Flock (Kevin Perez)
part of:
Flak: Best Cover Songs of the 90's, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 136) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 359)
cover recording of:
Killing Me Softly With His Song
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC and Fox-Gimbel Productions Inc. (in 1972)
Fugees4.155:00
35Turn the Beat Around
vocals:
Gloria Estefan
cover recording of:
Turn the Beat Around
writer:
Gerald Jackson (American pianist and singer with group Touch of Class) and Pete Jackson (US disco producer)
Gloria Estefan43:54
36Fantasy
live recording of:
Fantasy
lyricist:
Mariah Carey, Chris Frantz and Tina Weymouth
composer:
Adrian Belew, Mariah Carey, Chris Frantz, Dave Hall (producer a.k.a. Jam), Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) and Tina Weymouth
publisher:
Metered Music, Inc., Ness Nitty and Capone Inc., Rye Songs, Sony Songs Inc., Sony/ATV Songs LLC, Stonejam Publishing Corp. and WB Music Corp. (1929–2019)
is based on:
Genius of Love
Mariah Carey3:44
37Black or White
recording engineer and mixer:
Bill Bottrell
additional engineer:
Matt Forger
producer:
Bill Bottrell and Michael Jackson (“King of Pop”)
bass guitar:
Terry Jackson
guest electric guitar:
Slash (Guns N’ Roses guitarist)
guitar:
Tim Pierce (US session guitarist)
guitar and percussion:
Bill Bottrell
keyboard:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) and Jasun Martz
keyboard and percussion and guest performer:
Brad Buxer
Moog and drums (drum set):
Bryan Loren (producer, songwriter, vocalist/singer, musician/multi-instrumentalist)
background vocals and lead vocals:
Michael Jackson (“King of Pop”)
other vocals and spoken vocals:
L.T.B.
spoken vocals:
Andres McKenzie
part of:
CBC Music: 10 Songs That Have Changed the World
recording of:
Black or White (in 1991)
additional lyricist:
Bill Bottrell
lyricist and composer:
Michael Jackson (“King of Pop”)
part of:
MJ: The Musical
Michael Jackson3.64:16
38Smells Like Teen Spirit
assistant engineer:
James Johnson (engineer) and Jeff Sheehan
engineer and producer:
Nirvana (1980s–1990s US grunge band) and Butch Vig
mixer:
Andy Wallace (engineer)
bass guitar:
Chris Novoselic (in 1991-05)
drums (drum set):
David Grohl (in 1991-05)
guitar and lead vocals:
Kurt Cobain (lead singer and guitarist for Nirvana) (in 1991-05)
background vocals:
Chris Novoselic (in 1991-05) and David Grohl (in 1991-05)
phonographic copyright (℗) by:
Geffen Records (in 2011)
recorded at:
Sound City Studios in Van Nuys, California, United States (in 1991-05)
mixed at:
Sound City Studios in Van Nuys, California, United States
music videos:
Smells Like Teen Spirit (official music video) by Nirvana (1980s–1990s US grunge band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 2), NME: Greatest “Indie” Anthems Ever: 2007 (number: 2), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1991 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1992 (All-time)), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 6), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 9), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2009 (All-time)), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 110)
recording of:
Smells Like Teen Spirit (in 1991-05)
lyricist:
Kurt Cobain (lead singer and guitarist for Nirvana)
composer:
Chris Novoselic, Kurt Cobain (lead singer and guitarist for Nirvana) and David Grohl
publisher:
EMI‐Virgin Songs, Inc., MJ Twelve Music, Murky Slough Music, Primary Wave Tunes, The End of Music LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), The End of Music (in 1991) and Virgin Songs, Inc. (in 1991)
Nirvana4.254:58
39I’ll Be Missin’ You
recording engineer:
Lane Craven, Axel Niehaus (German-born engineer and producer), Joe Perrera and Doug Wilson (engineer)
producer:
Sean "Puffy" Combs (Sean Combs, aka Puff Daddy, P. Diddy) and Stevie J. (US hip-hop producer/songwriter Steven Jordan)
mixer:
Michael Patterson (engineer) and Sean "Puffy" Combs (Sean Combs, aka Puff Daddy, P. Diddy)
additional performer:
112
performer:
Faith Evans
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1997)
produced for:
Puff Daddy Entertainment, Inc.
