La Divina: Maria Callas in All Her Roles 1

~ Release by Maria Callas (see all versions of this release, 3 available)

Tracklist

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
#TitleArtistRatingLength
1Medea: Act II. Introduzione (Orchestra)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Introduzione (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
part of:
Medea: Atto II
Luigi Cherubini2:04
2Medea: Act II. “Soffrir non posso” (Medea, Neris, Creonte)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Recitativo “Soffrir non posso” (Medea, Neris, Creonte) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini2:40
3Medea: Act II. “Date aimen per pietà” (Medea, Creonte, Neris, Coro)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Concertato “Date almen per pietà” (Medea, Creonte, Neris, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini9:55
4Medea: Act II. “Medea, o Medea!” (Neris)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Recitativo “Medea, o Medea!” (Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini1:18
5Medea: Act II. “Solo un pianto con te versare” (Neris)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Aria “Solo un pianto con te versare” (Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini6:29
6Medea: Act II. “Creonte a me solo un giorno dà?” (Medea, Neris, Giasone)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Recitativo “A me Creonte un solo giorno dà?” (Medea, Neris, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini2:25
7Medea: Act II. “Figli miel, miel tesor” (Medea, Giasone)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Duetto “Figli miei, miei tesori” (Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini6:23
8Medea: Act II. “Hai dato pronto ascolto” (Medea, Neris)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. “Hai dato pronto ascolto al mio pregar” (Medea, Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini1:25
9Medea: Act II. “Ah! Triste canto!…Dio dell'Amor!” (Medea, Coro, Creonte, Glauce, Giasone)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Marcia e coro "Triste canto!” … “Dio de l'Amor!” (Medea, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini8:41
10Medea: Act III. Introduzione (Orchestra)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Introduzione (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
part of:
Medea: Atto III
Luigi Cherubini4:25
11Medea: Act III. “Numi, venite a me” (Medea, Neris)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Recitativo “Numi, venite a me” (Medea) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini4:54
12Medea: Act III. “Del fiero duol che il cor mi frange” (Medea)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Aria “Del fiero duol che il cor mi frange” (Medea) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini4:09
13Medea: Act III. “Neris, che hai fatto” (Medea, Neris)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Recitativo “Neris, che hai fatto” (Medea, Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini1:44
14Medea: Act III. “E che? Io son Medea!” (Medea, Coro, Giasone, Neris)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III: Finale “E che? Io son Medea!” (Neris, Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini11:14
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)