Mass in B minor

~ Veröffentlichung von Johann Sebastian Bach; Münchener Bach-Orchester, Karl Richter (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Anmerkung

Copyright: © 1989 Deutsche Grammophon GmbH, Berlin
This Compilation ℗ 1962 Deutsche Grammophon GmbH, Berlin

Anmerkung zuletzt geändert am 2024-12-12 17:35 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Mass in B minor, BWV 232: Kyrie: Kyrie eleison (I)
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach12:15
2Mass in B minor, BWV 232: Kyrie: Christe eleison
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Hochgesang:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
Soprangesang:
Maria Stader (soprano) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
Interpret(in):
Maria Stader (soprano) (in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:48
3Mass in B minor, BWV 232: Kyrie: Kyrie eleison (II)
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:52
4Mass in B minor, BWV 232: Gloria: Gloria in excelsis Deo
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:01
5Mass in B minor, BWV 232: Gloria: Et in terra pax
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
6Mass in B minor, BWV 232: Gloria: Laudamus te
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Hochgesang:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:31
7Mass in B minor, BWV 232: Gloria: Gratias agimus tibi
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:28
8Mass in B minor, BWV 232: Gloria: Domine Deus
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Soprangesang:
Maria Stader (soprano) (in 1961-02, in 1961-04)
Tenor-Gesang:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach6:36
9Mass in B minor, BWV 232: Gloria: Qui tollis peccata mundi
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:03
10Mass in B minor, BWV 232: Gloria: Qui sedes ad dexteram Patris
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Hochgesang:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:27
11Mass in B minor, BWV 232: Gloria: Quoniam tu solus sanctus
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Bass-Gesang:
Kieth Engen (operatic bass) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:52
12Mass in B minor, BWV 232: Gloria: Cum Sancto Spiritu
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:12
2▶Digitales Medium

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Veröffentlichungsgruppe

enthalten in:111 Years of Deutsche Grammophon: The Collectors’ Edition von Various Artists (Diverse Interpreten, add compilations to this artist)