recorded at and mixed at:
Daddy’s House Recording Studios in New York, New York, United States
samples:
Every Breath You Take by The Police (British rock band)
recording of:
I’ll Be Missing You
writer:
F. Evans, Sting (singer, songwriter & member of The Police) and T. Gaither
publisher:
Blue Turtle Music, Chyna Baby Music, EMI Blackwood Music, Illegal Songs, Inc., Janice Combs Publishing, Inc., Magnetic Publishing Ltd. and September Six Music
is based on:
Every Breath You Take
Puff Daddy and Faith Evans3.25:10
40The Sign
producer:
Jonas Berggren, Douglas Carr (Swedish songwriter) and Denniz PoP
additional vocals:
Jonas Berggren and Ulf Ekberg
background vocals:
Douglas Carr (Swedish songwriter)
vocals:
Jenny Berggren, Jonas Berggren and Malin Berggren
performer:
Jonas Berggren and Ulf Ekberg
phonographic copyright (℗) by:
Mega Records (Danish euro house) (in 1993) and Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (in 1993)
recorded at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
part of:
The Downloader’s Music Source Book (number: 132), Billboard: Greatest of All Time Hot 100 Songs (number: 72) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 223)
recording of:
The Sign
lyricist and composer:
Jonas Berggren
writer:
Buddha
publisher:
Megasong Publishing A/S and Megasongs Ltd.
Ace of Base4.053:12
41I Don’t Want to Miss a Thing
assistant engineer:
Alex Dejonge (engineer) and Rob Murphy (Engineer)
engineer and mixer:
Dave Thoener
producer:
Matt Serletic
strings arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
part of:
BILLIONS CLUB and The Downloader’s Music Source Book (number: 228)
recording of:
I Don’t Want to Miss a Thing
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs (ended), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 71st Academy Award for Best Original Song (number: 2)
Aerosmith4.054:57
42Here Comes the Hotstepper
recording of:
Here Comes the Hotstepper
writer:
Ini Kamoze, Chris Kenner and Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. and Salaam Remi Music
Ini Kamoze4:14
43Return to Innocence
engineer and producer:
Michael Cretu (Romanian-born German musician, composer and record producer)
additional vocals:
Angel X
recording of:
Return to Innocence
lyricist and composer:
Michael Cretu (Romanian-born German musician, composer and record producer)
Enigma4.354:10
44Together Again
assistant recording engineer:
Xavier Smith
recording engineer and mixer:
Steve Hodge (engineer and producer)
drum machine programming:
Alex Richbourg
executive producer:
René Elizondo Jr. and Janet Jackson
producer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
lead vocals:
Janet Jackson
instruments arranger and vocals arranger:
Janet Jackson, Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1997)
arranged for and produced for:
Flyte Tyme Productions
recording of:
Together Again
writer:
René Elizondo Jr., Janet Jackson, James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Black Ice Publ. Comp., EMI April Music Inc. and Flyte Tyme Tunes Inc.
Janet Jackson4.25:04
45Right Here, Right Now
additional producer and additional mixer:
Gary Hellman and John Luongo
Jesus Jones2:33
46Informer
recording of:
Informer
lyricist:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary and Shawn Moltke (old-school US rapper Shawn Moltke)
writer:
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary and Shawn Moltke (old-school US rapper Shawn Moltke)
Snow44:33
47Always Be My Baby
sound engineer:
Phil Tan (Malaysian-American audio engineer)
additional engineer:
Jay Healy and Phil Tan (Malaysian-American audio engineer)
co-engineer:
Kurt Lundvall, Glen Marchese, Mike Scott (Production music composer/engineer a.k.a. “The Wizard”) and Andy Smith (Engineer at the famous "The Hit Factory", New York.)
engineer:
Jay Healy
co-producer:
Manuel Seal
producer:
Mariah Carey and Jermaine Dupri (American rapper, record producer, actor & DJ)
mixer:
Mick Guzauski
background vocals:
Mariah Carey, Melonie Daniels, Kelly Price and Shanrae Price
arranger:
Mariah Carey and Jermaine Dupri (American rapper, record producer, actor & DJ)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Crave Studios in New York, United States and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Crave Studios in New York, United States
recording of:
Always Be My Baby
lyricist:
Mariah Carey
composer:
Mariah Carey and Jermaine Dupri (American rapper, record producer, actor & DJ)
publisher:
Air Control Music, Inc., EMI April Music Inc., EMI Full Keel Music, Rye Songs, So So Def and Sony Songs Inc.
Mariah Carey3.754:18
48I Will Always Love You
engineer:
David Reitzas, Bill Schnee and Peter Yianilos
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Whitney Houston
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
David Reitzas
creative direction:
Rickey Minor (bass player, music director, composer, music producer)
solo saxophone:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
The Co-Op: Top 10 British Funeral Songs (number: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 60), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Whitney Houston4.54:33
49Dreams
recording of:
Dreams
lyricist:
Dolores O’Riordan
composer:
Noel Hogan and Dolores O’Riordan
The Cranberries4:32
50I Want You
producer:
Charles Fisher (Australian producer)
mixer:
Chris Lord‐Alge
mixed at:
Gotham Studios in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 97)
recording of:
I Want You
writer:
Darren Hayes and Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
ジョジョの奇妙な冒険 Part4 ダイヤモンドは砕けない (JoJo's Bizarre Adventure Part 4: Diamond is Unbreakable, 2016 anime soundtrack)
Savage Garden4.753:52
51Where Do You Go
recording of:
Where Do You Go
lyricist:
Peter Bischof‐Fallenstein and Franz Reuther
composer:
Franz Reuther
publisher:
Far M.V.
No Mercy3.254:18
52Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
triple j’s Hottest 100 of Australian Songs (number: 32), Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:08
53This Is How We Do It
recording of:
This Is How We Do It
writer:
Montell Jordan, Oji Pierce and Ricky Walters (US rapper Slick Rick)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Songs of Universal, Inc. (BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Montell Jordan4:40
54Mouth
Merril Bainbridge3:26
55U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:18
56End of the Road
co-producer:
Daryl Simmons
executive producer:
Antonio M. Reid and Kenneth Edmonds (R&B musician Kenny Edmonds)
producer:
Babyface (R&B musician Kenny Edmonds) and L.A. Reid
recording of:
End of the Road
writer:
Babyface (R&B musician Kenny Edmonds), L.A. Reid and Daryl Simmons
publisher:
Ensign Music Corporation, Green Skirt Music (publisher) and Kear Music (publisher)
Boyz II Men4.655:50
57Water Runs Dry
Boyz II Men3:22
58Mr. Jones
recorded in:
Los Angeles, California, United States
recording engineer:
Pat McCarthy
additional engineer:
Robert Hart (engineer), Steve Holroyd and Howard Willing
assistant engineer:
Mark Guilbeault and Brant Scott
executive producer:
Gary Gersh
producer:
T‐Bone Burnett (musician, songwriter and producer)
mixer:
Scott Litt (producer and engineer) and Pat McCarthy
accordion, chamberlin and Hammond organ:
Charlie Gillingham
additional drums (drum set) and additional percussion:
Denny Fongheiser
additional guitar:
T‐Bone Burnett (musician, songwriter and producer), Bill Dillon and David Immerglück
additional guitorgan:
Bill Dillon
additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
David Immerglück
bass guitar:
Matt Malley
guitar:
David Bryson and Matt Malley
harmonica and lead vocals:
Adam Duritz
piano:
Adam Duritz and Charlie Gillingham
additional background vocals:
Gary Louris, Maria McKee and Mark Olson (US alt. country musician, Jayhawks etc)
vocals:
Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
additionally recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
music videos:
Mr. Jones by Counting Crows
part of:
Indie 88: Top 500 Indie Rock Songs (number: 474)
recording of:
Mr. Jones
lyricist:
Adam Duritz
composer:
David Bryson and Adam Duritz
Counting Crows3.94:29
59Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:31
60What’s Up
recording engineer:
David Tickle (in 1992)
mastering:
Stephen Marcussen (mastering engineer)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
engineer:
Mark Hensley
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992, in 1993)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes4.354:17
61Creep
assistant recording engineer:
Brian Smith (Recorder at Theo's Lab, NYC) and Carl Glover (Recording engineer - Glover Pro Sound)
recording engineer:
Leslie Brathwaite and Alvin Speights
producer:
Dallas Austin
mixer:
Alvin Speights
instruments:
Dallas Austin
turntable [scratching]:
Sol Messiah
background vocals:
Debra Killings
vocals:
Chilli (Rozonda Thomas, member of TLC), Lisa “Left Eye” Lopes and T‐Boz
recorded at and mixed at:
D.A.R.P Studios in Atlanta, Georgia, United States
samples:
Hey Young World by Slick Rick
recording of:
Creep
lyricist and composer:
Dallas Austin
publisher:
Darp Music and EMI April Music Inc.
TLC4.34:29
62I Would Do Anything for Love
recording of:
I’d Do Anything for Love (but I Won’t Do That)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf5:15
63Do You Remember the Time
recording engineer and mixer:
Teddy Riley (US R&B singer & producer), Bruce Swedien and Dave Way
programming:
Wayne Cobham (US engineer)
co-producer:
Teddy Riley (US R&B singer & producer)
producer:
Michael Jackson (“King of Pop”) and Teddy Riley (US R&B singer & producer)
keyboard and synthesizer:
Teddy Riley (US R&B singer & producer)
background vocals and lead vocals and lead vocals:
Michael Jackson (“King of Pop”)
synthesizer arranger and additional arranger:
Teddy Riley (US R&B singer & producer)
vocals arranger:
Michael Jackson (“King of Pop”)
recording of:
Remember the Time (in 1991)
writer:
Bernard Belle, Michael Jackson (“King of Pop”) and Teddy Riley (US R&B singer & producer)
Michael Jackson3.854:00
64Baby Got Back
programming, engineer, producer and mixer:
Sir Mix‐A‐Lot
guest vocals:
Amy Dorsey
arranger:
Sir Mix‐A‐Lot
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 327)
recording of:
Baby Got Back
lyricist and composer:
Sir Mix‐A‐Lot
publisher:
Mix-A-Lot Publishing and Universal–Songs of PolyGram International, Inc.
Sir Mix‐A‐Lot3.654:27
65Show Me Love
phonographic copyright (℗) by:
BMG Sweden AB (in 1997)
recording of:
Show Me Love
writer:
Max Martin (Swedish record producer) and Robyn (Swedish singer and songwriter Robin Carlsson)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Robyn4.353:52
66Lovefool
engineer and producer:
Tore Johansson
bass guitar:
Magnus Sveningsson
drums (drum set) and percussion:
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
background vocals:
Magnus Sveningsson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
music videos:
Lovefool by The Cardigans (Swedish rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 242)
recording of:
Lovefool
lyricist:
Nina Persson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:19
67Unbreak My Heart
assistant recording engineer:
Brandon Harris (US engineer) (in 1995)
recording engineer:
Felipe Elgueta (in 1995)
keyboard programming:
David Foster (Canadian music producer, arranger and composer) (in 1995)
synclavier programming:
Simon Franglen (English score composer) (in 1995)
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Marnie Riley
mixer:
Mick Guzauski
acoustic guitar:
Dean Parks (American session guitarist) (in 1995)
electric guitar:
Michael Thompson (session guitarist) (in 1995)
background vocals:
Toni Braxton (in 1995) and Shanice (in 1995)
lead vocals:
Toni Braxton (in 1995) and Shanice Wilson (in 1995)
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid and Tim Thomas (from Tim & Ted)
phonographic copyright (℗) by:
LaFace Records, Inc. (in 1996)
arranged for and produced for:
Chartmaker, Inc.
recorded at:
Chartmaker Studios in Malibu, California, United States (in 1995) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1995)
mixed at:
Barking Doctor in Mount Kisco, New York, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 16)
recording of:
Un-Break My Heart (in 1995)
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Toni Braxton3.74:25
68I’m Every Woman
programming:
James T. Alfano and Chauncey Mahan
additional engineer:
Richard Joseph (recording engineer and musician) and Acar Key
engineer:
Marc Reyburn and Matt Rohr (Recording Engineer)
additional producer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
producer:
Narada Michael Walden
mixer:
Bob Rosa
additional vocals arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Tarpan Studios in San Rafael, California, United States
cover recording of:
I’m Every Woman (in 1992)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Whitney Houston4.24:45
69Ice Ice Baby
producer:
Vanilla Ice
vocals:
Vanilla Ice
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1990) and SBK Records (in 1990)
samples:
Under Pressure by Queen (UK rock group) & David Bowie (English singer‐songwriter)
music videos:
Ice Ice Baby by Vanilla Ice
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 49)
recording of:
Ice Ice Baby
lyricist:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) and Vanilla Ice
composer:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) and Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. and Sony/ATV Songs LLC
is based on:
Under Pressure
Vanilla Ice4.254:27
70Back for Good
programming:
Gary Barlow and Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistant engineer:
Steve McNichol
producer:
Gary Barlow and Chris Porter (engineer and producer)
guitar:
Phil Palmer (guitarist)
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1995) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1995)
recording of:
Back for Good
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd and EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:05
71Crazy
programming:
John Webster (Canadian keyboardist)
assistant engineer:
Mike Plotnikoff
engineer:
Ken Lomas
producer:
Bruce Fairbairn
mixer:
Brendan O’Brien (engineer)
additional percussion, harmonica, mandolin and lead vocals:
Steven Tyler
Appalachian dulcimer [dulcimer]:
Joe Perry (guitarist for Aerosmith)
baritone saxophone:
Ian Putz
drums (drum set) and percussion:
Joey Kramer (drummer for Aerosmith)
electric bass guitar [electric bass]:
Tom Hamilton (bassist for Aerosmith)
guitar:
Joe Perry (guitarist for Aerosmith) and Brad Whitford (Aerosmith)
instruments:
The Margarita Horns
keyboard [keyboards]:
Desmond Child, Steven Tyler and John Webster (Canadian keyboardist)
saxophone:
Tom Keenlyside
trombone:
Bob Rogers (Trombonist)
trumpet:
Paul Baron (trumpet player) and Bruce Fairbairn
vocals:
Joe Perry (guitarist for Aerosmith)
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Geffen Records (in 1993) and Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1993)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
part of:
The Downloader’s Music Source Book (number: 221)
recording of:
Crazy
writer:
Desmond Child, Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
JuJu Rhythms, Primary Wave Steven Tyler, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Desmobile Inc. (in 1992), EMI April Music Inc. (in 1992) and Swag Song Music, Inc. (in 1992)
Aerosmith3.95:14
72You Learn
recording engineer:
Glen Ballard and Chris Fogel (engineer)
programming and producer:
Glen Ballard
mixer:
Chris Fogel (engineer)
guitar and keyboard:
Glen Ballard
organ:
Benmont Tench
vocals:
Alanis Morissette
samples:
Impeach the President by The Honey Drippers (70s US funk band, backing band for Roy C. Hammond)
recording of:
You Learn
lyricist:
Alanis Morissette
composer:
Glen Ballard and Alanis Morissette
part of:
Jagged Little Pill (the musical)
Alanis Morissette3.73:55
73Giving Him Something He Can Feel
En Vogue3:58
74One Week
assistant recording engineer:
Bob MacLeod (in 1998-02) and Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) and David Leonard (US producer and engineer) (in 1998-03)
producer:
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) and Susan Rogers (US sound engineer) (in 1998)
assistant mixer:
Charlie Brocco (from 1998-03 until 1998-04) and Kevin Szymanski (from 1998-03-04 until 1998-04-04)
mixer:
David Leonard (US producer and engineer) (from 1998-03 until 1998-04)
acoustic guitar:
Ed (from 1998-02 until 1998-03)
drums (drum set) [drums]:
Tyler (from 1998-02 until 1998-03)
electric guitar:
Ed (from 1998-02 until 1998-03) and Kevin (from 1998-02 until 1998-03)
electric upright bass [electric double bass]:
Jim (from 1998-02 until 1998-03)
keyboard [keyboards]:
Kevin (from 1998-02 until 1998-03)
background vocals [dans la maison]:
Ed (from 1998-02 until 1998-03) and Tyler (from 1998-02 until 1998-03)
lead vocals [vocals]:
Ed (from 1998-02 until 1998-03) and Steven (Barenaked Ladies) (from 1998-02 until 1998-03)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (in 1998-02) and Phase One Studios in Toronto, Ontario, Canada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, United States (from 1998-03 until 1998-04)
music videos:
One Week by Barenaked Ladies
recording of:
One Week (from 1998-02 until 1998-03)
lyricist and composer:
Ed Robertson
publisher:
Treat Baker Music (in 1997) and WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies4.12:47
75Change the World
additional engineer:
Kyle Bess, Bill Kinsley and Thomas Russo
engineer:
Brad Gilderman
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Mick Guzauski
guest background vocals:
Babyface (R&B musician Kenny Edmonds)
phonographic copyright (℗) by:
Reprise Records (in 1996)
cover recording of:
Change the World
writer:
Gordon Kennedy (US country/bluegrass songwriter/musician), Wayne Kirkpatrick (American songwriter, musician and producer) and Tommy Sims (r&b, ccm)
publisher:
Magic Beans Music, Universal Music - Brentwood Benson Publishing (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner/Chappell (Warner/Chappell Music, Inc.) and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Eric Clapton3.253:56
76I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:45
77Tubthumping
engineer:
Neil Ferguson (Chumbawamba)
producer:
Chumbawamba
phonographic copyright (℗) by:
Chumbawamba (in 1997)
phonographic copyright (℗) by:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-09)
edit of:
Tubthumping (album version) by Chumbawamba
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) and Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.653:32
78Motown Philly
programming:
Rick Sheppard (engineer)
executive producer:
BIV and Vida Sparks
producer and mixer:
Dallas Austin
additional vocals:
Michael Bivins
vocals:
Michael Bivins
contains samples by:
Rick Sheppard (engineer)
arranger:
Michael Bivins, Nathan Morris (Boyz II Men) and Shawn Stockman
publisher:
BIV Entertainment Corp. and Diva One Productions
recording of:
Motownphilly
writer:
Dallas Austin, Michael Bivins, Nathan Morris (Boyz II Men) and Shawn Stockman
publisher:
Biv Ten Publishing, Diva One Music and Mike Ten Publishing
Boyz II Men3.53:58
79One of Us
recording of:
One of Us
lyricist and composer:
Eric Bazilian
Joan Osborne4:58
80Mmm’bop
programming and engineer:
Mac Quale (US composer)
additional producer:
Stephen Lironi
executive producer:
Steve Greenberg (Record producer)
producer:
The Dust Brothers (production duo John King & Mike Simpson)
mixer:
Tom Lord‐Alge
drums (drum set):
Zac Hanson
guitar:
Isaac Hanson
keyboard:
Taylor Hanson
vocals:
Isaac Hanson, Taylor Hanson and Zac Hanson
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 61)
recording of:
MMMBop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.54:29
81Jump
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 347)
recording of:
Jump
writer:
Alphonso Mizell, Andrew Noland, Berry Gordy, Jr., Leroy Bonner (funk guitarist, aka Sugarfoot), Jermaine Dupri (American rapper, record producer, actor & DJ), Fred Perren, Joe Nicolo, Marshall Jones (US bassist & songwriter, member of Ohio Players), Marvin Pierce, Norman Napier, Ralph Middlebrooks, Deke Richards (American songwriter and record producer), Walter Morrison and Greg Webster (drummer for Ohio Players)
is based on:
I Want You Back
Kris Kross43:17
82Mambo #5
co-producer:
Lou Bega and Zippy (Christian Königseder)
producer:
D. Fact and Frank Lio
instruments:
D. Fact and Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
contains samples by:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) and Lautstark (in 1999)
produced for:
Syndicate
samples:
Mambo No. 5 by Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
lyricist:
Lou Bega and Zippy (Christian Königseder)
composer:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag and Peermusic (Germany) GmbH
is based on:
Mambo No. 5 (original, 1949)
Lou Bega3.753:42
83How Bizarre
recording of:
How Bizarre
writer:
Pauly Fuemana and Alan Jansson
publisher:
Lamont Music
part of:
APRA Top 100 New Zealand Songs of All Time (number: 34)
OMC4:16
84Ditty
Paperboy4:07
85Another Night
recording of:
Another Night
writer:
Frank Hassas, Olaf Jeglitza and Jürgen Wind
publisher:
Diamond Cut and Universal Music Corp. (USA, affiliated with ASCAP)
Real McCoy3:56
86If I Could Turn Back the Hands of Time
assistant recording engineer:
Jason Bacher, Rick Behrens and Trey Fratt
recording engineer:
Chris Brickley, Stephen George and Carl Robinson (US bassist, guitarist & recording engineer)
programming:
Chris Brickley and Stephen George
additional engineer:
Tony Black (producer, engineer)
producer:
R. Kelly
assistant mixer:
Mark Johnson (engineer)
mixer:
Stephen George and R. Kelly
editor:
Chaz Harper
additional keyboard:
LaFayette Carthon, Jr.
background vocals:
Bruce Kelly, R. Kelly and Sparkle (US R&B singer)
lead vocals:
R. Kelly
orchestra:
The Motown Romance Orchestra
conductor:
Paul Riser
additional performer:
Hart Hollman (violist)
arranger:
R. Kelly
recording of:
If I Could Turn Back the Hands of Time
lyricist and composer:
R. Kelly
publisher:
R. Kelly Publishing Inc. and Zomba Songs Inc.
R. Kelly36:18
87I’m Too Sexy
programming and producer:
Tommy D.
engineer:
Graham Bonnett (Sound Engineer)
bass guitar:
Phil Spalding
guitar:
Robert Manzoli
lead vocals:
Richard Fairbrass
arranger:
Tommy D.
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom
mixed at:
Joe's Garage (Bristol) in Bristol, England, United Kingdom and Red Bus Studios in London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 475)
recording of:
I’m Too Sexy
writer:
Fred Fairbrass, Richard Fairbrass and Robert Manzoli
publisher:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:51
88If You Could Only See
recording of:
If You Could Only See
lyricist and composer:
Emerson Hart
publisher:
EMI Blackwood Music Inc.
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today)
Tonic3.34:24
89Iris
assistant engineer:
Greg Burns (engineer) (task: second engineer) and Rafa Sardina (task: second engineer)
engineer:
Allen Sides
producer:
Rob Cavallo and Goo Goo Dolls
mixer:
Jack Joseph‐Puig
bass:
Robby Takac
drums (drum set) and percussion:
Mike Malinin
guitar:
John Rzeznik
mandolin:
Tim Pierce (US session guitarist)
piano:
Jamie Muhoberac
vocals:
John Rzeznik
strings [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
music videos:
Iris by Goo Goo Dolls
recording of:
Iris
lyricist and composer:
John Rzeznik
publisher:
EMI Virgin Songs, Inc. and Scrap Metal Music
Goo Goo Dolls4.14:52
90I’ll Be There for You
executive producer:
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) and Marta Kauffman
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
lyricist:
Allee Willis
additional composer:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
composer:
Michael Skloff
The Rembrandts43:04
91Two Princes
engineer:
Frank Aversa and Spin Doctors
producer:
Frank Aversa, Peter Denenberg, Frankie LaRocka and Spin Doctors
mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass guitar:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion:
Aaron Comess
guest background vocals:
John Popper
vocals:
Chris Barron
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes (original version)
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. and Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:17
92Breakfast at Tiffany’s
engineer, producer and mixer:
David Castell
acoustic guitar and electric guitar:
Toby Pipes, Todd Pipes and Kirk Tatom
bass guitar:
Todd Pipes and Kirk Tatom
drums (drum set) and percussion:
John Kirtland (Drummer, head of Kirtland Records)
keyboard:
Toby Pipes and Todd Pipes
lap steel guitar:
Toby Pipes
organ and piano:
Kirk Tatom
vocals:
Toby Pipes, Todd Pipes and Kirk Tatom
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1995)
recording of:
Breakfast at Tiffany’s
lyricist and composer:
Todd Pipes
publisher:
Warner Chappell North America and WC Music Corp.
Deep Blue Something3.74:12
93You Make Me Wanna
vocals:
Usher (American R&B singer‐songwriter)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 469)
recording of:
You Make Me Wanna...
writer:
Jermaine Dupri Mauldin (American rapper, record producer, actor & DJ), Manuel Lonnie Seal, Jr and Usher Raymond IV (American R&B singer‐songwriter)
Usher2.53:42
94Gettin Jiggy Wit’ It
recording of:
Gettin’ Jiggy Wit It
writer:
Samuel Barnes (US rapper & hip‐hop producer, aka Tone), Bernard Edwards & Nile Rodgers, Bernard Edwards (American bassist and record producer), David Porter (US soul musician, producer & songwriter), Joey Robinson, Jr. (US Electro funk/hip hop producer, songwriter & engineer), Nile Rodgers and Will Smith (US actor aka The Fresh Prince)
publisher:
Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC (ASCAP), Treball Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Will Smith3:51
95Give Me One Good Reason
assistant engineer:
Kevin Scott (engineer)
engineer and mixer:
Don Gehman
producer:
Tracy Chapman (American singer‐songwriter) and Don Gehman
vocals:
Tracy Chapman (American singer‐songwriter)
phonographic copyright (℗) by:
Elektra Entertainment Group for the United States (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1995), WEA International Inc. for the world outside of the United States (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1995) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2015)
produced for:
Rhapsody Productions, Inc.
recorded at:
The Site in San Rafael, California, United States
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States
recording of:
Give Me One Reason
lyricist and composer:
Tracy Chapman (American singer‐songwriter)
publisher:
EMI April Music (in 1995) and Purple Rabbit Music (in 1995)
Tracy Chapman4.44:32
96All for You
recording of:
All for You
lyricist:
Ken Block
composer:
Ken Block and Sister Hazel (American alternative rock band from Gainesville FL)
Sister Hazel3.53:39
97Can’t Nobody Hold Me Down
recording of:
Can’t Nobody Hold Me Down
writer:
C. Broady, C. Chase, E. Fletcher, G. Prestopino, M. Betha (US rapper), M. Glover (Melvin Glover aka Melle Mel), M. Wilder, N. Myrick, S. Combs (Sean Combs, aka Puff Daddy, P. Diddy), S. Jordan (US hip-hop producer/songwriter Steven Jordan) and S. Robinson
publisher:
Buchu Music, EMI‐April Music Inc., Justin Combs Publishing, M. Betha Publishing, Nash Mack Publishing, No Ears Music, Six July, Steven A. Jordan Music, Streetwise Music (US publisher) and Sugar Hill Music, Inc.
Puff Daddy and Mase5:07
98Just a Girl
recording engineer:
Phil Kaffel and George Landress
producer:
Matthew Wilder
mixer:
Holman and Paul Palmer (engineer)
additional keyboard:
Matthew Wilder
bass guitar:
Tony Kanal
drums (drum set) and percussion:
Adrian Young (drummer for No Doubt)
guitar:
Tom Dumont
keyboard and piano:
Eric Stefani
trombone:
Gabrial McNair
trumpet:
Phil Jordan (trumpet player)
lead vocals:
Gwen Stefani
performer:
No Doubt (American rock band)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1995)
mixed at:
Cactus Studios in California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 133) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 192)
recording of:
Just a Girl
writer:
Gwen Stefani and Thomas Dumont
publisher:
Knock Yourself Out Music and Universal‐MCA Music Publishing (US)
No Doubt4.33:33
99Return of the Mack
recording of:
Return of the Mack
lyricist and composer:
Mark Morrison (r&b vocalist)
Mark Morrison4:38
100Tha Crossroads
recording of:
Tha Crossroads (DJ U‐Neek’s Mo Thug remix)
writer:
Byron McCane, Charles Scruggs, Anthony Henderson (aka Krayzie Bone), Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley, Chris Jasper and Steve Howse
dedicated to:
Eazy‐E
publisher:
Bovina Music Inc., EMI April Music Inc., Keenu Songs, Mo Thugs Muzik and Ruthless Attack Muzick
is based on:
Crossroad (different from "Tha Crossroads")
Bone Thugs‐n‐Harmony3:49
This medium has too many tracks to load at once; currently showing 100 out of 200 total. Load all tracks...